SKID ROW GUITARIST DAVE SABO DISCUSSES THE 25TH ANNIVERSARY OF THE BAND’S SELF TITLED DEBUT ALBUM

skidrowband2012 Graham Finney of Planet Loud spoke with Skid Row guitarist Dave “Snake” Sabo. Excerpts from the interview appear below.

Planet Loud: Twenty five years has passed since the first Skid Row album so who is the Skid Row audience today?

Dave Sabo: It runs the gamut from the people who grew up coming to our shows and they’re turning their kids onto us so we’ll see them as well. I think because of that, in certain areas, we’re getting a younger audience that you wouldn’t expect to be into Skid Row and it amazes me. I’ll look out and see the usual suspects and that’s fuckin’ cool then, all of a sudden, I’ll see a 21 year old kid in a Slayer shirt and that’s really something.

Planet Loud: A large percentage of your audience will want to hear a certain era of the band’s material. Is it hard to get the balance right?

Dave Sabo: Of course they will but I don’t think it’s difficult getting that balance right. A lot of bands either do the classics and nothing else or shy away from it. We’re really proud of our history. We’ve been a band for twenty-seven years and been releasing records for twenty-four. We’re proud of all of it – every incarnation of the band has had something to say and you’ve got to stand behind that. I’m really proud of all those songs.

Planet Loud: It must be a good feeling to know that people still want to hear those songs?

Dave Sabo: You know, it bums me out when I hear people saying they hate playing a certain song because they’ve been playing it for thirty years. It amazes me that songs we wrote all that time ago are songs that people have taken as their own. It humbles me. Going back to your previous question though, one of the things about this band is that we love playing live even if we have been the underdogs at time so I don’t think it’s difficult to please everybody because we give it all to ‘em!

Planet Loud: Playing to seventy-five thousand people in Russia, the Bon Jovi tour, the Motley Crue tour. How much of a headfuck was that?

Dave Sabo: Honestly, not much of one because I’ve always been fairly grounded because of my upbringing. I never viewed anything as if I was owed it, I always viewed it as a gift and was always very thankful for what I’ve achieved.

Planet Loud: Would you agree that timing had a big part in your success as every song on your debut album was perfect for that era?

Dave Sabo: Absolutely. It’s weird because you really can’t tell what is going to happen. I’ve seen bands put out material and expect it to do really well and it hasn’t and they can’t figure out why. We put the record out and just couldn’t believe the opportunities we were getting to take the music we had written out to some of these places. You can’t predict that sort of thing. Sales are just numbers though, the thing for me is when you travel to a place and you see somebody sing that song back at you, I get choked up every night seeing that. It means that I was part of something that has affected somebody on an emotional level.

Planet Loud: [Your] second record [Slave to the Grind] seemed to be a bit of a ‘fuck-you’ to everybody?

Dave Sabo: It was and it was important for us to make that record. That is my favorite record and it was important for us in so many different ways. The fact that it shocked a lot of people and we also lost a lot of people because of it – the screaming sixteen year old girls disappeared but I know that we gained a lot of respect amongst our peers and it opened a whole load of new doors for us – like having Pantera on tour with us, having Soundgarden on tour with us. That wouldn’t have happened if we’d not made that record.

Planet Loud: The debut album came out twenty-five years ago – anything special planned?

Dave Sabo: You know, I haven’t even thought about it. We’re constantly asked about a reunion and have been since the twentieth anniversary and the offers have been phenomenal but, for me, I don’t know, at this point I don’t have an interest in it. Again, it’s not like I have any hatred for it or anything like that, I’m where I’m at right now and it feels really good.

Read more at Planet Loud.

Sid Row will be releasing Rise Of The Damnation Army – United World Rebellion: Chapter Two on August 4th in Europe and August 5th in the US. Watch a teaser for the album here.

source: planet-loud.com

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JUDAS PRIEST PREVIEW “SWORD OF DAMOCLES”

judaspriest640 Judas Priest have been previewing and streaming full versions of songs from their upcoming album Redeemer of Souls, which will be released July 8th. Below is a preview of the song, Sword Of Damocles, with commentary from the Metal God himself, Rob Halford. Watch it below.

The band is also streaming the entire album on on iTunes Radio.

To hear other songs and previews from Redeemer of Souls, click on the highlighted song titles:

Redeemer of Souls
March of the Damned
Halls Of Valhalla
Crossfire
Dragonaut
Battle Cry
Metalizer

Redeemer of Souls is due July 8th through Epic Records.

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NEW ENGLAND REUNITE TO PERFORM IN MASSACHUSETTS IN AUGUST

newenglandtheband400 New England will be performing a reunion concert the Regent Theatre in Arlington, MA on August 15th. This is the first time all four original members have performed together since 1983. Tickets for this event can be purchased here.

New England is a four-piece rock and roll band hailing from Boston, MA. John Fannon (guitar & vocals), Hirsh Gardner (drums and vocals), Jimmy Waldo (keyboards and vocals) and Gary Shea (bass) broke out of the local scene with the release of their self-titled album on Infinity/MCA in 1979. The first single, Don’t Ever Wanna Lose Ya (see video below), became an AOR smash and even cracked the Top 40. The album was produced by Mike Stone and Paul Stanley of Kiss, with whom New England toured for much of 1979 and 1980.

