The world’s most notorious rock band, Mötley Crüeannounces the release of The Dirt Soundtrack that accompanies the upcoming Netflix Film, The Dirt,based on the New York Times best-selling 2001 autobiography by Mötley Crüe and Neil Strauss. The soundtrack and film are set to release March 22nd worldwide
The upcoming Netflix Film The Dirt is an unflinching and uncensored story about sex, drugs, rock ‘n roll, fame, and the high price of excess.Director Jeff Tremaine (Jackass co-creator) shows us just how Nikki Sixx (Douglas Booth), Mick Mars (Iwan Rheon), Tommy Lee (Colson Baker a.k.a. Machine Gun Kelly), and Vince Neil (Daniel Webber) took Mötley Crüe from the Sunset Strip to the world stage, and what it meant to become the world’s most notorious rock band.
The Dirt soundtrack includes four brand new songs and is available for pre-order nowthrough Mötley Records and Eleven Seven Music. The pre-order offers an instant download of the single, “The Dirt (Est. 1981) (feat. Machine Gun Kelly) here. Additionally, exclusive to the film and soundtrack, you can find The Dirt inspired merch bundles, here.
“During the filming of our movie we got excited and inspired to write new music. Getting back in the studio with Bob Rock just fueled the creative fires for us. To me, the music sounds like classic Mötley. The lyrics were written for the movie and are a reflection of our life.” says Nikki Sixx.
Watch the official music video for The Dirt (Est. 1981) (feat. Machine Gun Kelly) , below.
The 18-song soundtrackfeatures a collection of Mötley Crüe classics that meaningfully underscore significant moments that shape the film.The album includes 14 fan-favorites and chart topping tracks such as “Dr. Feelgoodthat charted at number six on Billboard’s Hot 100 and the anthemic Girls, Girls, Girls which reached number two on Billboard’s Top 200amongst others. Additional hits featured are Kickstart My Heart, Same ‘Ol Situation (S.O.S.), Shout At The Deviland the iconic ballad, Home Sweet Homethat landed the band mainstream recognition.
Exclusive to the film’s soundtrack, Mötley Crüerecorded four new songs featuring the single, “The Dirt (Est. 1981) (feat. Machine Gun Kelly)” with effortless rap verses surrounding signature guitar riffs. The three remaining songs conclude the album with the catchy Ride With The Devil,Crash And Burn”and the band’s own spin on Madonna’s, Like A Virgin.”
The Dirt soundtrack track list:
1. The Dirt (Est. 1981) (feat. Machine Gun Kelly) 2. Red Hot 3. On With The Show 4. Live Wire 5. Merry-Go-Round 6. Take Me To The Top 7. Piece Of Your Action 8. Shout At The Devil 9. Looks That Kill 10. Too Young To Fall In Love 11. Home Sweet Home 12. Girls, Girls, Girls 13. Same Ol’ Situation (S.O.S.) 14. Kickstart My Heart 15. Dr. Feelgood 16. Ride With The Devil 17. Crash And Burn 18. Like A Virgin
Yes, I agree, that is a lowlight of the song. Other than that, it is a decent tune.
Charles Clinchoton
I agree , good toon till the rapper comes in. Is it me or does the guy who plays Vince Neil look more like Randy Rhoads than Vince. I have a Netflix account so i’ll probably watch it when is comes out.
shannon mehaffeyon
Lol…right there in the middle they inexplicably went into Billy Joel’s “We Didn’t Start the Fire…” there it is again.
Brilliant observation. The song is the history of the band so it’s in effect CRUE’S WE DIDN’T START THE FIRE instead of Billy Joel’s 20th century references. You have a keen eye and a crisp mind. What would that song sound like now?
PEARL JAM END OF GLAM
BILL CLINTON SEX SCAM
STEM CELL COME TO LIFE
O.J. SIMPSON WITH A KNIFE
GEORGE BUSH AND HIS SON
AMY FISCHER WITH A GUN
RIPPER OWENS JOHN CORABI
BLAZE BAILEY SOUNDING SLOPPY
NO MORE QUIET RIOT
EDDIE TRUNK ON A DIET
DONALD TRUMP PRESIDENT
ALEC BALDWIN STILL A RESIDENT
BALL PLAYERS TAKE A KNEE
ANY BATHROOM TAKE A PEE
TIM TEBOW TOM BRADY
WILLIAM SHATNER TURNED 80
BIN LADEN SADDAM HUSSEIN
CHRISTAIN BAILE AS BRUCE WAYNE
TONYA HARDING LEBRON JAMES
WACO DOWN IN FLAMES
WE DIDN’T START THE FIRE………
While I cannot stomach that song, nor am I a fan of Joel, I think you are extremely clever.
D 🙂
shannon mehaffeyon
Monet, that really holds up and you made it look easy.
shannon mehaffeyon
Plus, you know, you gotta hand it to Sixx, he doesn’t rehash his hits…he has pretty good quality control; the song is good and for a new rock song to actually be good now…I just don’t have the time…it’s got to entertain me or it’s out. I got Crue’s first record upon release; not the Leahtur version though…but after they were picked up by Elektra. I had my subscription to Circus and the saw the ad for Too Fast For Love…so I am in the store and I looked at the record and almost didn’t buy it because I just thought they looked like some gimmick band that would probably really disappoint me. So, I am there at the record store with my first new copy of British Steel, Maiden Japan, and One Vice at a Time…lol..and I’m holding this Crue record and really hemmming and hawing over it….I actually don’t know why I got it…but, it instantly impressed me; and that feeling you get when you discover a new band and the record is actually good and you’re 15…I actually wasn’t that impressed with the Krokus record. And keep in mind, we already had all the great records by then…
Rattleheadon
Shannon, get the Leathur release. It has a great raw mix that I think is way better sounding than the polished Elektra release. I’ve got three of the original Leathur releases in my collection!
shannon mehaffeyon
Thanks, Rattlehead, Roy Thomas Baker went in and remixed it…Stick to Your Guns actually isn’t as good as the rest of the record…it sounds like (good) Runaways…it’s decent but I can see why Roy Thomas Baker left it off the record. The running order on the Roy Thomas Baker record is also exactly right…and was a big reason why I was so initially impressed with the record. I am listening to some of that Leathur version on youtube; that is a lot rawer…it has that charm to it.
