MOTOR SISTER, FEATURING SCOTT IAN, JOEY VERA, JIM WILSON, JOHN TEMPESTA AND PEARL ADAY, ANNOUNCE NEW ALBUM, “GET OFF” OUT MAY 6TH, SINGLE “CAN’T GET HIGH ENOUGH” OUR NOW
Motor Sister is thrilled to announce their forthcoming album Get Off, set to be released on May 6th through Metal Blade Records. The band has also shared lead single Can’t Get High Enough, which can be heard below.
“We wanted to make a high energy, kick ass rock & roll record from top to bottom,” shares vocalist/guitarist Jim Wilson. “All killer, no filler.”
Adds bassist Joey Vera, “Our first record Ride was a collection of songs we re-recorded from the band Mother Superior which was great, but I’m stoked that we had this chance to actually get into a room together and write this batch of all new material. We keep in mind where this band originated from but we get to take it to totally different levels.”
About the new single, guitarist Scott Ian explains: “Can’t Get High Enough is a straight-up ripper from start to finish.”
Get Off will be available digitally as well as physically on digipak-CD, 180g black vinyl, crimson red w/ blue smoke vinyl (US exclusive) and pale blue grey marbled vinyl (EU exclusive – limited to 200 copies). To pre-save / pre-order, please visit: metalblade.com/motorsister.
Get Off Tracklisting:
1. Can’t Get High Enough
2. Coming for You
3. Right There, Just Like That
4. Sooner or Later
5. Excuse Me, Your Life Is Exposed
6. Lion’s Den
7. 1,000,000 Miles
10. Bruise It or Lose It
11. Time’s Up
12. Rolling Boy Blues
About Motor Sister:
Comprised of vocalist/guitarist Jim Wilson (Mother Superior), guitarist Scott Ian (Anthrax), bassist Joey Vera (Armored Saint), drummer John Tempesta (White Zombie, The Cult) and vocalist Pearl Aday (Pearl), Motor Sister was originally formed as a Mother Superior covers band made up of diehard fans – and aided by sharing the same frontman – playing the songs for the love of doing so. Catching the attention of Metal Blade, the label offered to put out a record and the result was Ride (2015), a collection of live-in-the-studio takes cherry-picked from Mother Superior‘s back catalogue.
Now, they step beyond those parameters, returning with their second album, which is almost entirely brand new material. “The record of covers was already done, so there was no need to do it again,” says Aday. “We’re a bunch of songwriters with so much passion for the same kind of music, it just makes sense that we would make new music together, and it was easy as usual to follow Jim’s lead on this one. He was overflowing with songs and ideas so we all happily jumped right in.”
Adds Wilson, “We definitely wanted to continue with the spirit of my old band and it’s not difficult really because everything Mother Superior did was done with heart and soul and I think soul is an important word. Not necessarily ‘soul music’ but the feeling that comes with it.”
The result is aptly described by Vera as “no bullshit hard rock and roll”, the record containing eleven originals and rounded out with a cover of Mother Superior‘s Rolling Boy Blues, which has been a live staple. Kicking off with the compulsive, high octane Can’t Get High Enough they immediately put the pedal to the metal, likewise on the pure rock n’ soul of Bulletproof and the swaggering Excuse Me, Your Life Is Exposed” They slow things down a little on the singalong glory of Sooner Or Later and the more plaintive Pain.
As with Ride, the band entrusted Jay Ruston (Anthrax, Steel Panther) with production, and this time headed into LA’s Studio 606. “It’s a great sounding room and we got to track on the Sound City Neve, which is perfect for our sound,” says Ian. “And some really cool people – who took great care of us – own it.” Also in common with its predecessor, Get Off was recorded live in the studio, with all five members in the same room, vocals and leads redone after the basic tracks were laid down, but tracking was interrupted mid-process by Covid-19. This put things on hold, resuming a year later as the band added the finishing touches to the record, but this interruption definitely did not harm the feelings of exuberance and spontaneity that bleed from the speakers. Now, the band are looking forward and excited to play these originals live alongside the covers they are known for, and with shows getting booked for 2022 it’s time for fans to lose their shit and get off to one of the greatest rock and roll bands operating today.
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Too my ears tuneless, no melody, no real hooks , awful lyrics. complete failure