12/12 LATEST NEWS FROM TRUNK

 

12/11/12: Thanks to all who came to Dingbatz to our 3rd annual Christmas party. The places was packed and we raged till 3A with great bands, drinks and fun. Appreciate all the support and thanks to Fred and the staff at Dingbatz for hosting a great party as always.

 

Had JJ, Eddie & AJ of Twisted Sister in studio for the SiriusXM show last night. Be sure to catch them next Sunday at the Emporium on LI for a hurricane Sandy benefit with Adrenaline Mob. Great hang with the guys in the studio who are long time friends and always step up for the NYC area.

 

Slash will be writing the forward to my second book out next year. Halford did the first. Honored to have such great support from such icons lending their voice to what I do. For those that ordered signed copies of my current book for the holidays I am signing and sending as quick as I can. Big amount shipping tomorrow, then more early next week. If you get your orders in to me over the next few days I should be able to process and get to you for Christmas delivery. I will do my best! Here is the link for ordering info:

 

http://eddietrunk.com//index.cfm/pk/view/cd/NAA/cdid/431474/pid/401816

 

This site will soon be redesigned and relaunched. Appreciate your patience as we go through a transition process the next month or so to make it better than ever. Sorry for any glitches along the way in advance.

 

THIS FRIDAY, can’t wait to welcome Peter Criss back into my studio. Lot’s to discuss! Listen live starting 11P ET on Q104.3 NYC or to the free stream outside the NYC broadcast area at www.q1043.com or via free iheartradio app. This show also airs on all affiliate stations the following weekend. Don’t forget I’m now heard in Boston on AAF every Sunday night at 7P and will be in Boston in Jan. Details on home page.

 

Many appearances and events coming in for 2013 already. Keep an eye on the shows listing on the home page.

 

Nice to see Rush and Heart finally got into the Hall. Mind boggling Deep Purple didn’t, especially when you consider they influenced EVERYBODY! No logic and a disgrace these two bands had to wait 15 years, but congrats to them. Still a joke really though.

 

Year end radio specials coming. I’ll announce by end of the week.

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QUEENSRYCHE DRUMMER SCOTT ROCKENFIELD SAYS THE BAND’S NEW MUSIC HAS A “PROGRESSIVE/HARD ROCK” SOUND

queensrychenewsinger400Ruben Mosqueda for Rock Confidential spoke with Queensryche drummer Scott Rockenfield. Portions of the interview appear below.

 

Rock Confidential: Scott, it’s a pleasure to finally get you on the phone. I’ve been looking forward to it. I’ve been a fan going back to the Rage For Order record. I caught the second show you guys did as Rising West in Seattle last June. Some things have transpired since those shows took place. Geoff Tate is no longer in the band and you guys have elected to press forward with Todd La Torre on vocals. It also appears that amongst the Queensryche fan base there’s been a split; there’s the ‘Queensryche camp’ and the ‘Geoff Tate camp.’ I recently conducted an interview with Geoff (Tate) for Oregon Music News and I received an email from the person who handles the news feeds for a website of a major TV and radio personality that stated that they wouldn’t be running the interview due to the negative feedback that they had been receiving regarding Geoff Tate related coverage. What’s your take on the fan reaction to the split?

 

Scott Rockenfield: I know the fans are rabid, passionate and very protective of the band. I’ve even received ‘hate mail’ and I’m a fan like them. It’s been a major shake-up for Queensryche in the last year. The fans have seen this transpire…here’s where we’re at as a band. Michael (Wilton), Eddie (Jackson) and I are the three main corporate owners in our ‘Queensryche Corporation’ so to speak. Ever since things started to go in ‘not such a good’ way back at the beginning of the year, we had to make some decisions and move on. We did that. We did that under the guise that we were the majority owners of the corporation and that we wanted to continue doing what is best for Queensryche. To us ‘the best thing’ for Queensryche is promoting the brand of Queensryche; making music, playing shows, giving the fans and our audience what they have come to expect from us. We wanted to do that and have ‘fun’ doing it. That’s a long story condensed very short so we can get to the point. That’s what we’ve done and that’s where we’re at now. Our fans are sitting back and seeing what is going on and they get to pick and choose what they want to do. The fortunate thing for us Ruben is that we’ve carried on and the support around the world by our fans; whether they are old-time fans or new fans or whatever it is has been extremely overwhelming.

