TORA TORA CELEBRATES 25th ANNIVERSARY WITH LIMITED EDITION “SUPER FAN PACKAGE”

toratoraTora Tora is releasing an extremely limited and rare ‘Super Fan Package’ in honor of their 25th Anniversary together as a band. The band has decided to offer up only 100 total packages ever at www.fnarecords.net, making this one of the most limited hard rock fan packages on the market.

The Tora Tora 25th Anniversary fan package will include the following items:

(1) Tora Tora – To Rock To Roll CD (true to the original indie cassette that was released 25 years ago in a limited run of 500 cassettes),

(2) Limited edition 25th Anniversary t-shirt (exclusive to this package)

(3) Limited edition 25th Anniversary bandana (exclusive to this package),

(4) Embroidered ball cap

(5) Three limited edition 25th Anniversary guitar pics.

Additionally, each of the lucky 100 fans to buy this ‘Super Fan Package’ will also be entered into a contest to win an autographed guitar signed by the entire band.

Just over 25 years ago, hard-working, blue collar hard rock band Tora Tora were on a high after winning a ‘Battle of the Bands’ contest giving them the opportunity to record and release their very own independent album. The end result was an album entitled To Rock To Roll. While the look of the indie cassette was very amateurish, the music was undeniably representative of a band that had what it would take to run with the ‘big dogs’… and the major labels did come calling. This led to the band being signed by A&M Records and the release of a very-well respected album entitled Surprise Attack, which in turn led to MTV Music videos, tons of radio airplay, and national tours. The band received praise from the fans and press alike allowing them to come off the road and head right back into the studio to record their sophomore effort, Wild America, which led to even more music videos and touring. It was 1993, and Tora Tora was a band with momentum set forth to start recordings for what would be a third effort entitled Revolution Day. However, unbeknownst to most hard rock enthusiasts, a new scene called Grunge was brewing and the bottom of the hard rock world fell out from underneath countless bands of the same ilk. Revolution Day would never see the light of day until almost two decades later when FnA Records teamed up with Tora Tora to release a handful of never-before-heard Tora Tora recordings.

This ‘Super Fan Pack’ harkens back to the album that got the whole thing started. Tora Tora has graciously allowed for 100, and only 100, exact replicas of the To Rock To Roll album to be produced, and have vowed that they will never remanufacture the album again. The artwork is true in every way to that of the indie cassette release which featured original versions of the songs Phantom Rider and Love’s A Bitch. This limited edition CD also contains three other tracks from the To Rock To Roll album: Wasted Love, To Rock To Roll, and Time On The Edge. Each of the hundred CD’s are autographed by all of the original members (Anthony Corder, Keith Douglas, Patrick Francis, and John Patterson) and individually numbered through an imprinted hologram security sticker that guarantees its authenticity. All the other items are available only as part of this package and are not being sold individually.

Although this package is extremely limited and will sell out quickly, fear not as the music from To Rock To Roll is also available on the 2010 FnA Records release Before & After. Also included on Before & After is an original recording of the popular hit Walkin’ Shoes and four demos written for the Revolution Day sessions. If you haven’t had the opportunity, be sure to pick up the other Tora Tora releases on FnA Records — in addition to Before & After, is the album Bombs Away (which features 11 tracks written during the Surprise Attack sessions) and Miss B’ Havin (which features 13 tracks written during the Wild America sessions), and the heavily sought after third recording Revolution Day featuring memorable tracks like Mississippi Voodoo Child, Candle And The Stone, Rescue Me, and a handful of other true-to-form Tora Tora classic sounding album tracks.

Tora Tora is truly one of those bands that has stood the test of time. They have managed to do what most of their fellow bands have not been able to do, and that is keep all the original members together (and on friendly terms) for over two-and-a-half decades. The band still gets out and does the occasional live performance — in fact this year, the band is looking at playing a few gigs in the U.S. and in Canada. Make sure to stay tuned for what this band has on the horizon.

