All roads have led to this. Forty-one years in the making, the R40 Live tour took a very real journey back through time. Beginning with the grand design: a state-of-the-art stage set that pivots, rolls and dives, and brings Clockwork Angels in to bombastic, colorful life before marching stridently back in time (through theater stages, a panoply of band and fan shots, the accrued memories of a life spent playing live) to a mocked-up school gym and the band playing there; a solitary bass amp set on the chair behind Geddy Lee, a mirror ball spiraling crazily above, casting thin rods of light like a light rain across the crowd, Working Man coming to a shuddering halt as the band’s beginning becomes their end.

Rush recorded and filmed R40 Live over two sold-out shows in the band’s hometown of Toronto at the Air Canada Centre on June 17th & 19th, 2015 in the middle of their R40 Live 35-date North American tour.

R40 Live had the trio of Geddy Lee, Alex Lifeson and Neil Peart, performing a career-spanning live retrospective, celebrating their 40+ years together. The epic live shows by the Rock Hall of Famers were captured with 14 cameras to present the band feature-film style.

The center-point of this tour was the remarkable setlist, coupled with their idea of a “de-evolution” set design. When the band opened the show with cuts Headlong Flight and The Anarchist from their most recent studio recording, 2012’s Clockwork Angels, they did so with all the bells and whistles from that extensive tour. They worked backwards through their catalog as the show progressed, the innovative set design making for constant visual eye-candy, as stagehands exchanged the gear and props on stage to resemble the era-correct tour staging in accordance with the songs being played.

The first set featured the infamous dryers on stage while they played Roll The Bones, Subdivisions, and for the first time ever live, Losing It featuring violinist Ben Mink, who appeared on the original studio recording from 1982’s Signals.

The second set opened with classics Tom Sawyer, followed by crowd favorite, The Spirit of Radio, but also included Jacob’s Ladder, which hasn’t been performed live since 1980 on their Permanent Waves tour.

The last few songs of the R40 were set against the persimmon curtained theatre-looking stage, with the crowd raising their lighters and camera phones to Closer to the Heart, and then Alex and Geddy appeared with their signature doubleneck guitars as they played Xanadu, into the epic 2112 and encored with Lakeside Park/Anthem and What You’re Doing/Working Man.

The concert film also includes the the band’s renowned tour videos, highlighted by Roll The Bones (R40 Live), that features an array of special guests in the rap part of the song: Jay Baruchel (She’s Out Of My League), Les Claypool (Primus), Peter Dinklage (Game of Thrones), Tom Morello (Rage Against The Machine, Audioslave), Chad Smith (Red Hot Chili Peppers), The Trailer Park Boys, and Jason Segel & Paul Rudd (I Love You, Man). It is the first time the band put the song back in the setlist since the R30 tour, a full decade ago. During the R40 Live tour, Roll The Bones gained new life and became a fan-favorite with an arena sing-along to the chorus “Why are we here? Because we’re here – Roll The Bones.”

Singer/Bassist Geddy Lee explained how the large group of cameo appearances came about, “We had this older video of an animated skeleton doing the “rap” part of Roll The Bones, and felt it was time to update the concept for this tour. So, after a lot of joking around with our show design team, we thought it would fun if we called upon some of our well-known pals and see if they wanted to have some fun with the lyrics. There were so many good and funny moments that it was hard to choose, some really hilarious and outrageous stuff. I’m so glad it worked out as it brought a big smile to the faces in the audience (and to us) every single night!”

R40 Live audio was produced by Rush & David Botrill, and mixed by David Botrill (Tool, Muse); the film was directed by Dale Heslip, and produced by Allan Weinrib. The live photograph on the cover of R40 was shot by baseball Hall of Famer Randy Johnson, who captured the band in a rare moment when both Geddy Lee and Alex LIfeson were on Neil Peart’s drum kit riser. “As a friend and fan of Rush, and the passion I have for photography to capture moments, it’s great that both can blend together in a lasting impression, here for the world to see,” commented the self-described ‘6”10 ninja in the photo pit,” who was on a portion of the tour in his new role as photographer.


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  • Doug R. on

    “Roll The Bones” would be a lot better without the rap, but whatever. Love RUSH! Can’t wait for this DVD, without the bones, LOL!

  • James K. on

    I saw them back in May and that concert is still blowing my mind! The stage sets, the setlist, the band’s performance, especially Geddy’s, all were incredible. This will have to win any year-end concert tour of the year polls.

  • Greg Gardner on

    I listened to this performance on Sirius XM, it really is a great set list and the musicianship is as good as ever and I am really looking forward to seeing this show. But I have to ask all you Rush die-hards, ( I have been a fan since Farewell To Kings and have seen them on quite a few tours), what are your thoughts on the change in Geddy’s voice? His singing on this and the Clockwork Angels tour seems to not be as crisp. I know Geddy works hard at preserving his voice and his new style may be geared toward that. Love the band and everything they have done, just curious on if anyone else hears it like I do.

  • MetalMania on

    Since Vapor Trails I think some of Geddy’s vocal melodies have been somewhat haphazard, like he couldn’t really find a good way to fit them melodically into the songs and the “emphasis” in some spots is sometimes jarring. I’ve never minded his actual mid range voice though and I think he puts a lot of character and emotion into his singing – it’s not all about range. He definitely got back into the high register on parts of Clockwork Angels too. And if it’s not hitting his ultimate high range, who cares. Even being a Rush die-hard myself, I find some of the 70’s stuff too shrill sometimes. The last two tours he blew me away with the power and range in his voice though. I can see how it still might rattle some people, but if you love Rush and Geddy, I think he’s been really strong these last couple of tours. I haven’t been to every show of course, and maybe every note isn’t perfect but I think he’s been extremely impressive for this stage of his career. I got into Rush when I was in high school, first time I saw them was the Presto tour. Vocally, I think the last two tours are the strongest I’ve ever heard him. The second half of the R40 show is probably the best live Rush experience I’ve ever personally had.

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