 

The fans are supporting us. They continue to support us and they are praising all of the shows that we’ve done and they are looking forward to the ones that are coming up. They are also eagerly looking forward to the new record that we’ve just started recording as of last week. We hope to have it out in the first quarter of next year. Listen, for us it basically business as usual. We’ve put aside what we’ve had to deal with in the past eight months and we’re moving on with business. What is business? Business is pushing Queensryche and promoting that. Is there a kettle of stirred up stuff going on out there? Yeah there is, for sure. For us it best not to focus on that stuff rather focus on what we do best and that is to continue what we started out doing 30 years ago; which is Queensryche. I think the defining factor at the end of the day, whether it comes to playing our shows or making a new record, the deciding factor will be the fans. If you don’t have the fans’ support you’re not going to have anything. Thank goodness that we are blessed that the fans have really supported us, so much so that we’ve been able to continue to do what we’ve always wanted to do – be ourselves, make music and play shows.

 

Rock Confidential: How involved is each member in the songwriting process and how does it differ from previous writing sessions?

 

Scott Rockenfield: That’s a great question! I have a great answer! That’s exactly why we’re excited and there’s all this enthusiasm behind the new album. We’re finally…let me back up. Unfortunately, over the course of the past, many records that we’ve done hasn’t been a complete ‘band’ effort. We’ve run into a lot of conflicts of musical tastes or directions that we should take. I think the band has suffered because of it. It was something that wasn’t always done with the music always in mind. That’s why a lot of this has transpired and turned into what it did and we had to move on. Our goal has always been for Queensryche to this particular type of band. One thing we wanted to do was to revisit what that was and that to us is what made Queensryche – our classic material. Why were we so excited then? Let’s find that ‘excitement’ again. We wanted to do that for a while but we haven’t been able to do that. We weren’t ‘allowed’ to do that is probably a better way to put it. In a nutshell that’s what we’re doing. So to answer your question, all five of us – Michael, Parker, Eddie, Todd and I are all writing the material. It’s a huge collective effort. We’re all playing the material and then with “Jimbo” in the fold as our producer and engineer – he’s like the sixth member of the band. The chemistry level is huge and that’s something that we haven’t had in a while. I think that’s what the fans are excited about and the anticipation is so high. Having said that—it’s a hell of a lot of pressure! Whatever, we’ll get through it! (laughs) We’re having a lot of fun. Last week in the studio was really a lot of fun.

 

Rock Confidential: How would you describe the direction that you’re going with the new music and album? Progressive, contemporary rock influences, ‘classic’ era Queensryche? Or perhaps none of the above?

 

Scott Rockenfield: That’s a great selection of choices that you’ve given me to pick: A,B, or C. I think the best way for me to describe it is that it’s in a ‘progressive/hard rock’ direction. “Jimbo” described it really well when we were in the studio last week. We were immersed in it really working hard and brainstorming; driving the ship home so to speak. He said, “I think you guys have combined your first five records into what you’re doing now.” So that’s from our EP all the way through Promised Land, which coincidentally was the last record that we worked on with “Jimbo.” So I think if you stuck all of those records into a musical blender and you’d get an idea of what the music we’re working right now sounds like. There are elements from all of those records that have made it on to the new music. I think that’s a good way to describe it. We have wanted to revisit this great history of ours that we just haven’t been able to do for a while. We have great lyric content, great songs, great melodies and great performances by us; the song crafters and mechanics behind it all. I could go on forever about it because I’m so excited about it. I could play it for you right now on my speakers but afterward I’d have to kill you! (laughs).

