zrock_eddietrunk_cast_mini_gallery_ Jesse Capps of Rock Confidential spoke with Eddie about That Metal Show. Portions of the interview appear below.

RC: There are some new segments on this season of That Metal Show. A couple I know about are Metal Modem and Take It Or Leave It. What can you tell me about the new additions this season?

ET: Metal Modem is in six or seven of the eight new shows. It’s a segment we do at the very top of the show where we welcome in a guest by dropping a screen on the set and we talk to them over the internet via Skype. That came about because one of the biggest problems we have when booking the show is we do eight episodes in four days, two shows a day. In a week we’ve shot an entire season. If a band is on tour in that week we’re shooting we’re obviously not going to have them on. We decided to at least talk to them for a couple of minutes over the internet via Skype. Not only do we get to talk to guys in the studio or on the road, we’re also going to use that as a platform to introduce some newer bands and different genres of metal. That Metal Show is always going to be a classic-based show. We all like new music and we all like different stuff so we’ll have a platform for some of the “under the radar” bands or some of the bands that aren’t mainstream. You’ll see a mix of different people in that segment. Take It Or Leave It is more of a defined discussion piece at the top of the show. It’s a way to force us to make a decision of yes or no on a hot topic that’s floating around in the rock world. We have six packages for these eight shows called Origins. It’s us and different artists talking about how they first got into heavy metal. We have something called the TMS Book Club where we read from a rock book. Those are just a few of the new things coming up.

RC: The Guest Musician spot is always a highlight for me. I’m really anxious to see what Jake E. Lee has going on. He’s been under the radar for so long. It’s cool he came out of the shadows to be on ‘That Metal Show’ this season.

ET: Yeah, I personally worked really, really hard on that. We’ve had a segment for a long time called Whatever Happened To… and he was consistently the top one or two Whatever Happened To… names for a long time. I started a process trying to find him. A few years ago I knew I was getting close. He was living in Vegas. I reached him through a mutual friend, a guy named Rob Mancuso. He has a studio and restaurant in Vegas and told me he was working with Jake. I took a couple of trips out to Vegas and finally met him. He’s very press shy and hasn’t done anything in about 20 years. Rob told me he was going to pull Jake into the studio and start making music and I had been working this for about a year to get Jake to come on. You’ll see Jake E. Lee in three of the eight shows. Not only is he sitting down as a guest but we also have him playing in two episodes. It’s really exciting for us to be the first people to reintroduce him to the world.

RC:I see on your social media sites, Twitter especially, that you’re bombarded with questions like “Why don’t you ask so and so to be on the show?” or “Why haven’t you had so and so on?” – and it’s just not that easy. Who are some people you’ve asked over and over to be on the show that just haven’t been on for one reason or another?

ET: I’m very active on my website and Twitter for sure. I like engaging with people on Twitter. It’s very convenient and quick and simple for me. That’s why I’ve embraced it. I guess it doesn’t surprise me because everyone doesn’t need to know how the music industry works, but at the same token I’ll get tweets like “Have you ever thought about having Eddie Van Halen on the show?” That flips my mind! Do you really think we do a show like this and have not tried to get Eddie Van Halen? That’s head-scratching when that happens. It’s either requests like that or super obscure bands that the network is not going to sign off on. I have to say “We do the best we can. I hope you like our show. Here’s the guests.” To answer your question, big names like Eddie Van Halen and David Lee Roth have been asked every single season. Guys like that are weird about press. All you’ve gotta know is Van Halen turned down Rolling Stone and David Letterman when their last record came out. I didn’t really expect ‘em to come running to That Metal Show on VH1 Classic! Nikki Sixx is another. We’ve had Tommy Lee on, we did a special with Vince Neil. We’ve asked Mick Mars. We would have Nikki in a second. I have asked Nikki every season. I’ve been on his radio show talking to him about it. I’ve talked to Nikki privately about it. When he’s ready to do it he’ll do it. People have to want to do the show. You can’t just go get James Hetfield if James Hetfield doesn’t want to do the show. When it comes to Metallica we’ve had Lars on twice and Kirk Hammett on once. I’ve talked to James and he’s a huge fan of the show but he is not a very “press warm” guy. He’s not a jerk about it. There are just some guys that aren’t into it. To think we don’t ask these guys is incredible. We’re fighting to get them on just as much as the fans want them on. The other scenario is people will ask for guests that have been on already. With over 100 episodes maybe they just missed the show. With the big artists it comes down to two things: Are the available when we shoot and do they want to come on? If the answer to both of those questions is ‘yes,’ you can rest assured they’ve been asked every single time. If there’s a big artist you haven’t seen on the show, tell them. Hit them up on social media. If the artists know their fans want to see them on the show they may step up on their own.

