VAN HALEN REPORTED TO RELEASE “TOKYO DOME LIVE IN CONCERT” ON MARCH 31ST

VanHalen2012 According to Melodicrock.com, Van Halen are set to release their first-ever live album to feature original singer David Lee Roth. Recorded on June 21st, 2013 at the famed Tokyo Dome in Tokyo, Japan, Tokyo Dome Live In Concert includes 23 songs, spanning all seven of the band’s albums with Roth. It will be released as a double-CD, four-LP set on 180 gram vinyl and digitally beginning March 31st.

Also featuring guitarist Eddie Van Halen, drummer Alex Van Halen and bassist Wolfgang Van Halen, Tokyo Dome Live In Concert was mixed by award-winning engineer Bob Clearmountain and mastered by Chris Bellman.

Tokyo Dome Live In Concert tracklisting:

Unchained
Runnin’ With the Devil
She’s The Woman
I’m The One
Tattoo
Everybody Wants Some
Somebody Get Me A Doctor
China Town
Hear About It Later
Oh, Pretty Woman
You Really Got Me
Dance the Night Away
I’ll Wait
And The Cradle Will Rock…
Hot for Teacher
Women In Love
Romeo Delight
Mean Street
Beautiful Girls
Ice Cream Man
Panama
Ain’t Talkin’ ‘Bout Love
Jump

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RUMORS FLYING THAT DRUMMER CHRIS SLADE WILL BE REJOINING AC/DC

chrisslade640 Former AC/DC drummer Chris Slade is rumored to be rejoining the band in place of Phil Rudd.

The band are due to play at the Grammy Awards ceremony in Los Angeles next week, but Rudd isn’t allowed to leave New Zealand as a result of his court case over charges of threatening to kill and drug possession.

Slade was set to make a publicity appearance at The Optometry Practice in California on Saturday, but cancelled at short notice. Dr Alex Robin Liu, who owns the establishment, said via Facebook, “There’s actually big news regarding Slade and his career coming in several days, which is why he had to reschedule this event.”

Asked if the news was related to a band “spelt with four letters and a lightning bolt” Liu responded, “I am not totally sure to be honest with you. I am hoping for that!”

The Welsh drummer originally joined AC/DC in 1990 and was replaced when Rudd was brought back in 1994.

In December Slade admitted he stopped playing for three years after the split, describing it as “a real kick in the balls.”

Rudd recently insisted he’d be with the band when they tour in support of 17th album Rock Or Bust – their first without guitarist Malcolm Young.

source: Classic Rock Magazine

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RUSH’S GEDDY LEE CONFIRMED FOR SEASON 14 PREMIERE OF VH1 CLASSIC’S FLAGSHIP SERIES “THAT METAL SHOW,” DREAM THEATER’S JOHN PETRUCCI WILL MAKE HIS DEBUT AS GUEST GUITARIST

Thatmetalshowlogo Kicking off what’s guaranteed to be the best season of That Metal Show yet, Rush’s Geddy Lee has been confirmed for the debut episode of VH1 Classic’s centerpiece in original programming. He will be making his second appearance on the acclaimed hard rock/heavy metal talk show, hosted by Eddie Trunk, Don Jamieson, and Jim Florentine. Geddy Lee returns to the show to promote the highly anticipated Rush R40 Live 40th Anniversary Tour that will kick off this summer. The tour will visit 34 cities throughout North America and tickets are currently on-sale for select markets. The episode will premiere on Saturday, February 21st at a new broadcast time of 9:00PM ET/PT, repeating at 11:00PM ET/PT the same evening.

“Back when TMS was first born Geddy & Alex were nice enough to fly to New York and be a guest in our very first season. I’ve always had a great relationship with the Rush guys and it meant so much to me they were willing to support something I was doing that at that point hardly anyone had seen or heard of,” states host/co-producer Eddie Trunk. “Amazingly almost seven years have passed and we’re now about to debut our 14th season of ‘That Metal Show’ and I couldn’t be more honored to welcome back Geddy to the set to celebrate 40 plus years of Rush and the return of TMS!”

