JEFF HANNEMAN’S WIDOW DISCUSSES THE SPIDER-BITE INCIDENT AND HOW IT LEAD TO THE GUITARIST’S DOWNFALL

hannemanguitarworld Kathryn Hanneman, the wife of late Slayer guitarist Jeff Hanneman, is interviewed in August 2013 issue of Guitar World magazine. An excerpt from the article appears below.

In January 2011, an incident occurred that many would later assume was the cause of Jeff Hanneman’s death but wasn’t.

Jeff was bitten on his right arm by an insect that was carrying a flesh-eating disease called necrotizing fasciitis. Reports circulated that it was a spider that bit Jeff, but that was never confirmed. Whatever bit him, it was enough send the guitarist’s life into a tailspin.

“Jeff had been visiting a friend in the L.A. area,” says Kathryn, his wife of 24 years. “He was in the Jacuzzi one night relaxing, and he had his arm over the side, and he felt something, like a bite or a prick. But of course he didn’t think anything of it. He came home about a week later, and he was pretty well lit when he came through the front door. He wasn’t feeling well, and he just wanted to go upstairs and go to sleep.

Before he did he said, ‘Kath, I need to show you something, even though I really don’t want to.’ And he took off his shirt, and I just freaked out when I saw his arm. It was bright red and three times the normal size. I said, ‘Jeff, we need to go now. We need to get you to the ER.’ But all he wanted to do was go to bed and sleep, and I knew that I was trying to rationalize with a very intoxicated person. So there was nothing I could do that night. But the next morning I convinced him to let me take him in. He didn’t have a lot of strength, but I was able to get him into the car.

When we got to the hospital in Loma Linda, they took one look at him and they immediate[ly] knew what it was, so they took him right in. Jeff told me to go home because we both knew he’d be there for hours and neither of us thought it would be a life-or-death situation.

About three or four hours later, Jeff called me and said, ‘Kath, it’s not good. They may have to amputate. I think you need to come back here.’ When I got there, Jeff was on the stretcher waiting to go into surgery, and the doctor put it in perspective for me. He said, ‘I need you to see your husband. He may not make it.’ The doctor looked at Jeff and told him, ‘First I’m going to try to save your life. Then I’m going to try to save your arm. Then I’m going to try to save your career.’ And looking at Jeff on that stretcher and possibly saying goodbye, knowing that I may never see him again…”—she pauses—“…was one of the hardest moments of my life.”

The next few days for the Hannemans could only be described as nerve-wracking. Jeff was in the ICU in an induced coma after the initial surgery and breathing through a tube, his arm, for the most part, intact. Doctors attempted to remove the breathing tube at one point, but Jeff was unable to breathe on his own. Finally, after about the fourth day, the tube was removed and Jeff was breathing again. Her husband was alive, but as soon as they removed the bandages from Jeff’s arm, Kathryn knew the road to recovery would be long.

“I’ll never forget it—I couldn’t believe what I was seeing,” she recalls. “All I could do was look up at the doctor and say, ‘How the hell do you fix this?’ And he said, ‘You know, Mrs. Hanneman, you’d be very surprised.’ And at that moment I had all the faith in the world that this doctor could fix his arm.”

Back home soon afterward, Jeff could begin the process of rehabilitating his arm in the hopes of regaining his ability to play guitar. The next few weeks saw more surgeries, staples and multiple grafts using skin from his left thigh. Wound-care suction devices were on hand to draw out the infection and help the skin grafts take. Physically, Jeff’s arm was on the mend. Emotionally, however, he was struggling. Depression was setting in.

“I couldn’t get Jeff to go to rehab or therapy,” Kathryn says. “I think he was letting the visual of his arm get to his emotions, and it was messing with his mind. It was hard to keep him upbeat at that point.

I think he thought he could do this on his own—that he would just to go rehearsal and play, and that that would be his rehab. But I think he started to learn, once he tried rehearsing, that he wasn’t playing up to his ability and that he wasn’t able to play guitar at the speed he was used to. And I think that really hit him hard, and he started to lose hope.”

