Lynch Mob have released a video for the song, Miles Away, watch it below.
The song is on the band’s new album, The Brotherhood, which was released on September 8th.
To read more about the release, and to view videos for Mr. Jekyll And Hyde and Main Offender, please click here.
The Brotherhood track listing:
1. Main Offender
2. Mr. Jekyll And Hyde
3. I’ll Take Miami
4. Last Call Lady
5. Where We Started
6. The Forgotten Maiden’s Pearl
7. Until the Sky Comes Down
8. Black Heart Days
9. Black Mountain
10. Dog Town Mystics
11. Miles Away
12. Until I Get My Gold (bonus track)
Deep Purple have released a trailer for their From Here To InFinite documentary, watch it below.
The 97-minute film will arrive on Blu-ray on November 3rd via earMUSIC and focuses on how the band created their 20th studio album. It will also feature more than two hours of bonus material including interviews, outtakes and three previously unreleased videos for Time For Bedlam, Birds Of Prey and Smoke On The Water – all filmed at this year’s Hellfest in France.
On the same day, Deep Purple will also launch a limited edition gold version of InFinite and a 3LP titled The InFinite Live Recordings Vol.1.
The gold edition will be release on 2CD digipak with new artwork and along with the original album, will contain their 80-minute live set from Hellfest 2017.
Deep Purple’s set will also feature on The InFinite Live Recordings Vol.1, which has been produced by Bob Ezrin.
AXS TV, the premier destination for classic rock programming, has greenlit a new eight-episode music series, Trunkfest with Eddie Trunk, premiering in 2018. Hosted by beloved music historian and TV and radio host Eddie Trunk, the program gives viewers the ultimate front row seat to some of the nation’s biggest music festivals as Trunk travels across the country interviewing bands, visiting booths, sampling festival cuisine, and mingling with the dedicated music fans that help make these festivals so legendary.
Highlights include immersive trips to South Dakota’s world-famous Sturgis Buffalo Chip Music Festival, featuring an interview with Southern Rock superstar George Thorogood; “The Festival To End All Festivals” Kaaboo in Del Mar, CA, where Eddie samples a sizzling celebrity chef experience; the hard rock and heavy metal celebration Louder Than Life Festival in Louisville, KY, featuring an interview with shock rock icons Rob Zombie and John 5; and the eclectic Halloween Weekend Voodoo Festival in New Orleans, LA, which will begin filming this weekend and boasts an exclusive interview with groundbreaking Rage Against The Machine guitarist Tom Morello. More featured festivals will be announced at a later date.
“With his deep passion and impressive encyclopedic knowledge of all things music, we’re thrilled to be back in business with Eddie Trunk, who previously was the host of our Reel To Real rock doc block,” said Evan Haiman, vice president of music programming and production, AXS TV. “Now we are teaming with him once again for this exciting new series, giving viewers the ultimate music festival experience as we show them what it’s like to attend these iconic events from the perspective of a hardcore music connoisseur.”
“I’ve had a great experience working with the team at AXS TV in the past, and I look forward to working with them once again on this new series,” Trunk said. “I am truly psyched to take viewers on this epic journey, as we head across the U.S. to experience all of the elements that come together to make these festivals so memorable. I really think viewers are going to enjoy this wide-ranging look at not just the music, but the overall experiences that each festival has to offer.”
Trunkfest is produced in-house by AXS TV. Evan Haiman serves as executive producer and the series is produced by Stephen Stormer.
Judas Priest frontman Rob Halford says that upcoming album, Firepower, features some of the band’s best-ever work.
The 2018 Rock And Roll Hall Of Fame nominees will release the follow-up to 2014’s Redeemer Of Souls early next year, with the first portion of a world tour already confirmed.
VintageRock.com caught up with the vocalist on the red carpet at this week’s Loudwire Music Awards, where the Metal God spoke about the new record – and praised guitarist Richie Faulkner’s work on the album.
Halford said, “This is what Priest lives for. We’re a hard-working metal band still making the metal 40-odd years later thanks to our glorious metal fans around the world.
So we make music now, obviously, still for our own pleasure and enjoyment – and the challenge of finding a new riff and a new melody is a great feeling.
We came off the Redeemer Of Souls tour, had a break and then we dove straight back into the second record with Richie. And it’s Richie’s moment, really, because when we did Redeemer Of Souls, it was his first time with Priest as a writer.
I think it was great how Richie coming into the band and then going through the writing experience and the world tour together really put him in a better place for when we went in to do Firepower.”
Halford added, “Richie’s playing is f–king unbelievable on this album. I think, as the writing team of Richie, Glenn Tipton and myself, this is some of our best work without a doubt.”
Further album details will be revealed in due course.
On December 1st, BMG will be releasing Gary Moore’s Blues and Beyond – a collection of his powerful and emotive blues studio recordings.
Blues and Beyond will be made available as a 2CD, 4LP and deluxe box set which will consist of the 2CDs plus a further 2 CDs of newly mixed and mastered live concert recordings, with two previously unheard song versions. This is the first time that this concert has been made available, anywhere. The box set will also house the brand new book I Can’t Wait Until Tomorrow written by Harry Shapiro and reproductions of rare memorabilia. This box is the ultimate collection of Gary Moore’s blues output and documents the evolution of this legend.