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12/12 EDDIE’S TOP ALBUMS OF 2012

My year in review radio special with a ton of music from 2012 will premiere on Q104.3 NYC show 12/28. Here is my personal list of my top 10 albums of 2012 and some others below. Lot’s of great new music in 2012 and was tough to narrow down, but this is what truly made my ears the most excited the last 12 months:

 

1: Overkill – The Electric Age

 

An incredible, relentless, pounding thrash metal album that may be my favorite from this highly underrated band since Taking Over. Overkill have made a string of solid albums lately, but this is just next level. It is uncompromising speed metal at it’s finest. Production and mix are incredible, the riffing just builds and builds, great songs, great playing. The total package. If you are looking for a new but old school thrash sounding album this is it. Get a neck brace because it kicks your ass from top to bottom. Instant metal classic.

 

2: Aerosmith – Music From Another Dimension

 

I hear much about the amount of ballads on this album, but nobody says it also has 15 songs on the standard edition. So even if you take out 4 ballads it’s still 11 rocking tunes. It is not a perfect album, but it is damn good. The production is warm and not over compressed. You hear everything. All the band members (still original) write and contribute. Many different sides and stuff that hints at classic Aerosmith. “Street Jesus”, “Luv XXX”, “Beautiful”, “Out Go The Lights”, “Oh Yeah”, all just vintage sounding Aerosmith. Having seen three live shows so far on the tour, the band STILL gets it done on stage too. Great accomplishment for a band at this stage in their career and after waiting so long for it they delivered.

 

3: Slash & The Conspirators – Apocalyptic Love

 

I loved the last Slash album, and my favorite songs were the ones with Myles Kennedy singing. So I was thrilled that the live band he had on that tour now is a real band and has made a full cohesive album of brilliant hard rock. “Anastasia” an instant classic on this one. To me this is Slash’s best work top to bottom since Appetite and the band is great live. Hope they build a great catalog with this group.

 

4: Van Halen – A Different Kind Of Truth

 

Outside of Tattoo this is classic kick ass VH! Why 4-5 songs from this album were not blasting out of every radio station over the Summer escapes me. Not a huge fan of the mix at times, but the material and Eddie are ripping! Who knows what the future holds but this is classic sounding old VH. “As Is” among my favorites.

 

5: Marilyn Manson – Born Villan

 

Best Manson album in a long time top to bottom. He and Twiggy created some catchy hook filled tunes as well as the usual level of Manson weirdness and always great production and sounds.

 

6: Accept – Stalingrad

 

Another great album from the relaunched Accept with singer Mark Tornillo. Not as strong top to bottom as Blood Of The Nations but damn close. This band is now firmly re established and Wolf Hoffman has to be one of the most underrated players in metal ever.

 

7: Black Country Communion – Afterglow

 

Is it over? Who knows for sure. But three amazing albums in this bands history at an amazing pace is pretty impressive, so I hope not. Like all three BCC albums top playing and incredible singing from Glenn Hughes. Like all 3 I wish the mix was a little brighter and dynamic at times, but this is pretty much live and in your face classic sounding rock that just happens to be from a new band. The title track and “This Is Your Time” some of my favorites.

 

8: Adrenaline Mob – Omerta

 

Pumping heavy rock that never lets up. Great songs, vocals, production and hooks. Can’t help but to move to this album and its energy.

 

9: Tremonti – All I Was

 

Great debut album from Creed and Alter Bridge guitarist Mark Tremonti. Very metal at times, much will be made of his guitar playing, and rightfully so, but it’s the songs I love. The playing on the whole album is crushing and I truly like the way he delivers the songs as a singer. Great live too!

 

10: Rush – Clockwork Angels

 

Only reason not higher is because my two favorite songs on this album (Caravan and BU2B) actually were released a couple years ago. But I love that Rush is back to heavy guitar rock again and in your face power trio hard rock with little if any keys and synth. The nod to the old school on “Headlong Flight” is awesome. Wish the album was not so compressed and more dynamic sounding at times in the mix, but love the heaviness being back. Oh, and the R&R Hall just woke up after ignoring them 15 years. There is hope!

