BLACK LABEL SOCIETY POST VIDEO FOR “MY DYING TIME” ONLINE

blacklabelsocietyband2013 Black Label Society have released an official video for the song, My Dying Time, from the band’s forthcoming album, Catacombs Of The Black Vatican, due April 8th.

Watch the video below.

In other BLS news, the band will be headlining the Revolver Golden Gods Tour which kicks off on April 16th in Seattle, Washington. To see all the dates for the Golden Gods Tour, please click here.

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RUSH REISSUE 1974 SELF-TITLED MOON RECORDS DEBUT ON VINYL TO AMRK 40-YEAR RECORDING CAREER

rush400pix In March of 1974, Rush released their self-titled debut through the band’s own indie label, Moon Records in Canada, and quickly sold out of the initial 3500 copies originally pressed. Moon Records would soon become Anthem Records, which launched in 1977, and continues to serve as the band’s only Canadian record company.

To mark the band’s 40-year recording career, on April 15th, 2013, Universal Music Enterprises (UMe) will celebrate with the vinyl reissue of the original Moon Records (pre-Mercury) release of Rush, as part of Universal’s reDISCovered vinyl series. Housed in a sturdy, custom box with a lift-off top, this landmark album is pressed on 200g, audiophile grade vinyl, from the original 1974 analog stereo masters, cut to copper plates using the Direct Metal Mastering (DMM) process at the legendary Abbey Road Studios. Rush also features the original Moon Records jacket art, complete with the original MN-100-A/B Matrix etching, and will include a 16″x22″ reproduction of the first Rush promo poster, three 5″x7″ lithographs of Geddy Lee, Alex Lifeson and John Rutsey, a 12″x12″ Rush Family Tree poster, and a digital download card for a free digital copy of this newly remastered release.

Featuring the band’s original line up, Lee, Lifeson and Rutsey, Rush’s eponymous 1974 debut features eight hard-hitting rockers including Finding My Way, the fast-paced Need Some Love, Take A Friend, What You’re Doing, the southern rock vibe of In The Mood, and their U.S. breakthrough anthem Working Man which was made famous by Cleveland, Ohio’s WMMS radio station. Other tracks include the more melodic Here Again and the atmospheric Before and After, which gradually builds into a burst of power chords and heavy guitar riffs.

Rush Rediscovered LP Box Set will be limited, pre-order your copy now at RushBackstage and at Amazon.

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“THAT METAL SHOW” EPISODE 11 FEATURING THE WINERY DOGS AND VINNIE PAUL POSTED HERE, PLUS WEB EXTRAS

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Billy Sheehan, Mike Portnoy and Richie Kotzen join the show together for the first time as a band (The Winery Dogs). Vinnie Paul puts rumors to rest and the rest of it on the table. Volbeat’s Michael Poulsen dials up the Metal Modem. Guitar virtuoso Yngwie Malmsteen shreds.

Get More:
That Metal Show

Vinnie Paul on Finding Success After Pantera:

Get More: That Metal Show

Vinnie Paul on the 20th Anniversary of Far Beyond Driven:

Get More: That Metal Show

TMS BTS with The Winery Dogs, Vinnie Paul & Yngwie Malmsteen:

Get More: That Metal Show

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GUITARIST GEORGE LYNCH ON A DOKKEN REUNION: “I WOULD LIKE TO SEE IT HAPPEN…BUT, I’M NOT HOLDING MY BREATH”

George-Lynch Rock Revolt spoke with guitarist George Lynch about his current project KXM, with with dUg Pinnick (Kings X) and Ray Luzier (Korn) and his former band, Dokken. Excerpts from the interview appear below.

Rock Revolt: Is there any chance KXM, [Lynch’s project ], will be doing any touring to support the album?

George Lynch: Yeah. We are touring, I think it s going to be in July and August (part of those two months.) The idea behind what we want to do is sort of do like an unannounced tour of specific dates all around the world which we then film and record, and put those out at a later date for people who were not able to go see the band live, to experience the band live in that context, because we are limited in the amount of time we can tour, at least for now. I like the idea of the secret, magical mystery tour I heard about Paul McCartney doing in the Wings days, when he would just show up in a van, show up at a college or a school or something and say , “Hey! I m Paul McCartney we just want to set up and play!” I think that’s beautiful. It’s not the way we’ll do it exactly, but something kind of mysterious. We create this mystique around the band where you kind of have to search and reach out and discover things about us, without having us shoved down your throat.

Rock Revolt: Is there any likelihood that there would ever be a Dokken reunion?

George Lynch: Well, it’s always a possibility. What it really comes down to is Don being agreeable to doing equal splits financially. That’s been a stumbling block all along. Despite all the other obstacles that we have for a reunion happening, that is actually the 800-pound gorilla problem. He feels he’s entitled to special financial treatment if we do that, which is ludicrous and was never the way the band was built. The band was always built as a shared band, and I think that’s one of the reasons it survived as long as it did and why it worked. The only person who ended up not liking that arrangement was Don and it is really heavily why the band broke up. We were up for re-negotiating our contract with Elektra in the late 80′s, which is a wonderful position to be in (that’s when you get paid and you’d kind of be set for life). But we all worked many, many years to get to that point, and Don decided, ”Well, you know what? I gotta take a chance here, and I want it all.” He wanted us to be hired guns, and he would get the multi-million dollar re-negotiated deal. That’s what it was all about. And that’s still what it’s about. So, unless he can come around and say, “Hey guys! We’re all important. We all worked equally hard. There’s enough money to go around – don’t need to be greedy here, just split it up equal, put that aside, put it in the file cabinet. Let s go to work and make a good record.” I have aspirations, but I don’t have any sense that it’s really going to ever happen. I wouldn’t be opposed; I would like to see it happen. But honestly, just to have some nice closure, make a nice bookend to our career, and make the fans happy and make a little bit-a-dough, it would be nice to see it work in a healthy way after all we ve been through, but I’m not holding my breath.

Read more at Rock Revolt.

source: rockrevoltmagazine.com

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SLIPKNOT’S COREY TAYLOR ON KISS NOT PLAYING AT RRHOF INDUCTION CEREMONY: “CAN YOU JUST SET STUFF ASIDE AND DO ONE SHOW FOR THE FANS OF THE ORIGINAL LINEUP?

coreytaylor400 The Pulse Of Radio reports that Stone Sout/Slipknot frontman Corey Taylor has commented on the KISS/Rock N’ Roll Hall of fame controversy.

According to blabbermouth, Corey told Radio.com, “On one hand, you’re stoked being a KISS fan, but on the other hand it’s, like, ‘Can you guys just put aside your petty issues and realize that without one another you wouldn’t have been able to do this? Can you just set stuff aside and do one show for the fans of the original lineup again? And then you never have to see each other again?'”

Taylor continued, “Without (Frehley and Criss), the other two guys wouldn’t be where they are! And that’s just me layin’ it straight! I might not ever get a kind word from anybody in that band anymore. But I think it’s petty and I think it’s ridiculous! Figure it out! Show respect, because sometimes it’s not about you, it’s about the fans.”

But Taylor admitted that band relationships can be complicated. He said, “We’re just crazy people who can’t get along sometimes… Now add fame and money and all that rock and roll craziness to it — we’re lucky we don’t eat each other in this industry!”

KISS will be inducted into the Rock And Roll Hall Of Fame on April 10th at a ceremony at the Barclay’s center in Brooklyn, New York, alongside Nirvana and others.

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