For their sophomore effort, entitled Explorer Suite, the foursome once again called upon veteran knob-twirler Mike Stone. Highlights from this album are the orchestral title track, It’s Never Too Late, and Conversation, which features New England’s trademark lush background vocals. The touring never let up for the boys from Boston as they split their time on the Explorer Suite tour between headlining large clubs and sharing arena billing with Journey, AC/DC, Cheap Trick, and Kiss among others.

For the third album, Walking Wild, the legendary Todd Rundgren was at the helm. The results of these sessions were hard-driving anthemic tunes such as Don’t Ever Let Me Go, L-5 (co-written by Fannon, Waldo & Rundgren) and the kick-ass rocker Holdin’ Out On Me, which features Hirsh Gardner on lead vocals. The frustration over the lack of label support grew and the band parted ways. While Fannon & Gardner went on to successful careers as producers and Shea & Waldo formed Alcatrazz with Graham Bonnet
& Yngwie Malmsteen, nothing seemed to match the excitement of New England. The real strength of New England was the combination of four strong & diverse individuals: Fannon’s lead vocals & songwriting, Waldo’s whirling keyboards, Gardner’s driving skin-pounding and high-pitched vocals and Shea’s thunderous bass lines.

While the records speak for themselves, the fans are the reason New England lives: Waldo explains,“I would tour all over the world with Alcatrazz and every country we’d go to people would have New England albums for me to sign. It really shows you the power of music. We have fans all over Europe & Japan, places we never even toured. It’s amazing.”

Watch the video for Don’t Ever Wanna Lose Ya below.

Listen to their self titled debut album below.

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KING DIAMOND DISCUSSES HIS FORTHCOMING TOUR

King Diamond Kory Grow of Rolling Stone spoke with singer King Diamond (Mercyful Fate, King Diamond) about his forthcoming North American tour. Excerpts from the interview appear below.

Rolling Stone: What sorts of freaky things can fans expect on your North American tour?

King Diamond: It’s a very dark show. King Diamond was always more Satanic than Mercyful Fate. And I’m not saying anything bad about Mercyful Fate – I love that band but sometimes people forget that King Diamond is the Satanic philosophy through and through. I was made an eternal member of the Church of Satan by Anton LeVey himself in 1988.

Rolling Stone: Where did you get the bones for the microphone stand you made out of a femur and tibia?

King Diamond: My younger brother’s schoolmate’s dad was a surgeon. He taught students how to operate on donated bodies, and when they were done, they would strip the skin off the bodies and put the bones in barrels. He took a couple of bones home to his son, and my brother convinced him to give it to him. I feel like the person who they belonged to is now getting to see the world in a different way. I don’t mean that in a sick way at all.

Rolling Stone: What is life like for you, since your surgery? [The singer had triple-bypass surgery in 2010]

King Diamond: I have a braided, metal wire going down the middle of my chest, underneath my skin. I saw it on an X-ray of it; it looks like a piece of jewelry. When they sawed me open to do the operation, my ribcage was like a double door, to be blunt. They put the wire in to help it grow back together. I’m lucky. You can barely see where I was glued together. I can’t take painkillers, because they thin my blood. So when I have pain, I have to live with it. But that’s how it is. To get a second chance is amazing.

King Diamond: So you’re working on a new album?

King Diamond: We’ve done a lot of stuff. We are going in some new ways that are going to be amazing. I’ve been building a studio so I can do my vocals at home. Once it’s completed, we can start recording. I have a title for a new record, but I won’t say it. [The record] will encompass the things I need to write about after what I went through. But I can’t say much about it because I haven’t talked to the rest of the band about it.

Read more at Rolling Stone.

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source: rollingstone.com

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OVERKILL DEBUTS NEW MUSIC VIDEO FOR “ARMORIST,” WATCH IT HERE

overkill640 OverkillL has debuted an all new music video for their newest single Armorist exclusively through Noisey Music today. Directed by long time collaborator Kevin J. Custer, the video depicts the raw power that emulates from the bands viscous live show. “We had a head banging riot working with Kevin Custer, he has an eye for the performance and the fast editing hand. Just what the doctor ordered for a face-melting, thrash-a-thon!,” says frontman Bobby Blitz.

This is the third time Custer has worked with the band. Prior to Armorist he was directed Bring Me The Night, from Ironbound in 2010 and Electric Rattlesnake from The Electric Age in 2012. Blitz continues, “I was quite blown away with his use of natural light in Armorist, as if he let the sun in through the windows, then controlled how it was used. Horns up Kids, here comes the Overkill/Custer, Armorist!” Watch the video below.

Overkill will release White Devil Armory on July 22nd through eOne Music in North America, and July 18th overseas via Nuclear Blast. The effort is the follow up to the critically acclaimed The Electric Age released in 2012. Pre-order on iTunes here.

White Devil Armory track listing:

1. XDM
2. Armorist
3. Down To The Bone
4. PIG
5. Bitter Pill
6. Where There’s Smoke
7. Freedom Rings
8. Another Day To Die
9. King Of The Rat Bastards
10. It’s All Yours
11. In The Name

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JUDAS PRIEST STREAM NEW ALBUM, “REDEEMER OF SOULS”

judaspriest640 Judas Priest are streaming their new album, Redeemer of Souls, on iTunes Radio.

In the past several weeks, Judas Priest have been previewing and streaming many of the songs from Redeemer of Souls. Click on the highlighted titles below to hear the corresponding song.

Redeemer of Souls
March of the Damned
Halls Of Valhalla
Crossfire
Dragonaut
Battle Cry
Metalizer

Redeemer of Souls is due July 8th through Epic Records.

judaspriestredeembecover640

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