 

Honorable Mentions: UFO- Seven Deadly, Lita Ford- Living Like A Runaway, Fozzy – Sin & Bones, Testament- Dark Roots Of Earth, Kill Devil Hill, Warrant- Rockaholic, Trixter- New Audio Machine, Hellyeah- Band Of Brothers, Stone Sour- House Of Gold & Bones, Led Zeppelin- Celebration Day

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UNIVERSAL TO RELEASE DELUXE EDITIONS OF RUSH’S LANDMARK RECORDING “2112”

Rush2112-300In time for 21/12 celebrations, on December 18th, 2012, Universal Music Enterprises (UMe) will release the Deluxe Editions of Rush’s 1976 platinum-selling, landmark album 2112 in three different configurations: 2112: Deluxe Edition (CD/DVD and CD/Blu-Ray) and a special Super Deluxe Edition (CD/Blu-Ray/Hardbound book case).

 

The deluxe editions contain a CD/DVD or CD/Blu-Ray material including the remastered 2112 CD with three live bonus tracks and a DVD or Blu-ray™ disc with a 5.1 surround sound audio mix and an interactive digital comic book, a new album cover by original album designer Hugh Syme, liner notes and unpublished photos. The super deluxe contains the CD/Blu-Ray and is meticulously assembled in a hardbound bookcase packed with a 40-page comic book representing every song on 2112.

 

Originally released in 1976, Rush’s epic, landmark release 2112 was their creative and commercial breakthrough as well as one of the band’s most highly regarded releases among both fans and critics alike. With lyrics written by Neil Peart, and influenced by author Ayn Rand, 2112 kicks off with the ambitious seven-suite title track (side one), set in a futuristic world run by the Priests of the Temples of Syrinx who regulate “every single facet of every life,” which includes books, music, work and play. 2112 conveys the story of humanity’s instinctual, inner need for one’s free will.

 

After the mythological journey through 2112, side two brings you back to the present and continues with five stand-alone tracks. From hard-rocking tracks such as A Passage to Bangkok,Lessons, and a trip to into the fourth dimension with The Twilight Zone, to the album’s soaring conclusion, Something For Nothing, 2112 is the album that ushered in the next stage in their continuing evolution as artists.

 

2112: Deluxe Editions (DVD Version and Blu-Ray Version):

 

*2 Disc: CD + DVD Audio/Video

*2 Disc: CD + Blu-Ray

 

Expanded artwork, liner notes, lyrics and unreleased photos by original album designer Hugh Syme. Brand new liner notes by David Fricke, Rolling Stone.

CD – Digitally remastered plus 3 unreleased bonus live tracks:

 

– Overture (Northland Coliseum, Edmonton, AB – June 25th, 1981)

– The Temples of Syrinx (Northland Coliseum, Edmonton, AB – June 25th, 1981)

– A Passage To Bangkok (Manchester Apollo, Manchester, England – June 17th, 1980)

 

DVD Audio/Video And Blu-Ray Contain:

 

– Digital Comic Book – experience the comic book formatted for widescreen televisions during playback of the album.

-Photo Gallery – unreleased photos and handwritten lyrics by Neil Peart.

 

-DVD Audio/Video Specs:

 

-5.1 Surround Sound mix by Richard Chycki in PCM (DVD-Audio players) and 48kHz / 24-bit Dolby Digital (DVD-Video players)

– 96kHz / 24-bit PCM Stereo (DVD-Audio players) and 48kHz / 24-bit Dolby Digital Stereo (DVD-Video players)

 

-Blu-Ray Specs:

 

-5.1 Surround Sound mix by Richard Chycki in 96kHz / 24-bit PCM and DTS-HD Master Audio

– 96kHz / 24-bit PCM Stereo

 

2112: Super Deluxe Edition:

 

2 Disc: CD + BLU-RAY version contained in hardbound book case.

Housed in a hardbound book with a 40 page comic book by story artist Tom Hodges (Star Wars The Clone Wars, The Simpson’s Treehouse of Horrors #17) and a 24 page book with expanded artwork, liner notes, lyrics and unreleased photos. New liner notes written by David Fricke, Rolling Stone.

