MOTLEY CRUE’S MICK MARS AMBUSHED ON STAGE BY A FAN

mickmarshat400 Motley Crue guitarist Mick Mars was assaulted on stage after an audience member climbed onstage during the band’s performance in Canada on April 4th.

The chronically ill musician, who suffers from a disease that makes it difficult for him to move, was knocked down by a person who also grabbed singer Vince Neil and struggled with security men.

Mars, who was celebrating his 62nd birthday, later reported his personal guard Rhyno had suffered two broken ribs.

Crue were performing their song Primal Scream when an audience member made it onstage. He ran straight into Mars, sending him to the ground, before making contact with Neil.

The show was stopped as techs restrained the attacker, with bassist Nikki Sixx looking on in concern – and apparently kicking the “fan” – as two roadies picked Mars off the floor and helped him walk off. Drummer Tommy Lee shouted, “What the fuck is wrong with you, you fucking idiot?” Neil then told the crowd, “We might be back,” before disappearing. After a delay they returned and finished the show. Watch the video over at TMZ.

Mars was diagnosed with ankylosing spondylitis at the age of 19 – the incurable genetic condition causes the spine to fuse together, making it difficult to move.

Last year he told Classic Rock Revisited “It’s one of those things that I call an inconvenience. I have days that are worse than others and there is always some amount of pain with my hips.

There are some things that are not so cool, but there is one thing that is cool: I ended up bent. I can always see my guitar. If I’d been straight then I would not be able to see myself play.”

Yesterday he tweeted, “Thank all of you for your concerns about me being knocked down last night. I’m alright; nothing broken. My bodyguard Rhyno got two busted ribs.”

source: classicrockmagazine.com

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OZZY OSBOURNE OFFERS HIS OPINION AS TO WHY BILL WARD DID NOT PARTICPATE IN THE BLACK SABBATH REUNION

OzzyOsbourneShhh Ozzy Osbourne spoke with Mojo magazine about original drummer Bill Ward’s decision not to participate in the band’s reunion.

The drum tracks on Black Sabbath’s first LP with Ozzy since 1978, 13, were recorded by Rage Against The Machine’s Brad Wilk while Osbourne’s touring drummer Tommy Clufetos filled the seat during Sabbath’s three shows last year and is currently on the road with the band in Australia.

According to blabbermouth.net, Ozzy explains Ward’s absence to Mojo, “I guess it’s to do with finances or something. But there was also another side to it. When Bill came along, we all had to ask, ‘Can he do an hour-and-a-half, two-hour gig? Can he cope?’ My suggestion was that we run through a set and see how he got on because he was so out of condition and the drummer is the most demanding job in the whole band. We looked at Bill, and he couldn’t remember what the fuck we were doing. But he didn’t come clean and say, ‘I can’t cut this gig, but can we work something out, guys, where I’ll come on but with another drummer backing me up?’ Or, ‘I’ll come and play a few songs.’ That would have been cool.”

He continued, “I get where he’s coming from, though. His pride was hurt and I get it. I really do get it. The guy will always be a dear, dear friend and a brother to me, but … He can’t be surprised that he didn’t get the gig. … You know them yellow fucking stick-on memo notes? He had them all over his fucking drums. I was like, ‘What the fuck’s that for, Bill?’ He said, ‘I can’t remember what I’m doing.’ I go, ‘How are you gonna remember out of those 500,000 bits of paper stuck all over your kit, which one you’re looking at, Bill?’ (He said) ‘I’ll know.’ Ah, OK great. I’m not gonna give Bill a hatchet job, but at the same time we haven’t got the patience to deal with it.”

Read more in latest edition of Mojo Magazine.

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SLAYER’S HANNEMAN REMEMBERED AT THE GOLDEN GODS AWARDS

Jeff_Hanneman_Live1_lo Slayer guitarist Kerry King led a tribute to his “fallen brother” Jeff Hanneman at the Revolver Golden Gods awards on April 2nd, bypassing the usual moment of silence for something a bit more appropriate.

