FORMER SLAYER DRUMMER DAVE LOMBARDO DISCUSSES THE BAND, JEFF HANNEMAN AND THE MUSIC INDUSTRY

davelombardo Former Slayer and current Philm drummer Dave Lombardo was interviewed on the March 16th edition of the Radio Screamer show. A couple of excerpts follow as transcribed by blabbermouth.net.

Discussing what it is that keeps him coming back to Slayer:

Lombardo: “Oh, well, I don’t think that’s ever gonna happen again. Well, the reason why… I mean, time passed. It was ten years. When I returned in 2001, it had been already ten years that I was out of the band, and it felt like it was the right time. It was water under the bridge, we didn’t have any grudges, but apparently that really wasn’t the case, because later I find out that, ‘Oh, well, he left in ’92, so just get him out again.'”

Talking about the importance of learning the ins and outs of the music business while pursuing a career as a musician:

Lombardo: “It’s something that you learn as you go along. And it’s a tough road, especially when you’re told that everything’s taken care of, you’re well taken care of, and you trust these people and you don’t think twice. But then, of course, like AC/DC says, the rock star, and the businessman gets rich. We need to make, I think, drummers aware of their position in the band and spread the word that musicians need to educate themselves not only in their music and their chops and their style and whatever, but they need to really learn the business, because it turns out that a band ends up being a business and each member becomes a quarter shareholder, or a COO [chief operating officer] of the band. So it’s very important.”

On his most recent split with Slayer:

Lombardo: “I really don’t wanna get into the details, but I take this departure like any other change in life. You just go with it. I, luckily, had a band that I had put back together before this whole thing went down with Slayer. And you just move forward; you don’t look back.”

Speaking about late Slayer guitarist Jeff Hanneman:

Lombardo: “The arm, basically, they fixed it and they did everything they could do to help him [after he contracted necrotizing fasciitis, also known as flesh-eating disease, from a spider bite in his backyard in January 2011]. But I think the motor skill to play guitar just wasn’t there. You know, we gave him a chance and maybe we could have put him a little low in the mix, but still, it just wasn’t working right. ‘Cause you have to have a certain ability to play this style of music. And it just wasn’t there. It’s unfortunate. Shortly after he died, I spent the afternoon with his wife and I just hung out with her. We went out to dinner. It’s rough. But, unfortunately, it was a downward spiral for him. Obviously, it was depressing for him to have this situation happen to his arm, and him not being able to play, he resorted to drinking more than he was already doing. And, like I said, it was a downward spiral.”

Discussing how the surviving members of Slayer have dealt with the loss of their childhood friend:

Lombardo: “I don’t know how Kerry [King, guitar] and Tom [Araya, bass/vocals] responded. By how they responded at the memorial, it was pretty shallow. It was rough for me, because Jeff and I spent a lot of time on the tour bus. We’d get picked up at the hotel and show up at the venue by 4:30 and we would stay chilling on the bus until showtime. So there was a lot of interaction, there was a lot of chatting, a lot of talking, we’d watch TV, we’d listen to music. He loved my iPod, ’cause I had so many different styles of music. He’d say, ‘Dude, throw your iPod on.’ We’d laugh and joke around and sometimes I’d surprise him with some music that he’d never heard of before. So there was lot of memorable times that Jeff and I had. And it sucks, dude. It’s terrible when a bandmate dies, because that magic is forever lost. That band had a certain chemistry when all four of us were on stage. And not taking anything away from Gary Holt [of EXODUS] — he took Jeff’s place and he’s done an amazing job — but still there’s something [that is missing that simply cannot be replaced].”

Listen to interview below.

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BLACK LABEL SOCIETY POST VIDEO FOR “MY DYING TIME” ONLINE

blacklabelsocietyband2013 Black Label Society have released an official video for the song, My Dying Time, from the band’s forthcoming album, Catacombs Of The Black Vatican, due April 8th.

Watch the video below.

In other BLS news, the band will be headlining the Revolver Golden Gods Tour which kicks off on April 16th in Seattle, Washington. To see all the dates for the Golden Gods Tour, please click here.

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RUSH REISSUE 1974 SELF-TITLED MOON RECORDS DEBUT ON VINYL TO AMRK 40-YEAR RECORDING CAREER

rush400pix In March of 1974, Rush released their self-titled debut through the band’s own indie label, Moon Records in Canada, and quickly sold out of the initial 3500 copies originally pressed. Moon Records would soon become Anthem Records, which launched in 1977, and continues to serve as the band’s only Canadian record company.