Known for having the best musicians in music perform each week on That Metal Show, the Season 14 premiere will continue the trend with John Petrucci of Dream Theater making his first-ever appearance on the debut episode. The 7-string guitar virtuoso has been someone the show has hoped to have on for some time now. Dream Theater is currently working on their new album, which they hope will be out later this year.

Season 14 of That Metal Show will consist of 12 all-new episodes and will be shot at Metropolis Studios in New York City on Tuesday nights for broadcast that Saturday. Audience tickets for upcoming tapings are now available via Gotham Casting at gothamcasting.com/gothamrsvp. Upcoming guests will be announced in the near future.

Season 14 will also mark the return of some notable segments including Metal Modem, TMS Top 5 Rank, and Take It Or Leave It. The popular Stump The Trunk segment will also be returning as audience members go out of their way to test Eddie Trunk’s vast knowledge for a chance to win a prize and see everyone’s favorite Ms. Box Of Junk, Jennifer, who is also returning for the new season. Fans can watch previous episodes and other exclusive bonus clips at ThatMetalShow.VH1.com and on the new VH1 app.

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DEF LEPPARD GUITARIST VIVIAN CAMPBELL DISCUSSES THE LAST IN LINE BAND, NEW MATERIAL AND RONNIE JAMES DIO

viviancampbell'slastinlinebanadpic640 Def Leppard and Last In Line guitarist Vivian Campbell was a recent guest on Eddie’s Eddie Trunk Podcast. Highlights from the podcast appear below as transcribed by blabbermouth.net.

On Last In Lines’s decision to write new material and record an album after initially only playing early DIO classics during their live shows:

Vivian: “It was never really the intention [to write new songs] from the start. Originally, we just wanted to do some gigs and go out and play again, ’cause it was just exhilarating to play with Vinny Appice and Jimmy Bain again. So… I don’t know at what stage it changed. But we started jamming some song ideas. And it feels very effortless to create with these guys. The way that we did [Dio’s classic debut album] Holy Diver was, for the most part, Jimmy Bain and myself, we were roommates at the time, we would go in the rehearsal room with Vinny, and the three of us would just kick around riff ideas and we’d come up with what we would think would sound like a good verse, a good bridge, a good chorus, and we’d kind of do a loose arrangement. Ronnie would come in. If he liked what we were playing, he was very, very quick in coming up with a melody and a lyric idea, and within 48 hours, we’d have a song done. It was very organic and very, very quick. And the same process is what we employed for this record, and it’s worked amazingly. I mean, Jimmy and Vinny and I in a rehearsal room…. Andy’s been doing the [Raiding The] Rock Vault thing out of Vegas for the last year or so, so he wasn’t always available to us. It wasn’t that we were excluding him at that initial process, but he just wasn’t literally physically there. So we’d do stuff, Vinny’d record it, he’d send MP3s, and next day Andy would show up and he’d have a melody and a lyric. And it’s so easy and so effortless to do it. It just kind of seemed like the [natural] progression for us to actually go in and make a record. And then having [producer] Jeff [Pilson] do it was just like a Godsend.”

Discussing on whether the Last In Line material sounds like the classic Dio albums:

Vivian: “The majority of it… Well, actually, I wouldn’t say the majority of it… I would say a good 50 percent of the songs would sound right at home on those first three Dio albums, and the others have a bit more of a modern edge to them. I mean, when you get Vinny and Jimmy and I playing, it sounds like the early Dio records, ’cause that’s what it is. Obviously, Andy is a very, very different singer, he’s got a very different instrument, and he writes lyrics very differently. I’m very, very impressed with where Andy has gone lyrically on the record, too; that’s another thing. So it’s great. It is so epic sounding. We’ve got some amazing songs on this, and I’m hyper excited about it, as you can probably tell.”

Talking about Last In Line being the most guitar-heavy album he has made in years:

Vivian: “It certainly is, and it’s been exhilarating and it’s been challenging. And I’ve embraced the challenge; I really have. It’s been fun to do. It’s part of a slow process to get me back to this place. It kind of started in early 2011 when I did my little Thin Lizzy stunt guitar tour in Europe. Going back and playing those Lizzy songs that I grew up playing that helped shape me as a guitar player, it kind of lit this fire under my ass again to wanna play. And it was as a result of that that I got together with Jimmy and Vinny and started jamming with them. And that’s what led to the LAST IN LINE project, and that’s what’s led us to here.”