“I thought ‘should I do a moment of silence?’ Fuck no. This is the Golden Gods man,” he told the crowd. “Jeff fucking Hanneman, he played in Slayer. He does not want a fucking moment of silence, he wants a moment of fucking noise.” The audience cheered and King added, “We’ve gotta fist-raise it up. Drink-raise it up and tip one back to our fallen brother.” Zakk Wylde, who joined King on stage because they were presenting the best live band award, started the chant of “Slayer, Slayer, Slayer.”

Hanneman died earlier in the day of liver failure, two years after he contracted necrotizing fasciitis — most likely from a spider bite — a quick-progressing disease that literally eats away at skin tissue.

Anthrax also paid tribute along with Pantera’s Phil Anselmo on stage to perform his band’s This Love but tagged it with the intro to Slayer’s Raining Blood.”

“I’d like to dedicate this song to Jeff Hanneman,” Anselmo said before launching into the medley with Scott Ian and company. “In a token in the spirit that it’s given.”

Watch (Slayer tribute is at 6:00):

additional source: billboard

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PRODUCER RICK RUBIN DISCUSSES WORKING WITH BLACK SABBATH, SAYS THE BAND IS “PRE-HEAVY METAL”

blacksabb2013 Mojo Magazine spoke with producer Rick Rubin about working with Black Sabbath on their latest album, 13. Portions of the interview appear below.

Q: When it came to working with Black Sabbath, what was your biggest challenge?

A: When I started working with them, they really hadn’t worked together in such a long time and, because they’ve had such success in their career over the years, it was almost a case of red light fever. There was an anticipatory anxiety among different members of the band and they were worrying about whether [the music] would be any good, and whether they were up to the task. The history and myth of Sabbath loomed large and everybody really wanted to do it justice. No one wanted to do it just for the sake of it. The idea was that we were only going to do this as long as this was going to be as good an album as they’ve ever made.

Q: As a student of Sabbath’s music, what is the high point in their career as far as you’re concerned?

A: To me it’s the first four albums. All have different high points. The reason Album One was so important conceptually to play it to them is because it was how they started it. It was closest to their roots because even Black Sabbath got influenced by Black Sabbath. If a song like Paranoid became very successful for them then after that you started hearing more of their albums rooted in the Paranoid idea and maybe less in jazz, blues and the psychedelic stuff that was part of that whole picture at first.

That’s what’s important about Black Sabbath: people think of them as heavy metal but really they’re pre-heavy metal. They have more in common with Cream and Led Zeppelin than they do with Iron Maiden. So the goal was to get that sort of breadth and depth in the record so that it had what you want from Sabbath but it showed the wider spectrum of what made them special. Clearly Metallica is influenced by Black Sabbath but if [13] ended up sounding like a Metallica record, even a great Metallica record, then we’d failed. It was like bringing back all those colors that the bands in their wake haven’t touched on.

It’s the big picture of Black Sabbath that I feel is actually best reflected on that first album. It really is. Even when they were listening to it, when I played it for them – after they’d stopped asking why I was doing that – they were surprised about how eclectic it was and how jammy it was, how much it felt like a performance which, if they’d played it the next night, may not have sounded the same as that. It really was much more a jazz-inspired, interactive jam.

Q: When you started on the project Bill Ward was still involved.

A: Absolutely.

Q: How did you feel when he wasn’t?

A: I would love Bill to have been involved and that was always the intention. When he decided not to be it really took everyone by surprise. It was a case of ‘What do you want to do? We have all these songs but what’s the process going forward?’ The band said that they wanted to continue. Then it was a question of trying to find a drummer who could allow them to continue to do it.

Q: You suggested Ginger Baker as a replacement at one point…

A: I did. He was on the list I submitted to them. Certain people were dismissed outright by the band based on having dealt with them on the past or the baggage. It wasn’t always about drumming ability.

I’ll tell you what the deal was. He was on my list because I wanted to get someone who had grown up in the same world as them and who jammed the way they did and there aren’t many of those people left. Most of them are dead. But I was asking: who grew up listening to the same music as them? Who played in bands where they jammed back then? It’s a very different thing from the way hard rock and heavy metal drummers play today. That’s the kind of drummer I was looking for.