To order the August 2013 of Guitar World magazine, please click here.

source: guitarworld.com

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BLACK SABBATH TOP THE BILLBOARD 200 CHART

blacksabbath2 Keith Caulfield of Billboard reports:

Almost 43 years after Black Sabbath debuted on the Billboard 200 chart, the iconic rock band earns its first number one album this week with the arrival of 13. The set starts at No. 1 with 155,000 copies sold, according to Nielsen SoundScan.

13 is the band’s 23rd chart entry, and first studio album with singer Ozzy Osbourne since 1978’s Never Say Die!. The new release is only the group’s second top 10, following 1971’s Master of Reality, which reached number eight. Sabbath made its Billboard 200 debut the week of August 29th, 1970 with its self-titled album.

13‘s launch of 155,000 is also easily the biggest sales week for the band since SoundScan started tracking sales in 1991. Their previous best frame came when the live set Reunion reached number 11 in 1998.

Front man Osbourne has yet to tally a solo number one album, despite seven top 10 titles. He’s gone as high as number three, with 2007’s Black Rain. Black Sabbath’s debut this week also beats Osbourne’s best solo SoundScan-era sales frame, when his 2001 album Down to Earth landed at number four.

Read more at Billboard.

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source: billboard.com


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OZZY OSBOURNE ADMITS THAT HE WAS “PISSED OFF” THAT HIS DRUMMER TOMMY CLUEFETOS DID NOT GET THE SABBATH GIG

blacksabb2013 Gary Graff of Billboard reports:

The drummer issues on Black Sabbath’s new album, 13, apparently ran deeper than co-founder Bill Ward’s decision to drop out of the reunion over what he said were contractual issues.

Tommy Clufetos, the drummer in Sabbath frontman Ozzy Osbourne’s own band, was targeted to take over the stool, but producer Rick Rubin ultimately selected Rage Against The Machine’s Brad Wilk — which Osbourne tells Billboard left him “pissed off.”

“The way it was dealt with wasn’t very fair on Tommy. Rick Rubin just didn’t want to work with him for reasons I don’t know. He’s a great drummer, and he’s been with me for awhile now and I just felt that nobody discussed the decision about Brad to me, and it’s not fair to Tommy. Tommy was promised the album… It’s not because he was my drummer and my ego wanted him. It was just the fact the way it was dealt with. It just got me a bit, it got me pissed off about it. It’s alright now. He’s a great drummer. I don’t know what the problem was.”

Osbourne does, however, feel that Wilk “did a good job. I don’t have anything bad to say. He’s a very nice guy.”

Via e-mail, Rubin explained that “Brad is a muscular drummer with great feel and understands the groovy nature of their music — Rage Against the Machine is a groovy rock band, not a metal band — so it was worth a try. When they played together the first time, it was obvious he would do a great job in the seat Bill left vacated. Bill’s a great drummer and I’m sure it would have been an amazing album with him. We all wanted him to participate.”

Red Hot Chili Peppers drummer Chad Smith — who’s played on Rubin-produced sets by the Dixie Chicks, Kid Rock, the Avett Brothers, Jake Bugg and the upcoming solo debut by Sugarland’s Jennifer Nettles — says he was also hoping for a shot on “13.”

“When Rick didn’t call me for the Black Sabbath thing, I gave him a hard time about it,” Smith says. “I was like, ‘Come on!’ He’s like, ‘No, I got Brad Wilk from Rage playing on that.’ I had to tell Brad I was a little jealous, a little drummer envy that he was playing with Sabbath. But I heard the record. It’s really good, fuckin’ heavy as fuck. Brad did a great job, I have to say. He did a great job. The band’s swingin’.”