On being uncomfortable with the “guitar hero” tag:

Vivian: “I’m definitely a reluctant guitar hero. I’ve never felt comfortable with certain aspects of that role, but yet it’s something that I find pretty natural to be. It’s strange contradiction, I tell you. But I certainly feel right at home doing with Jimmy and Vinny.

It took me a lot of time to appreciate what I was doing on those [early Dio] records. I was never happy with my guitar playing in my 20s. Having to go out and do shows over the last couple of years with Last In Line, I had to relearn the solos that were on the record, I had to learn them note for note, because they’d been ingrained on those records for 30 years. And so if people were coming to see us, they would expect to hear the solos as they were put on the record. Now, back in the day, I never really played them exactly the same twice. Sometimes I did, sometimes I didn’t, but I’d kind of wing it, and sometimes it would work, and sometimes it would [be] a pile of poo. Relearning your old work kind of gives you a different appreciation and understanding of it. And so I’m a lot more comfortable with playing that [stuff], but I’m still kind of uncomfortable with being a guitar hero, to be honest. It’s a very hard thing for me to verbalize. However, I always felt it was easier for me to do it live than it is in the studio. That was another issue too, and that issue with me has never gone away. I feel very self-conscious playing around people in the studio. And I think that’s probably because… in fact, I know it’s because that’s the creative part of the process. I’m still looking for something. I get a little embarrassed about doing that in public. But when you’re actually playing live, you’re doing something that’s already been created, you’re recreating something that already exists, so it’s a little bit more straightforward.”

Speaking about whether his much-publicized differences with Ronnie James Dio were rooted in business or if there was a personal element to it as well:

Vivian: “Well, it’s hard to nutshell; it’s not a black-and-white issue. I know it wasn’t all business. There were personal things too. I mean, there were times when Ronnie and I got along really, really well, and then there were times when we didn’t. But it was a difficult relationship, I’ve gotta say, from the get-go, for the most part. I think different people in life have different relationships with different people. I mean, not everyone that you meet in your 24 hours of a day you treat the same — you have different relationships, and they’re dependent upon the interaction between you and the other person. I saw very, very sweet, very kind aspects of Ronnie’s personality, but I also saw very dark and very bitter ones. But that didn’t define who he was. I wouldn’t define him as being one thing or the other. Human beings are complicated, and relationships are the most complicated part of it. So there was something about Ronnie and I that didn’t fit on a personal level. And it’s not something that I can find a catchphrase for. I certainly had a lot of respect for him as a professional — there’s no doubt about that — and I’m happy to say that I think he had a lot of respect for me in that regard also. We made great music together, and it’s unfortunate that it didn’t work out. The business side of it all… So many people keep pointing towards the business aspect of it as being what broke us up. I’d have to lay most of the blame for that with [Ronnie’s wife and manager] Wendy Dio, because she controlled the business aspect of Ronnie’s life. And when the band was first formed, there were four people in the room in John Henry’s rehearsal studios in north London — there was Ronnie Dio, Jimmy Bain, Vinny Appice and myself — and that’s where we shook hands and we formed DIO the band. Somewhere after that, something changed radically — there was a bit of a sea shift — and it became all about… I think… I mean, I don’t wanna start a war with this by any means, but it just seemed to me that Wendy never got the memo. She kind of always looked at it as Ronnie and his backing band. And starting off, Ronnie was certainly the star — he was a lot more famous than anyone [else] — but we created the music together. As I said over and over again, we wrote the songs together, we labored to make those records the best that they could be, and we did that because we were told that we were a part of it and that we would be compensated as such after a course of time. And after that course of time, Wendy had a change of heart, and that led to the demise of the band.”