Read more at Rock Confidential.

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trunkphoto4 Bill Bodkin of Pop Break interviewed our very own Eddie Trunk.Portions of the interview appear below.

Pop-Break: That Metal Show is airing its 12th Season on Saturday June 1st … did you ever have any inkling that this show would be as popular and run as long as it has?

Eddie Trunk: Most people don’t know that I was a host on vh1 Classic from 2002 to 2006. Even during those years when I was VJ-ing, hosting and interviewing I was always pushing to do my own show; where I could say what I want and have my buddies on and play the music I like.

I was just happy we got to the pilot stage. And I remember shooting that pilot, which we shot in New York and it ended up airing as the first episode, none of us had any idea if we’d be doing another show or even if that show would even see the light of day. As soon as that show aired and the response we got — we started rolling with more episodes. It’s just been a great ride and it keeps on going. I never envisioned that this would become, basically, the flagship show for the channel. Also, one of the things that really surprises me about the show to this day is, internationally, how big the show has gotten. Outside of America this show is seen in South America, Australia and Mexico and they’ve given it an incredible response. They’re a few season behind actually, but they’re really into it too. For me, it was something I fought really hard for to get on the air and once it did … to see how it’s done is phenomenal.

PB: You’re still a fan but you are metal royalty, someone we all look to as the definitive voice for the genre that we love. Yet, were there moments on the show, when a guest had the proverbial palms sweating?

ET: I’m always the fan but the advantage I have is that I’ve been doing this for three decades and on the TV show there’s rarely ever going to be a guest that I haven’t interviewed, in many case numerous times and in some cases I’ve become friends with the guys. I always keep it in check, even if I’m geeking out inside, I keep it in a professional context. Of course there’s times where it’s “How the heck is this happening?”

I remember one example, last August, we shot two shows on my birthday. They were taped in L.A. and one was with Sammy Hagar and Michael Anthony, so we had half a version of Van Halen there. And Sammy’s just one of my favorite people as is Michael, great people. The other show was a full hour with Steve Harris (Iron Maiden). During one of the shows Steven Adler (formerly of Guns N’ Roses) jumped out of a birthday cake and I thought, ‘What the hell is going here?’

When you’ve got icons, guys I grew up with like [Tony] Iommi sitting there or Joe Perry sitting there or Michael Schencker, being a huge UFO fan when he played on the show. It’s those moments where you’re like, ‘Wow this is just crazy.’ There’s going to be a time when I’m out of this business and I gonna put these DVDs on and I’m going to wonder, how the hell all of this happened. Now I’m just moving forward and staying in the moment and trying to build it the best I can with what I have to work with. At the same token when my kids get older maybe I can show them the DVDs and tell them to take a look at the guys I got to sit there and hang out with.

PB: What’s your #1 thing in metal you’re completely stoked for this summer?

ET: I think the GiganTOUR line-up this year looks really promising. One thing I look forward to doing every year and it just happened was ROCKlahoma in Oklahoma which I’ve hosted every year since it started in 2007. That was great, I got to see Alice in Chains for the first time with the new singer. I host a cruise every year called Monsters of Rock which is a lot fun. So those things become benchmarks of my year that are always fun.

In terms of actual music, the one thing I’m looking forward to is from a band I had a hand in putting together is The Winery Dogs and their album comes out in July. The band is Richie Kotzen, Billy Sheehan and Mike Portnoy. I’m the one who suggested that Kotzen join the band when their guitarist dropped out. Right now it’s my favorite album of the year. I’ve been a huge fan of Richie’s for the better part of ten years and no one in this country has any idea what this guy is all about as far as his ability as a singer and a player. He’s one of my favorite singers. So I think this, after so many years, will put him on the map a bit in his home country. He’s one of the most talented guys I’ve ever come across.

Read more at Pop Break.

source: pop-break.com

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kkdowning Enda Mullen of the Birmingham Post reports:

Former Judas Priest guitarist KK Downing has unveiled plans to re-establish the Midlands as the center of the heavy metal universe by becoming a promoter.