Best known for his evocative solo hits, Parisienne Walkways and Still Got the Blues (live versions feature in this set), and his on/off membership of Thin Lizzy, Gary Moore’s solo career comprises over twenty albums. Throughout the 1980s, Gary moved up the rock hierarchy, but turned his back on what he regarded as the empty flash of metal and reverted to his heart music – the blues – where ironically he scored his biggest commercial success through his 1990s and 2000s blues albums.
As well as running his own bands, during a successful solo career, Gary mixed with the best that rock and blues could offer, playing live and on record with George Harrison, Jack Bruce, Ginger Baker, Greg Lake, BB King, Albert King, Albert Collins and many others. Gary was also the guitarist many looked up to, not just for the terrifying speed of his fretwork, but for the passion, fire and honesty in his playing.
The Blues and Beyond formats:
2 x CD brings together the cream of Gary Moore’s blues studio recordings, this digipack format is the perfect Gary Moore blues collection.
The 4 x LP is a counterpart format is housed in an awesome double gatefold “AxeWax” vinyl and features a number of Gary Moore’s blues studio recordings, most of which have never appeared on vinyl.
The Box Set comprises the blues studio recordings on 2 CDs plus a further 2 CDs of newly mixed and mastered live concert recordings, with two previously unheard song versions. This is the first time that this concert has been available, anywhere. Also included, is the brand new book I Can’t Wait Until Tomorrow, which offers a unique insight into the world of Gary Moore. This full length Gary Moore-authorised biography is new, unreleased and all you need to know about the man behind the guitar. For the true collector, included are a number of reproductions of ultra-rare memorabilia items including a concert ticket, album launch event invite, VIP wrist band and AAA pass. This box is the ultimate collection of Gary Moore’s blues output and documents the evolution of a legend.
Blues and Beyond track listing:
CD1:
1. Enough Of The Blues
2. Tell Me Woman
3. Stormy Monday
4. That’s Why I Play The Blues
5. Power Of The Blues
6. Ball And Chain
7. Looking Back
8. Surrender
9. Cold Black Night
10. There’s A Hole
11. Getaway Blues
12. We Want Love
13. Memory Pain
14. The Prophet
CD2:
1. You Upset Me Baby
2. Bring My Baby Back
3. I Can’t Quit You Baby
4. World Of Confusion
5. Picture Of The Moon
6. Can’t Find My Baby
7. Drowning In Tears
8. Evil
9. My Baby (She’s So Good To Me)
10. Ain’t Got You
11. Just Can’t Let You Go
12. How Many Lies
13. Torn Inside
14. Parisienne Walkways (Live)
CD3 (box set only):
Blues And Beyond Live: (previously unreleased)
1. Walking By Myself
2. Oh Pretty Woman
3. Need Your Love So Bad
4. Since I Met You Baby
5. Surrender
6. Cold Black Night
7. All Your Love
8. Still Got The Blues
CD4 (box set only):
Blues And Beyond Live: (previously unreleased):
1. Too Tired
2. The Sky Is Crying
3. Further On Up The Road
4. Fire
5. The Blues Is Alright
6. Enough Of The Blues (Alternative)
7. The Prophet
Three years in the making, I Can’t Wait Until Tomorrow is the official Gary Moore biography written by acclaimed music writer Harry Shapiro, who was given exclusive access to Gary’s family, friends and musicians.
Spanning Gary’s five decades as a professional musician, the story begins with his early, troubled life in Belfast which he dealt with by honing his extraordinary talent in private, becoming recognised as one of the city’s best guitarists even while still at school. Leaving home at 16, the guitar prodigy began a tumultuous career first in Skid Row then, aged only 19, an abortive attempt at running his own band and then on through the Seventies switching with consummate ease between the hard rock of Thin Lizzy and the complex jazz rock of Jon Hiseman’s Colosseum II.
But even as a kid, Gary was telling his friends that he always wanted to be the frontman, never a guitar for hire. His solo career finally took off in 1979 with the chart single Parisienne Walkways. Throughout the 1980s, Gary moved up the rock hierarchy, but turned his back on what he regarded as the empty flash of metal and reverted to his heart music – the blues – where ironically he scored his biggest commercial success with the 1990 album, Still Got The Blues, selling over 3 million copies worldwide.
Gary never found life easy. He had demons to battle, could be his own worst enemy and made quite a few extra ones on the way. But when he suddenly died in 2011, the outpourings of admiration and grief from fellow musicians and fans around the world was heartfelt. As Harry Shapiro says “I would never have written a simpering hagiography. Hopefully this account will come across as honest as the man himself.”
For more information about Gary, please visit gary-moore.com.
Singer, guitarist, and songwriter Jason Bieler, of Saigon Kick notoriety, is thrilled to be hitting New York City for a special one-man showcase at American Beauty on Friday, December 8th. After releasing 200 tracks independently on Bandcamp in the span of 2 years, Bieler will be performing a variety of songs in his collection along with some throwback favorites from previous projects (Saigon Kick, Owl Stretching, TransAtlantic). Tickets are available for purchase now here.