To mark the band’s 40-year recording career, on April 15th, 2013, Universal Music Enterprises (UMe) will celebrate with the vinyl reissue of the original Moon Records (pre-Mercury) release of Rush, as part of Universal’s reDISCovered vinyl series. Housed in a sturdy, custom box with a lift-off top, this landmark album is pressed on 200g, audiophile grade vinyl, from the original 1974 analog stereo masters, cut to copper plates using the Direct Metal Mastering (DMM) process at the legendary Abbey Road Studios. Rush also features the original Moon Records jacket art, complete with the original MN-100-A/B Matrix etching, and will include a 16″x22″ reproduction of the first Rush promo poster, three 5″x7″ lithographs of Geddy Lee, Alex Lifeson and John Rutsey, a 12″x12″ Rush Family Tree poster, and a digital download card for a free digital copy of this newly remastered release.

Featuring the band’s original line up, Lee, Lifeson and Rutsey, Rush’s eponymous 1974 debut features eight hard-hitting rockers including Finding My Way, the fast-paced Need Some Love, Take A Friend, What You’re Doing, the southern rock vibe of In The Mood, and their U.S. breakthrough anthem Working Man which was made famous by Cleveland, Ohio’s WMMS radio station. Other tracks include the more melodic Here Again and the atmospheric Before and After, which gradually builds into a burst of power chords and heavy guitar riffs.

Rush Rediscovered LP Box Set will be limited, pre-order your copy now at RushBackstage and at Amazon.

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“THAT METAL SHOW” EPISODE 11 FEATURING THE WINERY DOGS AND VINNIE PAUL POSTED HERE, PLUS WEB EXTRAS

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Billy Sheehan, Mike Portnoy and Richie Kotzen join the show together for the first time as a band (The Winery Dogs). Vinnie Paul puts rumors to rest and the rest of it on the table. Volbeat’s Michael Poulsen dials up the Metal Modem. Guitar virtuoso Yngwie Malmsteen shreds.

Get More:
That Metal Show

Vinnie Paul on Finding Success After Pantera:

Get More: That Metal Show

Vinnie Paul on the 20th Anniversary of Far Beyond Driven:

Get More: That Metal Show

TMS BTS with The Winery Dogs, Vinnie Paul & Yngwie Malmsteen:

Get More: That Metal Show

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GUITARIST GEORGE LYNCH ON A DOKKEN REUNION: “I WOULD LIKE TO SEE IT HAPPEN…BUT, I’M NOT HOLDING MY BREATH”

George-Lynch Rock Revolt spoke with guitarist George Lynch about his current project KXM, with with dUg Pinnick (Kings X) and Ray Luzier (Korn) and his former band, Dokken. Excerpts from the interview appear below.

Rock Revolt: Is there any chance KXM, [Lynch’s project ], will be doing any touring to support the album?

George Lynch: Yeah. We are touring, I think it s going to be in July and August (part of those two months.) The idea behind what we want to do is sort of do like an unannounced tour of specific dates all around the world which we then film and record, and put those out at a later date for people who were not able to go see the band live, to experience the band live in that context, because we are limited in the amount of time we can tour, at least for now. I like the idea of the secret, magical mystery tour I heard about Paul McCartney doing in the Wings days, when he would just show up in a van, show up at a college or a school or something and say , “Hey! I m Paul McCartney we just want to set up and play!” I think that’s beautiful. It’s not the way we’ll do it exactly, but something kind of mysterious. We create this mystique around the band where you kind of have to search and reach out and discover things about us, without having us shoved down your throat.

Rock Revolt: Is there any likelihood that there would ever be a Dokken reunion?

George Lynch: Well, it’s always a possibility. What it really comes down to is Don being agreeable to doing equal splits financially. That’s been a stumbling block all along. Despite all the other obstacles that we have for a reunion happening, that is actually the 800-pound gorilla problem. He feels he’s entitled to special financial treatment if we do that, which is ludicrous and was never the way the band was built. The band was always built as a shared band, and I think that’s one of the reasons it survived as long as it did and why it worked. The only person who ended up not liking that arrangement was Don and it is really heavily why the band broke up. We were up for re-negotiating our contract with Elektra in the late 80′s, which is a wonderful position to be in (that’s when you get paid and you’d kind of be set for life). But we all worked many, many years to get to that point, and Don decided, ”Well, you know what? I gotta take a chance here, and I want it all.” He wanted us to be hired guns, and he would get the multi-million dollar re-negotiated deal. That’s what it was all about. And that’s still what it’s about. So, unless he can come around and say, “Hey guys! We’re all important. We all worked equally hard. There’s enough money to go around – don’t need to be greedy here, just split it up equal, put that aside, put it in the file cabinet. Let s go to work and make a good record.” I have aspirations, but I don’t have any sense that it’s really going to ever happen. I wouldn’t be opposed; I would like to see it happen. But honestly, just to have some nice closure, make a nice bookend to our career, and make the fans happy and make a little bit-a-dough, it would be nice to see it work in a healthy way after all we ve been through, but I’m not holding my breath.

Read more at Rock Revolt.

source: rockrevoltmagazine.com

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