The acclaimed axeman has kicked off his new career with the launch of The Future of Heavy Metal, a venture which he hopes will help young hard rock bands follow in the footsteps of legends like Led Zeppelin, Black Sabbath and Judas Priest.

The initiative, a new business venture in partnership with experienced promoter Dave Coleman, aims to offer a live music platform to showcase the heavy metal stars of tomorrow.

With Midland gigs in Birmingham and Wolverhampton already under their belt Mr. Downing and Mr. Coleman now plan to roll the idea out further afield with tours around the country.

The first crop of bands being showcased include Midland acts Hostile, Under Blackened Skies and Fury, along with French band Moray Firth.

Mr. Downing said becoming involved with the local rock scene, which included writing a song for Wednesbury outfit Hostile, brought a realization of just how difficult it is for raw talent to progress.

“This is a new venture for us, but we hope to roll it out around the UK, I felt that I wanted to give something back and this seems like an ideal way,” he said.

“I think the way the industry is now it is exceptionally tough for young bands as there is no one around any more who is willing to back and support them. In the past when you had some interest from managers or record companies you could get advances. Record companies would give an advance to buy instruments or make a record. That’s not happening any more. It’s going from bad to worse too and bands are actually being asked to pay to buy onto a tour which goes against the grain. Young bands can’t afford that. Some would be prepared to play for no fee and are willing to sleep in the van as we did in the old days..But to find the money to pay as a guest is not do-able unless they have got rich parents.”

Mr Downing, who owns the championship golf course Astbury Hall near Bridgnorth, said the idea of a mini-tour with a selection of bands seemed like the ideal way to help younger bands get exposure and playing experience.

Reflecting on his own experiences he said Judas Priest stepped up to a different level after securing a tour with Budgie.

“We did 50-odd concerts and the experience of playing five or six times a week was invaluable,” he said. “Bands today are never going to get their act together until they get out there playing with other bands and getting some touring experience. That’s where you find out your weaknesses as you are being put out there with major acts. We would tour with Kiss, Alice Cooper, Led Zeppelin and AC/DC. You get out there and see the audience reaction. If you are not getting it you have to ask yourself what have these guys got that you haven’t and you learn so much from people who have honed their skills to perfection – it rubs off on you..This is what these guys need – it will help give them confidence and that is what The Future of Metal is aiming to do.”

With Birmingham and the Black Country universally acknowledged as the home of heavy metal, Mr. Downing believes the talent is still there to put the region back on the musical map.

“We had Judas Priest, Led Zeppelin and Black Sabbath and before that other acts like The Move and the Moody Blues,” he added.

“There was a lot of talent from the Midlands but it’s been a long time since anyone new has come through to make an impact nationally or internationally. On my travels all over the world wherever I have been, Japan the US or wherever, the home of metal has always been Birmingham and the Black Country and I would like to see it continue. I’d like to think there is a future of heavy metal and that this area is going to be at the forefront, leading and paving the way for others.”

source: birminghampost.net

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7huu_CAFanCamp_2 Legendary drummer Carmine Appice has a busy schedule of activities leading up to the first Carmine Appice’s Rockaholics Metal Fan Camp, held August 26th-30th at Full Moon Resort in the heart of the “Forever Wild” Catskill Forest Preserve, just one half hour west of Woodstock, New York.

Carmine Appice is known not only as a heavy metal progenitor for his visionary work with Vanilla Fudge (and later Cactus, the power trio Beck, Bogert & Appice, Rod Stewart, King Kobra, and others), but also as a tireless drum evangelist and educator through both his best-selling Realistic Rock Drum Method and decades of clinics. Rockaholics Metal Fan Camp is not so much a forum for preaching and teaching as an opportunity for shared social experience.

At the Rockaholics Metal Fan Camp, Carmine will be joined by “camp counselors” including singer/guitarist Eric Bloom (Blue Öyster Cult), drummer James Kottak (Scorpions), guitarist Eddie Ojeda (Twisted Sister), and renowned shredder Michael Angelo Batio.

Carmine has a variety of TV, radio and live appearances scheduled leading up to the Rockaholics camp. Carmine will be the featured guest musician on VH1’s That Metal Show for the episode airing June 1st and again June 29th at 11:00 PM Eastern/Pacific. He’ll hit the road with the legendary and groundbreaking Vanilla Fudge from June 6th-22nd. Carmine will be a featured guest on the nationally syndicated radio show Eddie Trunk Rocks on June 21st. From June 27th-29th, Carmine will tour with Drum Wars, the world’s premiere rock drum show, featuring brothers Carmine and Vinny Appice (John Lennon, Black Sabbath, Dio, Heaven & Hell) demonstrating their sensational drumming abilities in this entertaining no-holds-barred battle to the finish. Please see below for a full tour itinerary.