Is it fair to say that Vivian wouldn’t be doing Last In Line if Ronnie was still around and touring the world and recording albums with his own band?:

Vivian: “I think that’s fair to say. I think if Ronnie was still [alive] and Dio the band was still out doing it, I don’t think we’d be here doing this… It wasn’t a deliberate action. It’s not like the day I heard the news that Ronnie had passed that I was starting to put the wheels in motion or anything. It’s just something that kind of… It organically grew. It just… one thing led to another. But, yeah, it is fair to say… I wouldn’t have felt right doing it if Ronnie was still out doing his thing.”

Discussing when fans can expect to see the Last In Line album released:

Vivian: “That’s a good question. We’re signed to Frontiers, the Italian label. Today is the last day of recording, so the record’s as good as done. It’ll be mixed and mastered within a few weeks, [and then] we’ll do the artwork. The original release date that we were looking for was sometime this spring — April, May kind of thing — but, to be honest, I don’t know. We’re in discussions with Frontiers now when to possibly release the record, because it doesn’t make a lot of sense to put it out there if we’re not available to support it. And I’ve got a really, really big schedule with Def Leppard this year, ’cause Leppard have a new record coming up also, backed up by a world tour. So I literally don’t have a lot of availability to do Last In Line shows. And it would be a real shame — especially because the record is sounding so much better than we all anticipated — it would be a real shame to just put it out there and let it die. So we are talking with them about possibly trying to find whatever holes there may be in the Def Leppard touring schedule this year to maybe see if it’s worthwhile putting together a small run of dates for Last In Line or some press stuff. And if not, we’ll just kick it down the road until everyone’s available to do it.”

To listen to Eddie’s entire podcast with Vivian Campbell, please go here.

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UFO STREAM NEW SONG “RUN BOY RUN” ONLINE

UFO2015-640 Damian Fanelli of Guitar World reports:

UFO have partnered with GuitarWorld.com to premiere a new song, Run Boy Run. The tune, which you can check out at Guitarworld.com, is from the band’s new album, A Conspiracy Of Stars, which will be released March 3rd through Steamhammer/SPV.

To read more about this release and to watch an album teaser, click here.

[Ed’s note: Thank you to Mark W. for providing me with the link to the original source for the story.]

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source: guitarworld.com

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DEF LEPPARD DRUMMER RICK ALLEN DISCUSSES THE BAND’S NEW SONGS AND AN INTEREST TO WORK WITH PRODUCER “MUTT” LANGE AGAIN

RickAllen630 Def Leppard’s Rick Allen says their latest material is a “wonderful mixture” of styles.

They’re currently working on the follow-up to 2008’s Songs From The Sparkle Lounge and hope to release their 11th album later this year.

The drummer reveals the new songs encapsulate everything they’ve done before while still paying tribute to their musical influences.

Discussing the new album, he tells Talking Metal Digital, “We continue to pay homage to our roots – a lot of the bands we grew up listening to during the 70s. I think it’s a wonderful mixture of everything that inspired us and everything we’ve done. I think people will hear many different influences.”

Allen says the majority of the 16 tracks they’ve been working on are almost finished and reveals some are “just about ready to present.”

He continues, “We’ve carved out three good long sessions where we all got together. And within those time periods we were able to put about 16 songs together and as of right now, they’re more or less about 85-90% finished – some of them even more so. Some are just about ready to present, so we’re really excited about it. It’s been a really nice project.

It’s been good getting together the way that we did in the studio. Over the years we tended to rely more on technology, sending files to one another for the other person to finish off. Actually getting together in a room and all being together in that way is incredibly valuable and really creative.”

While the band are in the studio with co-producer Ronan McHugh, Allen says he’d like to work with producer Robert John ‘Mutt’ Lange again at some point in the future, although he thinks it might be a long shot. Lange was at the helm for some of Leppard’s most successful albums, including: High ’N’ Dry, Pyromania and Hysteria.

Allen adds, “I’d love to work with Mutt again but I’m not sure we could spend the amount of time in the studio that we’ve spent in the past with Mutt. We like to work in a quicker way. It would be fantastic to do a few songs with him but I’m not sure we could actually do a full record with him.”

Earlier this week, guitarist Vivian Campbell said he was cautious but confident about his current cancer status. Leppard will take to the road across Canada starting April before they head to Europe for a run of shows in May.

additional source: classicrock.teamrock.com

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