Watch the video for their hit song  Walkin’ Shoes below:

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source: sleazeroxx.com

 

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BUCKCHERRY “CONFESIONS” CD OUT NOW; PREMIERES ONLINE TODAY

buckcherry400Buckcherry’s new Confessions CD is available now via Century Media Records.

Confessions is also streaming online today at AOL’s Noisecreep.com. Check out the album premiere by clicking here.

To celebrate the release of their new album, the multi-platinum Los Angeles rock band–Josh Todd (vocals), Keith Nelson (guitar), Stevie D. (guitar), Jimmy Ashhurst (bass), Xavier Muriel (drums)–will headline three intimate hometown shows at The Viper Room in West Hollywood on March 7th, 8th and 9th. A limited number of tickets are still available at viperroom.com.

“The Viper Room is where it all began for us,” says Josh Todd. “At one point when we would hit the stage in that small club, the crowd sounded like an arena. It was so explosive that we landed a record deal and now 15 years later we’re coming back to do it all again.”

Confessions is Buckcherry’s sixth studio album and first U.S. release for Century Media Records. It was produced by Keith Nelson and Marti Frederiksen (Aerosmith, Ozzy Osbourne) and features eclectic CD artwork by graffiti artist Ewok. The songs on Confessions merge punk grit, gutter attitude, honest storytelling, and razor sharp hooks, while the lyrics are tied together by the underlying theme of the Seven Deadly Sins.

In a recent interview with Loudwire.com, Josh Todd elaborated on the album’s subject matter.  Josh explained, “There was a point in my life when I was a youth when I lost a family member and I acted out in my grieving process through the deadly sins, so that’s kind of what the story’s about on the record. I think the seven sins are timeless and that everybody struggles with them in their daily lives all the time.”

The album’s first single Gluttony is impacting Active Rock in the U.S. and Top 5 at Active Rock in Canada. The provocative video for “Gluttony”–directed by Billy Jayne and filmed in a North Hollywood church–can be viewed below.

A two-disc deluxe version of the Confessions CD is also available and features the bonus tracks Give ‘Em What They Want and When The Fire Starts. In addition, a bonus DVD includes the Gluttony music video and lyric video, behind the scenes footage and band interviews from the set of the Gluttony video shoot, and “The Story Behind Confessions” featurette. Confessions will also be released on vinyl in April.

The track listing for Confessions is as follows:

Gluttony
Wrath
Nothing Left But Tears
The Truth
Greed
Water
Seven Ways To Die
Air
Sloth
Pride
Envy
Lust
Dreamin’ Of You

Buckcherry is currently on the road supporting Kid Rock as special guests on the Rebel Soul tour through April 6th, with additional worldwide tour plans to be announced soon.

Buckcherry tour dates:
With Kid Rock and Hellbound:

2/20 Pensacola, FL Pensacola Civic Center
2/21 New Orleans, LA New Orleans Arena
2/23 Birmingham, AL BJCC Arena
2/24 Huntsville, AL Von Braun Center
2/26 Greensboro, NC Greensboro Coliseum Complex
2/27 Knoxville, TN Knoxville Civic Auditorium
3/1 Memphis, TN FedEx Forum
3/2 Louisville, KY KFC Yum! Center

Solo Shows:

3/7 West Hollywood, CA The Viper Room
3/8 West Hollywood, CA The Viper Room
3/9 West Hollywood, CA The Viper Room

With Kid Rock and Hellbound:

3/18 Sioux Falls, SD Sioux Falls Arena
3/20 Madison, WI Memorial Coliseum At Alliant Energy Center
3/22 Toledo, OH The Huntington Center
3/23 Columbus, OH Nationwide Arena
3/25 Youngstown, OH Covelli Center
3/26 Ft. Wayne, IN Allen County War Memorial Coliseum
3/28 Bloomington, IL U.S. Cellular Coliseum
3/29 Omaha, NE CenturyLink Center
4/1 Evansville, IN Ford Center
4/3 Grand Rapids , MI Van Andel Arena
4/5 Saginaw, MI Dow Event Center
4/6 Saginaw, MI Dow Event Center

For more information, please visit buckcherry.com

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ROBERT PLANT ON A POSSIBLE LED ZEPPELIN REUNION: “I’VE GOT NOTHING TO DO IN 2014”

robertPlantRobert Plant has teased fans by implying that he might be open to a Led Zeppelin reunion and he also said that the band were over several years before the death of John Bonham brought their career to an end in 1980.