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ROCK N’ ROLL HALL OF FAME CLASS OF 2013: RUSH & HEART IN, DEEP PURPLE OUT

rush400pixPhil Gallo of Billboard reports:

 

After more than a decade of irate rants and enthusiastic lobbying from fans, Rush is finally a member of the Rock and Roll Hall of Fame.

 

The Canadian trio will be inducted into the hall on April 18th along with Heart, singer-songwriter-pianist Randy Newman, rap group Public Enemy, the late disco queen Donna Summer and blues guitarist Albert King. Label executive and music impresario Lou Adler and producer-arranger-composer Quincy Jones are headed as Ahmet Ertegun Award — aka non-performer — honorees.

 

Red Hot Chili Peppers bassist Flea, inducted with the hall’s last class, announced the awards Dec. 11th at the Nokia Theater where the induction ceremony will be held next year. It is the first time in 20 years since the festivities have been held in L.A.; it will again be open to the public and aired on HBO on May 18th.

 

This year’s class represents the first time fans have been allowed to participate in the selection process and it’s little surprise that Rush is the big winner. More than any other act’s fan base — with the possible exception of KISS — Rush fans have created online petitions, Facebook pages and websites to push for the band’s induction. Lifeson told Billboard earlier this year that the slight has been mitigated by that dedication.

 

“I know for me, and I would say it’s true of all of us, we felt that you’ve got to enjoy every moment that you’re out there doing this. It’s a privilege to be able to play music, especially for your whole life,” Lifeson explained. “And it’s an even greater privilege to have such a fantastic audience who’s willing to support you and listen to what you’re doing and become so passionate, like Rush fans always become. You know, it’s really, really something special and it’s never lost on us.”

 

Generally speaking, the hall has overlooked bands from the prog-rock era, inducting only Genesis in 2010. This is the first ballot Rush has appeared on.

 

Public Enemy, in its first year of eligibility, becomes the fourth rap act to enter the hall, following Grandmaster Flash and the Furious Five, Run-D.M.C. and the Beastie Boys. The New York rap group debuted on record in 1987 with Yo! Bum Rush the Show and followed it up with the landmark It Takes a Nation of Millions to Hold Us Back. Voted the best album of 1988 in the Village Voice’s Pazz & Jop poll of critics, it peaked at No. 42 on the Billboard 200.

 

Heart, which appeared on the ballot for the first time last year, has had a particularly active year. Ann and Nancy Wilson published a joint biography,Kicking and Screaming: A Story of Heart, Soul and Rock & Roll; released a new album, Fanatic; and maintained an active touring schedule that continues from January through March, in the U.S. and Canada.

 

Summer, who died in May, gets in on the sixth time her name appeared on the ballot. King, whose single-string, bent-note approach to the electric guitar was a significant influence on Jimi Hendrix, Eric Clapton and Stevie Ray Vaughan, is best known for Born Under a Bad Sign from 1967. Newman, whose debut was released in 1968, wrote uniquely caustic and insightful pop songs in the ’60s and ’70s before devoting most of his time to film work.

 

Nominees who did not make the cut this year include the Paul Butterfield Blues Band, Chic, Deep Purple, the Meters and N.W.A. There was some belief among voting insiders that the presence of two rap groups — from opposite coasts — would split the votes and neither would get in. While the album widely acknowledged as their debut, Straight Outta Compton, came out in 1988, a compilation of their singles was issued a year earlier making them eligible for the class of 2013.

 

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The Aquarian Interviews New Author, Eddie Trunk!