July will find Carmine busy promoting his band King Kobra who will release their II studio album July 5th in Europe and July 9th in North America through Frontier Records. The group features drummer and founding member Carmine Appice, along with vocalist Paul Shortino, dual guitarists Mick Sweda and David Michael-Philips, and bassist Johnny Rod.

Then from August 26th-30th, Carmine will be found at the Rocklaholics Metal Fan Camp at Full Moon Resort. Rockaholics camp sessions will feature road warrior stories, musical performances by individual artists, Q&As, and more-ending with nightly jam sessions featuring the camp’s celebrity counselors. Also planned is the Carmine Cookoff, inspired by his Cooking With Carmine segment which can be viewed here. Additional details about the daily schedule will be announced soon.

Carmine Appice’s Rockaholics Metal Fan Camp offers a variety of pricing options, based on the variety of available accommodations. Packages are on sale now at carmineappicefancamp.com/pricing, and start at just $795, including lodging, access to all gourmet meals, performances, and camp activities.

All activities will be held at Full Moon Resort in Big Indian, NY, which features an eclectic array of comfortable, rustic country-inn accommodations as well as tent camping. All accommodations are just steps away from daily camp activities. Guests can enjoy the spring-fed swimming pool, on-site access to the Esopus Creek, and explore the splendors of the Catskills on the nearby network of hiking trails. Dedicated to the celebration of nature, music and the arts, this one hundred-acre wonderland of mountains, fields, and streams is a world of its own.

Carmine’s tour itinerary is as follows:

Date City Venue

Vanilla Fudge:

June 6th Englewood, NJ Bergen PAC
June 9th Sellersville, PA Sellersville Theater
June 14th Shirley, MA The Bull Run
June 21st & 22nd New York, NY BB King Blues

Drum Wars:

June 27th Sellersville , PA Sellersville Theater
June 28th Bay Shore, NY Boulton Center
June 29th Chester, NY The Castle Event Center

Rockaholics Metal Fan Camp:

August 26th-30th Big Indian, NY Full Moon Resort

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geofftatevest400 Geoff Tate says Queensryche were never a close group of friends – but he’s denied the title of his album is a dig at his former colleagues.

He released his record Frequency Unknown in April, while the other Queensryche, fronted by Todd La Torre, launch their self-titled work in June. A court hearing in November will decide which of the two bands get to keep the name.

The artwork on Frequency Unknown features a fist bearing the initials FU, which La Torre recently slammed as a “cheap shot” – but Tate says that’s not the case.

He tells Jam Magazine “It’s an abbreviation of the album title. It’s a metal thing. I’ve seen tens of thousands of fists punching the air at Queensryche shows. There is nothing out of the ordinary about it. I get criticized because I’m not metal enough – now I do an obvious metal album cover and I get criticized for that!”

Soon after the acrimonious split last year, Tate said he’d always imagined the band still together as a group of old men, sharing stories about a long and successful career. Since then his attitude has changed – he now says, “It never was a brotherhood. It was a bunch of kids that got together and achieved success at an early age. We got used to that success and continued doing the things we did to get that success. We found comfort in our way of working. It’s just that simple. We were never close. We never hung out doing stuff and sharing life. It was always just, ‘Hey, we have another record to make. Anyone have any ideas? Let’s try to make a record. Here we go.’”

But he still regrets the way the split came about, saying, “I wish it would have been handled with a lot more privacy and decorum. I wish we could have settled it like gentlemen and moved on with our lives without stretching it out for a year and playing it out on the Internet like some sick drama.”

Frequency Unknown – which was remixed and offered to fans for free after complaints about the original version – features new recordings of four classic Queensryche songs. But Tate says it wasn’t an attempt to claim them for himself. “The record company asked us to do it,” he explains. “They said, ‘We really want to give you a lot of money to make this record, but we don’t want to give it to you unless you include the re-recordings.’

“I tried to wriggle out of it; I said, ‘I’ve already recorded these songs. How about I do those with a different arrangement and make them really special?’ The record company said, ‘No. We want them to be as close to the originals as possible.’

“These days economics plays a big role in decision making when people offer you a large sum of money for something you like to do.”














additional source: classicrockmagazine.com

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