Greg Prato of Heavy Consequence reports:

There have been a handful of highly-anticipated albums by renowned rock artists that took a long time to see the light of day. One of those that proved to be truly worth the wait (from both a commercial and artistic standpoint) was Def Leppard’s fourth album overall, Hysteria – selling 12 million copies in the US alone, topping the Billboard 200, and spawning six Top 20 singles.

Several reasons can be pointed to for the four-year lag between Hysteria and its predecessor, Pyromania – among them, the album’s original producer not working out; having to wait for their preferred producer to become available; and most seriously, having to overcome a horrific accident to one of the band members…

When the tour in support of Pyromania wound down in February of 1984, work soon began on a follow-up. However, with Lange not available at the time, Def Leppard opted to enlist Jim Steinman — best known for writing Meat Loaf’s classic Bat Out of Hell album — as the producer of “album number four” Things didn’t go so well. “It was a mismatch, sadly,” recalled [frontman] Joe Elliott in the exclusive video interview with Heavy Consequence. “He’s great at what he does, but we weren’t one of the artists that it was ever going to work with.”

“It didn’t work at all,” added [guitarist Phil] Collen in the same interview. “[The songs] just sounded terrible. He didn’t really get how we were working. It just sounded ordinary and flat. It wasn’t until [producer] Mutt [Lange] came back into the fold that they started coming alive, really. Some of the songs we wrote with Mutt initially we tried to record with Jim Steinman, and they just didn’t sound as good as the demos. So it was like, ‘This is not working’…”

Lange finally reunited with the band and resumed production duties, and Collen recalled some important advice the producer offered to the band, “Don’t do Pyromania Part II. As successful as that was, everyone else is copying that.” The group did heed the advice, and focused on a more electronic and sonically layered approach than their previous efforts…

However, what people tend to forget looking back on Hysteria was that it was not an instant massive hit upon its August 3rd, 1987 release — as evidenced by the underwhelming chart performance of its first single/video, Women, which peaked at only #80 on the Billboard Hot 100.

But to the band’s credit, they knew they had a bona fide smash hit single up their sleeve with Pour Some Sugar on Me…”

And the move paid off — MTV placed the video for Pour Some Sugar on Me in brainwash rotation, and the single nearly topped the Billboard Hot 100 (peaking at #2) and went gold in both the US and UK. As a result, the album’s success also led to strong ticket sales for the arena tour, which saw the group perform “in the round…” 

…It would appear as though Def Leppard had finally put all their hard times behind them with the impressive comeback/mega-success of Hysteria. But behind the scenes, [guitarist Steve] Clark was struggling with alcoholism and substance abuse — which seemed to exacerbate after the album’s tour wrapped up in late 1988. Despite the band encouraging the guitarist to seek help, he was found dead on January 8th, 1991 in his apartment in Chelsea, from a mixture of alcohol of prescription drugs. Clark was only 30 years old.

“It comes down to the individual,” Collen said about his bandmate’s passing. “Yeah, you can get help…he was actually getting help, as well. And as we were going along, we were understanding a bit more about the whole thing. I was able to stop drinking…it’s been 34 years or something like that since I stopped.”

“It’s a personality issue more than anything else,” added Elliott. “With all the tools that we’ve got now that we didn’t have 30 years ago, there are still people falling the same way Steve did – exactly the same way. I don’t know whether it’s an inner-strength thing or whether it’s because of your DNA that you physically cannot shake certain aspects of addiction.” The band would continue on with former Dio/Whitesnake guitarist Vivian Campbell taking Clark’s place, and that lineup remains intact to this day.

35 years later, Collen still holds Hysteria as a high-water mark for Def Leppard. “It’s the most successful album of our career, obviously. Our biggest seller. And I think artistically, it cemented something. You heard so many other bands and artists copy that kind of sound – and inspire other people, as well. We get that. And we wanted to make something very different when we were doing it.”

Read more, and watch the full interview with Joe Elliott, and Phil Collen, at Heavy Consequence.