Q: You also suggested Brad Wilk. Why?

A: Of all the people I heard them play with Brad had the best feel. I got chills when I heard him play with them. There were some other very good drummers [that tried out] but there wasn’t that emotional connection or that tension that you need musically speaking. To me every great band has emotional side. When it really works in a band there’s a tension that builds in the players. It’s not anything they even know about in some cases but it’s there. It’s the way each person in the band hears the same groove and the way one person in the band moves forward on the groove while the other moves back on the groove. That’s what makes a great band, that’s what makes The Rolling Stones sound like The Rolling Stones, that’s what makes AC/DC sounds like AC/DC where Malcolm Young pushes in a way where Phil Rudd lays back. The relationship between the guitar playing and the drumming is what creates this tension in the music and makes it really exciting. When Brad played with Sabbath you could feel that there was something pulling them. He had that emotional connection, or that tension that you need musically speaking. It’s difficult to explain, but there’s a feeling.

Q: According to Geezer there was an eleventh hour reshuffle in terms of the lyrics. Why?

A: Ozzy wasn’t happy from the beginning with the lyrics he had, and historically Geezer always wrote the lyrics on the Black Sabbath albums. It was as much a combination of Ozzy not being happy with the lyrics and Geezer having so much to offer lyrically. He wrote amazing lyrics on the album. It really was a mutual decision. It wasn’t me saying, These lyrics are shit, it was Ozzy saying ‘I don’t like these lyrics, we need to get Geezer to write some more.’

Q: Coming back to the record itself, so now that it’s finally finished, how does 13 measure up in terms of Sabbath’s previous work?

A: It feels like pure Black Sabbath. It scratches that Black Sabbath itch and it evokes the same feelings as those other [early] albums. I can’t wait for you to hear it.

Read more at Mojo Magazine.

source: mojo4music.com

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SLAYER GUITARIST JEFF HANNEMAN PASSES AWAY AT AGE 49

Jeff_Hanneman_Live1_lo Slayer is devastated to inform that their bandmate and brother, Jeff Hanneman, passed away at about 11AM this morning near his Southern California home. Hanneman was in an area hospital when he suffered liver failure. He was 49. He is survived by his wife Kathy, his sister Kathy and his brothers Michael and Larry, and will be sorely missed.

In 2011 the guitarist had reportedly suffered from a spider bite on his arm which led to necrotizing fasciitis. Now word on whether this complication may have contributed to his passing.

Hanneman co-founded the thrash metal greats with Kerry King in 1981; their breakthrough came in 1986 with the landmark album Reign in Blood. Hanneman wrote or co-wrote the set’s standout tracks, Angel of Death and Raining Blood.

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ADLER POSTPONES SUMMER TOUR

Adler2013 Adler, the new band led by former Guns N Roses drummer Steven Adler has postponed its Summer tour due to Steven checking into an undisclosed rehabilitation center to continue working on his sobriety.

“We are truly sorry to all of the fans and promoters who were looking forward to seeing us on the road, but right now Steven’s health is the most important thing” states frontman Jacob Bunton. “We hope to make it up to everyone when Steven recovers.”

U.S. dates are currently being rescheduled to early fall.

Adler’s debut album Back From The Dead was released November 26th via New Ocean Media. Recorded in Los Angeles with producer Jeff Pilson (Foreigner, Dokken), the CD consists of 11 tracks, ranging from adrenaline-pumping rockers (Back From The Dead, Own Worst Enemy, Another Version Of The Truth) to arena-rock anthems (Good To Be Bad,Blown Away) to powerful, heartfelt ballads (Waterfall, Just Don’t Ask). The album features guest appearances by Adler’s former Guns N’ Roses bandmate Slash and Rob Zombie/ex-Marilyn Manson guitarist John 5.

Adler is comprised of Steven Adler, frontman Jacob Bunton (Lyam, Mars Electric), guitarist Lonny Paul (Adler’s Appetite), and bassist Johnny Martin (Chelsea Smiles).

For more information, please visit adlerrocks.com.

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