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source: billboard.com

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FOR THE ONCE IN A LIFETIME ULTIMATE HALLOWEEN EVENT, ROB ZOMBIE PRESENTS THE “GREAT AMERICAN NIGHTMARE”

zombieamernigtmarew Groundbreaking musician and filmmaker Rob Zombie will unleash his Great American Nightmare on Los Angeles this Halloween season. This bone-chilling experience will combine the most advanced haunted house attractions with a not-to-be-missed music festival from top artists in hard rock, alternative, EDM, and more, every Thursday, Friday, Saturday and Sunday from October 10th through November 2nd, 2013 at the Fairplex FEARplex in Pomona, CA, just outside Los Angeles.

A creative collaboration between masters of the macabre Rob Zombie and preeminent haunted house producer Steve Kopelman, the fully immersive haunted house experience will feature three attractions based on Zombie’s own horror films: Lords Of Salem, Total Black Out, The Haunted World Of El Superbeasto 3D, and Haunt Of 1,000 Corpses. The shocking–and sometimes disturbing–fright attractions will offer a three-dimensional experience with animatronics and effects, a maze that is the ultimate definition of claustrophobia and fear, sudden chills and startling thrills, and salacioushumor that will make one scream with fright and laughter.

As if these sinister attractions weren’t enough, Rob Zombie’s Great American Nightmare will also feature 15 nights of music from top national and regional artists in the indie/punk, EDM, metal, rock and Latin genres including Andrew WK, BL3ND, Blood On The Dance Floor, Dirtyloud, Dirtyphonics, Doctor P, Emilie Autumn, Evol Intent, Fei-Fei, Goldfinger, Heavygrinder, Kottonmouth Kings, Metalachi, One More Time, Ozomatli, Reel Big Fish, Terravita, The Used, Twiztid, William Control, Zomboy, and many more.

In addition to music, one special night will also feature the outrageous pro wrestling sensations Lucha Libre USA. Look for details about the music performance schedule–including additional major headlining acts–to be announced on June 29th and visit www.GreatAmericanNightmare.com for details.

“This is it! The ultimate badass Halloween experience! No one will walk away disappointed,” says Zombie. “I am thrilled to bring The Great American Nightmare to California and begin a reign of bloody terror!”

The FEARplex for Rob Zombie’s Great American Nightmare will include 150,000 square feet of horror and entertainment and is not geared towards young children or the faint of heart. Patrons should be prepared for maximum scares!

At Rob Zombie’s Great American Nightmare, patrons will sequentially enter three different attractions, each completely different in look, theme and effects:

Lords Of Salem In Total Black Out: This harrowing attraction–based on Zombie’s 2012 The Lords Of Salem independent horror film–is designed to twist the mind. It will accentuate some senses while limiting others. Fear of the dark, claustrophobia, and fear of the unknown will be preyed on as the visitor attempts to traverse this sixty-degree maze.

The Haunted World Of El Superbeasto 3D: Utilizing Chromadepth glasses, this innovative attraction will take the patron right into the middle of the irreverent world of Rob Zombie’s El Superbeasto2009 animated exploitation musical horror comedy film based on the comic book series of the same name. The attraction’s unique surprise entrance, brilliant colors, sudden chills and startling thrills, and salacious humor will make one scream with fright and laughter.

Haunt Of 1,000 Corpses: This terrifying attraction pays homage to the 10-year anniversary of the exploitation horror film House Of 1,000 Corpses, directed by Rob Zombie. This extreme, traditional haunted house will take visitors on a walking journey through a recreation of the film’s “Museum of Monsters & Madmen” along with an expanded “Murder Ride,” confronting notorious serial killers along the way. This high impact, highly detailed attraction will use state of the art animatronics, video effects, costuming, sound, scents and lights.

“Having produced haunted attractions for over 30 years, I have never been more excited about a project than I am with The Great American Nightmare. To produce an event with partners like Rob Zombie, Kevin Lyman, John Reese and Andy Gould is a dream come true. This no-holds-barred first year event is destined to change the haunted house landscape for years to come and I am ecstatic to be a part of it,” says Nightmare producer Steve Kopelman.