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  • Doug R. on

    Well, believe it or not, “Thriller” wasn’t an instant success either, it took about 3 months before it took off. The first single – “The Girl Is Mine” took some time to catch on, then of course it really wasn’t until “Billie Jean” that the album exploded! “Women” didn’t really do much for Def Leppard except to say hey, we’re back! But then came “Animal,” and then “Hysteria,” and then of course came “Pour Some Sugar On Me,” which just catapulted the album straight up the charts! I think you’d rather have momentum than a decline in interest, Mutt knew what he was doing, and DL were smart enough to listen to him.

    • Dana on


      Lange stated he was trying to make the hard rock version of Thriller with Hysteria.

      D 🙂

    • Doug R. on

      And what a great job he did! Mission accomplished!

    • Dana on

      Lange definitely accomplished his goal, but I like my Leppard with more cojones.

    • Michael Minutaglio on

      I remember being in HS and hearing “Women” and HATING IT! Then heard “Hysteria” and hated it even more, and I basically wrote Def Leppard off…!! Always thought that was an odd choice for the first 2 singles. Like “Women” may be the worst song on the album! Still today I am shocked they were able to come back from that.

    • Doug R. on

      “Hysteria” was the third single, “Animal” was the second. The songs were very polished and not as heavy, but in my opinion that doesn’t take away from their greatness! A good song is a good song, no matter how heavy or light is.

    • Dana on

      I do like a few songs on Hysteria, but compared to High N’ Dry and Pyromania? Not so much. To me, it’s Leppard’s version of Priest’s Turbo.

    • Doug R. on

      You know what’s funny? We always talk about Turbo, and the radical shift in sound from JP on that album, but nobody ever talks about Iron Maiden’s Somewhere In Time album, not only did they use guitar synthesizers, but Harris also used a bass synthesizer!! And yet everybody still focuses on Turbo…

    • Dana on


      I haave no clue about that album, since my knowledge of Maiden, is very lacking. But, if that is indeed the case, then yes, it should be part of that, “What the heck?” conversation-LOL!

    • Doug R. on

      Exactly! 😉 That album (even with the synthesizers) contains 2 of my favorite Maiden songs – “Wasted Years,” and “Deja-Vu”

    • Rattlehead on

      Doug R., I think people don’t dis Maiden’s use of synthesizers on “Somewhere Back in Time” cuz the album still sounds like Maiden, with Harris’ galloping bass lines, and it’s still a heavy album despite the use of synthesizers.

      IMO, the use of synthesizers on “Turbo” contributed to a radical departure from the classic Judas Priest sound.

      “Hysteria” cemented Def Leppard’s sound as a rock band and contributed to them being the biggest rock band in the world for a bit…..and reinforced, to me, the band has forever moved on from their “On Through the Night” and “High and Dry” style.

    • Doug R. on

      I agree, even with the synthesizers “Somewhere In Time” still sounded like Maiden, now “Turbo?” Parts of it had close to the classic Priest sound, but for the most part, it didn’t.

  • Real Paul Stanley on

    Women was and still is my favorite tune off Hysteria.

  • Charles Clinchot on

    Doug R.,

    I kinda get your maiden somewhere in time reference. I did like some of the songs on it, but my favorite, at the time, was Piece of Mind,

    • Doug R. on

      Where Eagles Dare!!

  • robert davenport on

    High and dry for me by far the best Leppard album

  • robert davenport on

    Lange ‘s multi layering high gloss production took the edge out of Def Leppard for me , but millions of rock fans bought in , and they made it to the hall of shame – their new album is pretty damn good as well a great surprise for me I didn’t think they had another really great album left in them ~

    • Dana on

      I think the Lange sound worked on High N’ Dry and Pyromania, but it became a bit much on Hysteria.

    • MikeyMan on

      Payromania, I see what you did there Dana! Good stuff.

    • Dana on


      That was a typo and I fixed it, but that was inadvertently funny. My favorite Leppard album, with High N’ Dry, maybe a mere centimeter, behind? They are practically twins.

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