Followers believed more tours and even new music might be on the cards when the band played a one-off show featuring Jason Bonham in 2007, released last year as Celebration Day. But the singer refused to take part, leaving Jimmy Page and John Paul Jones to return to their own musical careers.

However, Plant insists he is not entirely responsible for the band’s lack of activity. He tells Australia’s 60 Minutes, “The two other guys are Capricorns. They don’t say a word. They’re quite contained in their own worlds and they leave it to me… I’m not the bad guy. You need to see the Capricorns – I’ve got nothing to do in 2014.”

Plant lost five-year-old son Karac in 1977 while the band were on tour and the tragedy led him to plan a career beyond the band until Bonham coerced him into coming back. “I was very skeptical about thinking about whether I had the right to be a parent and go back into that world,” says the singer. “When I lost our boy I applied to see if I could get a role as a teacher. I wanted to be around, a way to enjoy children at the peak of the time before they’re spoilt by the ways of our world. I always thought, ‘There’s another thing I can do.’ I was detached. I’d left it. But it’s a terrible drug being a good singer. John Bonham came round in a six-door limousine that he could barely get down the country lane. He had a chauffeur’s hat. He’d sit in the front and I’d be three doors back. He’d talk to me through the intercom – and we were only going to the pub. He’d say, ‘Come on, Percy, you know you can do it, you know you’ll have a great time,’ And so, back I went.”

But even back in 1977 Plant believed Led Zep had had their day. “We explored lot of music in those days,” he reflects. “But by the time Bonzo drew me back in, it was over anyway. We’d done what we had to do. The world had changed. Other people had arrived and it was the beginning of a whole new movement. It was like we’d lost the keys to the kingdom.”

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source: classicrockmagazine.com


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SAXON TO RELEASE “SACRIFICE” IN MARCH, EPK POSTED ONLINE

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An EPK (Electronic Press Kit) for Sacrifice, the new album from Saxon, can be seen below.

Sacrifice will be released on March 1st in Europe, March4th in the U.K. and March 26th in North America through UDR.

Sacrifice track listing:

1. Procession
2. Sacrifice
3. Made In Belfast
4. Warriors Of The Road
5. Guardians Of The Tomb
6. Stand Up And Fight
7. Walking The Steel
8. Night Of The Wolf
9. Wheels Of Terror
10. Standing In A Queue

Bonus track:

* Luck Of The Draw (on iTunes only)
1. Crusader (orchestrated version)
2. Just Let Me Rock (re-recorded version)
3. Requiem (acoustic version)
4. Frozen Rainbow (acoustic version)
5. Forever Free (re-recorded version)

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PHIL ANSELMO SAYS HE FEELS BAD THAT FORMER BANDMATE, VINNY PAUL, “NEVER REACHED OUT [TO HIM]”

philanselmo Phil Anselmo has discussed his current feelings for former Pantera bandmate and brother of Dimebag Darrell, Vinnie Paul, who has continued to refuse a reconciliation with his former singer since Dimebag’s tragic death in 2004.

“I feel bad for Vince,” Phil tells Revolver. “People should pity the guy. I wasn’t there when Dimebag was murdered, but he sure as fuck was. That’s his flesh and blood, murdered right in front of him. It’s a shame that Vince never reached out to Rex [Brown, former Pantera/Down bassist] and I. I think the healing process would have been beneficial to him, instead of his knee-jerk reaction to fear, and his therapy through tit bars and whiskey.”

“One guy can’t break up a band,” he adds of Pantera’s demise. “After we broke up, why was Rex with me and not with Dimebag and Vince? You have to understand, it goes all four ways when a band breaks up. Yes, I made mistakes. Yes, there was a lack of communication on both sides and some of it is my fault — a lot of it is my fault.”