The Great American Nightmare Monster Midway will offer outdoor screenings of classic horror films, a DJ, food vendors, beer, wine and spirits, and much more, with freak show characters roaming throughout the grounds each night.

Nightmare music co-producer Kevin Lyman admits, “Rob Zombie’s Great American Nightmare is going to be so terrifying, you won’t catch me in any of the three haunted houses! For those of you who are scaredy cats like me, there will be plenty of other attractions that are guaranteed to entertain, including a special concert each night.”

Great American Nightmare is one of the most exciting projects I have ever been associated with,” says Nightmare music co-producer John Reese. “The opportunity to work with the genius that is Rob Zombie is awe inspiring. This is set up to be one of the CAN’T MISS EVENTS OF THE YEAR!”

Tickets for Rob Zombie’s Great American Nightmare are available starting at only $30 beginning Saturday, June 29th at www.GreatAmericanNightmare.com. Each ticket includes access to all haunted house attractions, concerts and midway activities. Tickets will also be available for purchase onsite at the Rockstar Energy Drink Mayhem Festival San Bernardino show at San Manuel Amphitheater (June 29th) and during the Los Angeles County Fair at Pomona Fairplex (August 30-September 29). VIP packages will also be available for purchase at www.GreatAmericanNightmare.com.

Hours for Rob Zombie’s Great American Nightmare will be 6:30 PM until 11:00 PM on Thursdays and Sundays, 6:30 PM until 1:00 AM on Fridays and Saturdays.

The Fairplex is located at 1101 W. McKinley Avenue in Pomona, CA, centrally located in the heart of Southern California. The Fairplex is also home to the LA County Fair, the largest county fair in the world.

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EDDIE TRUNK DISCUSSES “THAT METAL SHOW,” AND WHAT NEW BANDS HAVE PIQUED HIS INTEREST

zrock_eddietrunk_cast_mini_gallery_ Paige Montgomery of L.A. Music Blog spoke with Eddie about That Metal Show, his favorite TMS guests and what new bands are on his radar. Portions of the interview appear below.

L.A. Music Blog: [That Metal Show] hit record numbers with the Season 12 premiere. What do you attribute to the show getting such high viewership this season?

Eddie: I think that mainly it was because people were missing the show so much. We were off the air for the longest period of time without new episodes before these new shows started a few weeks ago, and I think that played a big part in it. You know the old saying that absence makes the heart grow fonder? I think that’s what it was. Even though the show was still on countless times as repeats, I think people started to get really frustrated because there were no new shows.

If it was up to me, we’d be doing them every night, but it’s not. It’s up to the network, and they control the budgets and they control those decisions. So unfortunately we don’t do these shows nearly as often as I wish that we would. We [also] have a whole new set and a relaunch of the show that I think a lot of people were curious about. And Jason Newsted was a great first guest. He’s a guy that hasn’t been on TV in a long time, and I think he was a great way to reintroduce the show, too.

L.A. Music Blog: After reflecting back on 100 episodes, is there any single interview or show that sticks out as your favorite or most memorable?

Eddie: There’s certainly a few. I think one of the greatest shows we ever had was Brian Johnson of ACDC because, needless to say, he’s the singer in one of the biggest bands in the world, but he also is just a great guy. No B.S. about him — what you see is what you get.
Sammy Hagar and Michael Anthony are a couple guys who are always a blast to do interviews with. I love the real people. And what I mean by that is I love artists that don’t come with this certain air about them, that don’t come with their guard up, that say “Don’t talk to me about this” or “Stay away from this.” They want to come, they get the spirit of the show, they want to mix it up and have some fun with you, and they’re not so hypersensitive that you can’t say this or say that.

Rob Halford is always great. The late Ronnie James Dio, of course, who was one of my great friends, was always great as well. Lars Ulrich is always great. The other big stuff that comes to mind immediately is Steve Harris, who had eluded me for a long time, and we finally got on. The icons of the genre that we deal with. I mean, any time you’re sitting next to them and you’re lucky enough to have them on the show, it’s really special.