Tim Louie

The Aquarian

 

He’s managed bands, he’s been a record exec, a radio personality, a TV personality and now he can add author to his ever-growing resume. Eddie Trunk, the host of Eddie Trunk Rocks, Eddie Trunk Live, and VH1 Classic’s That Metal Show, has released his very first book, Eddie Trunk’s Essential Hard Rock and Heavy Metal. This ultimate coffee table hard rock and heavy metal bible includes a plethora of photos by photographer and longtime friend Ron Akiyama facts on 35-plus essential hard rock bands, along with anecdotes about them, Eddie’s personal playlist for each band and he’s even added a piece of his show to the book by adding some trivia from his “Stump the Trunk” segment.

 

Eddie gave me a call recently to discuss his latest venture.

 

Tell me about Eddie Trunk’s Essential Hard Rock and Heavy Metal.

 

Well, doing a book has always been something that I kind of wanted to do. I had always envisioned doing an autobiography, which I still hope to do at some point, but this opportunity came to me with a publisher who doesn’t do autobiographies. They’re known for doing more photo-driven stuff, high-quality printing, coffee table books and things like that, so when they talked to me initially about doing this, it was going to be much more photo-driven, not that it isn’t already. The book is about 50 percent photos as is, but it was going to be more 80 percent photos and 20 percent thoughts and texts from me underneath these pictures. But what happened was, I hooked the publisher up with an old friend of mine, Ron Akiyama, who did about 99 percent of the photos in the book, and the absolutely hit it off.

 

Ron and I had been friends for over 30 years, and we attended many of these shows together and he was always photographing them, it made for a perfect marriage for him to basically do the pictures in the book and they just connected so perfectly into the stories because in many cases some of the stories that I’m talking about, he has the exact show or shot right there next to it. So it worked out really well.

 

A lot of Ron’s work has never been published before, so the pictures are unique in that people have never seen them before. The one real thing that changed in the evolution of the book, though, is that once the publisher [Abrams Books] started to see some of my thoughts and stories underneath these pictures about these bands, they immediately started wanting more stories. Then all of a sudden, I found myself kind of writing a book that was very different than what I envisioned. But I went with it, because at the end of the day, I thought that it was going to make for a much better product. It was tough to narrow down the bands that I was going to put in it, but I think that I hit what was important to me and think what was important to the scene at the time. Every band has at least one personal story from me and an interaction, an overview and playlists, so people have really liked the balance. It’s something certainly to read, but also something to really look at.

 

Well, that’s what I found special about this book; your own personal stories and pictures with these really big bands. I especially loved the old pictures of a young Eddie Trunk!

 

Oh, yeah! It’s always so depressing for me to look at old pictures. It bums me out! Even family pictures, it bums me out because you just realize how much time has passed, and you’re like ‘What the hell just happened?’ There you are like 20 to 25 years ago, and then you’re like ‘Wait a minute, that felt like yesterday!’ So, I actually get bummed out looking at old pictures. It’s funny, when people hear that this is my book, and they hear about a lot of photos, the initial thought is that there will be a lot of pictures with me with rock stars, and that’s clearly not the case. These are unbelievable live shots, and yeah, there’s a bunch of candids spread out throughout the book. There are also a lot of buttons and ticket stubs. That’s all personal stuff from my collection, but I wanted the photos to be really incredible shots of the artists.

 

There are some really cool candids in there, though. There’s a shot of me signing Ace Frehley when I was at Megaforce Records in my 20s. It’s things like that that people generally have never seen before. Those are fun, but they’re a small part of the book also. The other thing was the cover. I didn’t want it to be one artist and I didn’t want it to be me on the cover. I kind of wanted it to be something that summed up that era, and Ron had a great shot of the crowd at an Anthrax show at L’Amours in Brooklyn, NY, in 1987. A show where I actually introduced the band and as I walked off the stage, Ron ran on and took a shot of the audience reaction as Anthrax was ready to come on. So, I think that picture really sums up what the world was like back then. You just look at those faces in the crowd and it could be anyone from 1987, and what’s ironic is that I heard from a few people who have seen the cover of the book and saw their picture in there. Talk about looking back.

 

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