Doug R.on
I’m sure this was Tommy (f–khead) Lee’s idea. I am so sick and tired of “rockers” having rappers in their new music. This is one reason why this rap shit won’t go away, because of idiots like Tommy (f–khead) Lee.
I think it’s a damn cool song and Bob Rock’s production is instantly recognizable. As for some people being upset that there’s a (gasp!) rapper in the middle and end, this is what you’re going to get from Nikki Sixx and Tommy Lee in 2019. In a way, it’s probably good for old-school Motley Crue fans that the band isn’t around anymore because I have a feeling Motley: 2019 would probably experiment and add flavors that old-school fans would find sacrilege (see: Tommy’s DJ’ing and some Sixx AM).
I’m sure my opinion’s in the minority on this forum.
The song sounds Ok, contemporary I guess, at least it’s not just rehashing some old sound. That being said, I am no fan of rap so I can sympathize with what Doug R. is saying. Some nice wordplay there Micheal Monet, that may have sounded better in the song than what was there.
I have always felt the one thing classic Motley Crue was missing was some clown rapping in it…..
Yes, I agree, that is a lowlight of the song. Other than that, it is a decent tune.
I agree , good toon till the rapper comes in. Is it me or does the guy who plays Vince Neil look more like Randy Rhoads than Vince. I have a Netflix account so i’ll probably watch it when is comes out.
Lol…right there in the middle they inexplicably went into Billy Joel’s “We Didn’t Start the Fire…” there it is again.
Brilliant observation. The song is the history of the band so it’s in effect CRUE’S WE DIDN’T START THE FIRE instead of Billy Joel’s 20th century references. You have a keen eye and a crisp mind. What would that song sound like now?
PEARL JAM END OF GLAM
BILL CLINTON SEX SCAM
STEM CELL COME TO LIFE
O.J. SIMPSON WITH A KNIFE
GEORGE BUSH AND HIS SON
AMY FISCHER WITH A GUN
RIPPER OWENS JOHN CORABI
BLAZE BAILEY SOUNDING SLOPPY
NO MORE QUIET RIOT
EDDIE TRUNK ON A DIET
DONALD TRUMP PRESIDENT
ALEC BALDWIN STILL A RESIDENT
BALL PLAYERS TAKE A KNEE
ANY BATHROOM TAKE A PEE
TIM TEBOW TOM BRADY
WILLIAM SHATNER TURNED 80
BIN LADEN SADDAM HUSSEIN
CHRISTAIN BAILE AS BRUCE WAYNE
TONYA HARDING LEBRON JAMES
WACO DOWN IN FLAMES
WE DIDN’T START THE FIRE………
Michael,
While I cannot stomach that song, nor am I a fan of Joel, I think you are extremely clever.
D 🙂
Monet, that really holds up and you made it look easy.
Plus, you know, you gotta hand it to Sixx, he doesn’t rehash his hits…he has pretty good quality control; the song is good and for a new rock song to actually be good now…I just don’t have the time…it’s got to entertain me or it’s out. I got Crue’s first record upon release; not the Leahtur version though…but after they were picked up by Elektra. I had my subscription to Circus and the saw the ad for Too Fast For Love…so I am in the store and I looked at the record and almost didn’t buy it because I just thought they looked like some gimmick band that would probably really disappoint me. So, I am there at the record store with my first new copy of British Steel, Maiden Japan, and One Vice at a Time…lol..and I’m holding this Crue record and really hemmming and hawing over it….I actually don’t know why I got it…but, it instantly impressed me; and that feeling you get when you discover a new band and the record is actually good and you’re 15…I actually wasn’t that impressed with the Krokus record. And keep in mind, we already had all the great records by then…
Shannon, get the Leathur release. It has a great raw mix that I think is way better sounding than the polished Elektra release. I’ve got three of the original Leathur releases in my collection!
Thanks, Rattlehead, Roy Thomas Baker went in and remixed it…Stick to Your Guns actually isn’t as good as the rest of the record…it sounds like (good) Runaways…it’s decent but I can see why Roy Thomas Baker left it off the record. The running order on the Roy Thomas Baker record is also exactly right…and was a big reason why I was so initially impressed with the record. I am listening to some of that Leathur version on youtube; that is a lot rawer…it has that charm to it.
I’m sure this was Tommy (f–khead) Lee’s idea. I am so sick and tired of “rockers” having rappers in their new music. This is one reason why this rap shit won’t go away, because of idiots like Tommy (f–khead) Lee.
I think it’s a damn cool song and Bob Rock’s production is instantly recognizable. As for some people being upset that there’s a (gasp!) rapper in the middle and end, this is what you’re going to get from Nikki Sixx and Tommy Lee in 2019. In a way, it’s probably good for old-school Motley Crue fans that the band isn’t around anymore because I have a feeling Motley: 2019 would probably experiment and add flavors that old-school fans would find sacrilege (see: Tommy’s DJ’ing and some Sixx AM).
I’m sure my opinion’s in the minority on this forum.
The song sounds Ok, contemporary I guess, at least it’s not just rehashing some old sound. That being said, I am no fan of rap so I can sympathize with what Doug R. is saying. Some nice wordplay there Micheal Monet, that may have sounded better in the song than what was there.