L.A. Music Blog:” I know that you’re all about the classics. Do you also pay attention to the new, more up-and-coming bands in the genre?

Eddie: I’ll tell you what — I do, actually. And there’s a number of bands that I really like that are new bands. I think that what people sometimes forget is that our show is on VH1 Classic. Sometimes people overlook the second word in that: classic. The entire network is based on classic artists and classic music — that’s exactly what it’s built on. You wouldn’t go to ESPN Classic or a classic rock station to hear new bands, so we can’t feature that much new stuff on the show, but that doesn’t mean that any of us don’t like new music.

If anyone has ever listened to my radio show over the 30 years I’ve done it, new music is an incredibly important part of what I do. That being said, in the show, we have many ways that we feature new bands. As a matter of fact, in this new season we have Ben from the Dillinger Escape Plan on, and we’ve got Johan from Amon Amarth on. We’re doing this new feature called Metal Modem” where we’re incorporating them in, so we find our ways to talk about, when and where we can, new music. But we also have to be conscious that we work for a network called VH1 Classic, and at the end of the day, most people want to see the icons of the world.

There are plenty of new bands that I like, and if you watch the show we find many ways to at least get these bands mentioned, even if it’s just wearing their t-shirt. It’s funny when I hear people say, “Why don’t you have obscure bands on?” And my answer to that is obscure doesn’t exactly equal TV ratings. Obscure is not something a TV executive wants to hear. It has to be a balancing act. But there’s new stuff that I like. There’s this band out of Canada called Monster Truck, and I like this band out of LA that I first mentioned on the show two years ago called Rival Sons.

Read more at L.A. Music Blog.

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EDDIE TRUNK ON THE CURRENT ROCK SCENE: “IN GENERAL [IT’S] FAIRLY HEALTHY, BUT NOT AS HEALTHY AS PEOPLE MAY THINK”

eddietrunk Wendy Jasper-Martinez of KNAC.com spoke with Eddie about his career, his new book and the rock scene. Portions of the article appear below.

[As] a seasoned metal journalism veteran, Trunk began his career in radio, spent time working for Megaforce records in the late 80’s and has recently celebrated 30 years with Q104 in New York City. He is also an established metal historian and author and has completed his new book, a sequel to his first bestseller, Eddie Trunk’s Essential Hard Rock and Heavy Metal.

“It’s a continuation of the first book and it has all new bands and histories, discographies and photos and it’s simply titled Eddie Trunk’s Essential Hard Rock and Heavy Metal Volume II. I started as a writer and even while going into radio and television, I have continued to write. I actually just got to see it before going to press and I know we will have a book tour planned as well.”

All of Trunk’s passion for metal is what lead him to That Metal Show. The show has been integral in helping keep metal in the United States alive. Trunk thinks that it is important to be as diverse as possible in the field which is why he has stayed with radio in addition to the show and has worked so hard to make TMS a success.

“Right now, the scene and rock in general is fairly healthy, but it is not as healthy as people may think and there is so much more to be done to get the word out. There are still a ton of bands that really struggle and just because you had a hit record in the 80’s doesn’t mean you are set for life like so many people would think. The touring market is very competitive and we are in an age where people are not paying for music so while there are some encouraging signs, we still have a long way to go,” he said.

With that said, it stands that TMS has been a big factor in helping fans keep up with artists that may not be as visible as they once were. For example, the last season featured guitarist John Sykes, a revered player that not many people have been able to keep up with. This new season will also feature some familiar faces that fans have been wondering about like Tom Keifer, Jake E. Lee, and members of KIX, who recently released a live album through Frontier’s Records.

“I hope that I can help create awareness of these artists and put them and their careers in a respectful light. Good journalism is about asking good questions, going in depth, and treating the artist with class and respect. I am lucky that people care about what music I play and what guests we have on the show and I think we should try to shine light where we can,” Trunk said.

Read more at KNAC.com.

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