“Two mornings ago, the first thing I thought of when I woke up was Dimebag. I think about Dime a lot. Last year was very rough. I don’t know what it was about last year, but I got into a severe depression about the loss of Darrell and what it meant and how huge it is. How heinous it is for him not to be here and to go out the way he did.”

“Dimebag was a lifer,” Anselmo continues. “He was meant to be this guitar hero. He was born for it. We would have made amends. I would like to think he would be proud of me for pulling myself out of the muck, the abyss. I’m not a believer in the afterlife. I think this is our shot. But I guess, in an atavistic way, you hope that the fallen one’s mighty spirit is looking down and smiling on you. I just choose to remember the positive things. He was almost like the perfect counterpoint to me. We may have clashed to a certain extent, but we would always find a happy medium, It was a vital relationship that I miss greatly.”

“Pantera had an almost supernatural freakin’ alchemic chemistry, not of this world,” he added. “I have not felt it since. Down has its own chemistry, but it’s not Pantera.”

source: metalhammer.co.uk.

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BLACK N’ BLUE SINGER SAYS KSS’ GENE SIMMONS ADMITTED HE RIPPED THEM OFF

jamiest.james3Ruben Mosqueda of the Oregon Music News spoke with Black N’ Blue frontman Jamie St. James. Sections from the interview appear below.

OMN:You had a KISS tribute band with Tommy Thayer years ago called Cold Gin. You were the drummer in the band and Tommy was ‘Ace’ in the band. How weird is it to see him wearing the ‘Space Ace’ paint?

JSJ: That’s right! It doesn’t surprise me that he’s doing that. Early on when we started playing in and around the LA area some of the articles that were written were very favorable. We’d have an article written about us in the LA Times and LA Weekly saying something to the affect, “it’s really sad when the best band in LA is a KISS tribute band.” That was the truth. We packed every place that we performed in. It was during the early days of tribute bands and you didn’t see them very often, unlike today. [KISS’] Gene [Simmons] and Paul [Stanley] would come to our shows and they’d hang out with us. Tommy was working for KISS as a tour manager. I knew he knew all the parts perfectly and it was surprising when he wound up in the band. It was Ace’s [Frehley] job to lose, but I knew that Tommy would fall into it at some point.

OMN: [Gene] Simmons ripped [Black N’ Blue] off on the Revenge album that KISS recorded. How do you feel about that?
JSJ: When I heard the song Domino I was like “Oh come on!” [laughs] I talked to him about that. I said to him, “I know where you got that riff.” He looked at me and said, “I absolutely ripped you guys off, 100%. No question about it! Yes I did.” That’s pretty much where we left it. That was Tommy’s riff on the tune Nasty, Nasty. Turnaround is fair play, though, because there’s a song on Nasty, Nasty that I’ve been told sounds like a song on KISS’ album The Elder. I’m not familiar with that album very well at all so I couldn’t tell you. It’s a part that Gene wrote so he ripped himself off! It’s kind of a messed up thing! [laughs] Actually I know what that was. It was the middle section of the song Nasty, Nasty, check that out.

OMN: I’m looking at all the great music you’ve recorded and the great producers that you’ve worked with including your A&R guy John Kalodner. Black ‘n Blue busted their ass trying to make this thing break big. Obviously, Black ‘n Blue along with a handful of some other great bands didn’t reach Bon Jovi status but it wasn’t because the talent level wasn’t there?

JSJ: [pauses] Listen, I agree that we didn’t get what we deserved. The reason is really unclear to me. It just wasn’t meant for us to be as huge as a band can get. I went into this band with a determination to make this band break. I think that is why you hear a lot of quality there, heart and soul for the music that we did. Sometimes you have the wrong management, you have problems related to certain decisions that have been made—maybe they could have been made differently. At the end of the day there are millions of dudes playing music and I’ve done pretty damn well for myself. It’s a different musical climate these days. I’m just glad to have lived during the time that I did. What am I saying? I’m not dead yet! [laughs].

Read more at Oregon Music News.

 

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