Earlier this month, Jason Bieler released his self-titled album which fans can listen to now at Spotify. His collection is available for streaming in full here.
If you aren’t familiar with Bieler’s work, it all began in 1988 when Bieler formed Saigon Kick with Matt Kramer, Tom Defile, and Phil Varone. One year later, he went to Sweden to play in Talisman with Yngwie Malmsteen’s band mates Jeff Scott Soto and Marcel Jacob. In 1990-1991, Saigon Kick signed their first record deal with Third Stone/Atlantic Records and released their debut self-titled album. Shortly after in 1992, the band dropped their certified Gold record The Lizard. Love Is On The Way (written by Bieler) peaked at #12 on the U.S. Billboard Hot 100 and was also certified Gold. In addition to Love Is On The Way, Bieler wrote and produced the American Pie soundtrack which is certified Gold as well. Bieler went on to start Bieler Bros Records/Studios where he acted as composer, engineer, and producer, among much more while collaborating with artists such as Smile Empty Soul and Skindred as well as Chris Carraba, Jennifer Lopez, Justin Bieber, and more. Throughout his career, Bieler has shared the stage with Cheap Trick, Primus, Ramones, Soundgarden, and Tesla, to name a few.
A note from Jason Bieler:
“I’ve learned a few things over the course of my 30+ year career as an artist, writer, producer, manager, label owner and world renown hand model *and I ain’t even 50 yet bitches!
My story includes being thrown out of Atlantic Records for harassing Mick Jagger, having the LAPD SWAT team called on me for urinating in the lobby of a posh Hollywood hotel while playing a particularly emotionally stirring rendition of Journey’s Faithfully on the piano, athletic achievements such as arriving at the 12th floor of the Riot House on Sunset by free-climbing the outside of the building, nearly being rendered homeless by Jonah Hill’s father, and being thrown out of Dan Tana’s restaurant by Dabney Coleman.
My story includes the development of Skindred, A Silent Film, Nonpoint, Will Haven, Karnivool, SikTh and much more. It has appearances by J-Lo and Justin Bieber, Butch Walker and Chris Carrabba, Don Gilmore and New Found Glory, even Marilyn Manson and Michael Douglas.
My story includes platinum and gold success, world travels, tragedy, heartbreak, stupidity and epic buffoonery on a grand scale sprinkled with moments of sheer *artistic brilliance. (*artistic license)
What I enjoy most is being creative and being a songwriter. About 2-3 years ago I decided to focus on what brought me the most joy and happiness and eliminate anything that didn’t serve that purpose.
First, I decided I was going to focus on an improvisational writing style, meaning that I would write, record, mix, master and release a song entirely by myself in about 24 hours. I didn’t want to focus on making everything technically perfect but to execute in the moment. Sharpen the creative pencil by finding a less bullshit way, a less ego-driven way than “let’s spend 3 months making the perfect single so we can make an “*Adele sized hit” way of doing things. (*I dig Adele and almost all 50 people who make her records, some of them are actually acquaintances.)
I also had a strong desire to not worry about the “business” in any way shape or form. Not from the tired old “I hate the industry” whiny-scorned-artist perspective, more from the “I-wish-you-all-well-but-I’m-taking-my-ball-and-going-over-here, not-picked-for-the-team” vibe.
I have tons of friends in the “biz” and I still own a label and hold no deep-seated desire to wage war upon anyone. My story is not about some anti-industry fatwa. I’m certainly not trying to wave the flag for the indie artist movement either. I didn’t make an ambient nordic influenced double record about the perils of being a hemp farmer above the Arctic circle… so the absence of coverage in super-hip blogs is understood, not acceptable but understood.
This is simply about me growing tired of spending a lifetime justifying my creative ideas to business people, explaining things, pitching radio “dudes.” and if I’m being entirely truthful, being a bit tired of dealing with band members. Not because any of them are mean, stubborn, wrong or inherently evil but because I’ve learned… I am.
Like the petulant man-child that I am, I want to do exactly what I want to do, when I want to and how I want to. This has led to the most fulfilling creative realization of my life. Respectfully ‘f–k ‘em all.’
Over the last 2 years I’ve released over 150 pieces of music via the Bandcamp platform. No press, no radio, no tour dates, no booking agents, managers or label. I arrived at an almost magical epiphany… when you stop trying to force things and or chase things and just focus on what you love amazing things can happen.
The music started to find a home amongst an amazing group of super passionate people and started to spread and grow. I’ve decided to do some one-man shows focusing on songs from across my career and create a storyteller’s vibe. In full transparency, it is a coward’s way into stand-up comedy, joke fails more music, joke kills more comedy.
If this sounds at all interesting or wonderful, we can chat about things in more detail (rumor has it I’m absolutely delightful)…”
Upcoming Shows:
12/8 – American Beauty – New York, NY
1/12 – The Attic Ybor City – Tampa, FL
