Dana’s note: Although, the Rolling Stones are not a hard rock/heavy metal band, nor a band that Eddie plays on his radio shows, they, like The Beatles, are rock pioneers, who influenced many of the bands we enjoy. Therefore, I thought it important to acknowledge Watts’ passing.
According to his publicist, Rolling Stones drummer Charlie Watts has passed at age 80, reports the Associated Press.
Bernard Doherty said Tuesday (August 24th) that Watts “passed away peacefully in a London hospital earlier today surrounded by his family.”
“Charlie was a cherished husband, father and grandfather and also as a member of The Rolling Stones one of the greatest drummers of his generation,” Doherty said.
Watts had announced he would not tour with the Stones in 2021 because of an undefined health issue.
The quiet, elegantly dressed Watts was often ranked with Keith Moon, Ginger Baker, John Bohman and a handful of others as a premier rock drummer, respected worldwide for his muscular, swinging style as the Stones rose from their scruffy beginnings to international superstardom. He joined the band early in 1963 and remained over the next 60 years, ranked just behind Mick Jagger and Keith Richards as the group’s longest-lasting and most essential member…
…Watts reportedly had his eccentricities — he liked to collect cars even though he didn’t drive and would simply sit in them in his garage. But he was a steadying influence on stage and off as the Stones defied all expectations by rocking well into their 70s, decades longer than their old rivals the Beatles…
…[Bandmates] Jagger and Richards at times seemed to agree on little else besides their admiration of Watts, both as a man and a musician. Richards called Watts “the key” and often joked that their affinity was so strong that on stage he’d sometimes try to rattle Watts by suddenly changing the beat — only to have Watts change it right back.
Jagger and Richards could only envy his indifference to stardom and relative contentment in his private life, when he was as happy tending to the horses on his estate in rural Devon, England, as he ever was on stage at a sold-out stadium.
Watts did on occasion have an impact beyond drumming. He worked with Jagger on the ever more spectacular stage designs for the group’s tours. He also provided illustrations for the back cover of the acclaimed 1967 album Between the Buttons and inadvertently gave the record its title. When he asked Stones manager Andrew Oldham what the album would be called, Oldham responded “Between the buttons,” meaning undecided. Watts thought that Between the Buttons was the actual name and included it in his artwork.
To the world, he was a rock star. But Watts often said that the actual experience was draining and unpleasant, and even frightening. “Girls chasing you down the street, screaming…horrible!… I hated it,” he told The Guardian newspaper in an interview. In another interview, he described the drumming life as a “cross between being an athlete and a total nervous wreck.”
Charles Robert Watts, son of a lorry driver and a housewife, was born in Neasden, London, on June 2nd, 1941. From childhood, he was passionate about music — jazz in particular. He fell in love with the drums after hearing Chico Hamilton and taught himself to play by listening to records by Johnny Dodds, Charlie Parker, Duke Ellington and other jazz giants.
He worked for a London advertising firm after he attended Harrow Art College and played drums in his spare time. London was home to a blues and jazz revival in the early 1960s, with Jagger, Richards and Eric Clapton among the future superstars getting their start. Watts’ career took off after he played with Alexis Korner’s Blues Incorporated, for whom Jagger also performed, and was encouraged by Korner to join the Stones.
Watts wasn’t a rock music fan at first and remembered being guided by Richards and Brian Jones as he absorbed blues and rock records, notably the music of bluesman Jimmy Reed. He said the band could trace its roots to a brief period when he had lost his job and shared an apartment with Jagger and Richards because he could live there rent-free.
“Keith Richards taught me rock and roll,” Watts said. “We’d have nothing to do all day and we’d play these records over and over again. I learned to love Muddy Waters. Keith turned me on to how good Elvis Presley was, and I’d always hated Elvis up ’til then.”
Watts was the final man to join the Stones; the band had searched for months to find a permanent drummer and feared Watts was too accomplished for them. Richards would recall the band wanting him so badly to join that members cut down on expenses so they could afford to pay Watts a proper salary. Watts said he believed at first the band would be lucky to last a year.
“Every band I’d ever been in had lasted a week,” he said. “I always thought the Stones would last a week, then a fortnight, and then suddenly, it’s 30 years.”
31 Responses
RIP Watts and Jones.
In a way Watts could be compared with Phil Rudd, not over the top, yet vital to the sound of the band.
Was not really a Stones fan, but still like alot of the songs and give credit to Charlie Watts for staying behind the kit for all this time. That plus his jazz orchestra records of which he put out a few.
Rob,
I am with you, I am not really a Stones fan, either (I am a Beatles girl). However, I do really like a handful of songs, and own, their 40 Licks double CD.
Also, there is no doubting this band’s enormous influence over countless other bands, and their legacy, which is solidified in Rock history.
Finally, it is obvious that despite all the pitfalls, and tumultuous times, that Watts was an extremely loyal, and integral, member of the band.
In my opinion, you haven’t really heard The Rolling Stones, unless and until you’ve heard them live! Their real true greatness cannot be captured in the studio, only on the stage.
That maybe, but if I am not really into the songs to begin with, seeing them played live, really isn’t going to move my interest needle much. To each their own.
I get it, but to really appreciate the brilliance of the Stones, you have to listen to them live. More than any other band, again in my opinion, every Stones song sounds, and is so incredibly greater live! You might be surprised, even if say you didn’t like a song like “Jumpin’ Jack Flash,” if you listen to it live, you might be shocked at the difference. Molly Hatchet is another example of a band that has to be heard live to really hear their greatness.
I actually like that song, but I am NOT a fan of MOST of their songs, especially Emotional Rescue (barf), Miss You, etc..It would probably be easier to list the ones I like: Street Fighting Man, Gimme Shelter, (I Can’t Get No) Satisfaction, I know you don’t like The Last Time, but I do, Jumpin’ Jack Flash, Start Me Up, Brown Sugar, Doom and Gloom, Love Is Strong and It’s Only Rock ‘n Roll (But I Like It).
Ruby Tuesday, I can take or leave, same with Sympathy For the Devil.
So basically 10 songs, out of how many?…LOTS. Not good odds-LOL!
Surprised “Hang Fire,” and especially “Paint It, Black” (amongst others) aren’t on your likes list, “Little T&A” is another Rolling Stones rocker! “She’s So Cold,” “Rough Justice,” “Oh No, Not You Again,” “Driving Too Fast,” and many others… 😉
Wasn’t a huge fan of the Stones, but during high school, Some Girls,Tattoo you and Undercover were on my radar.
Have much respect, and if any thing that showcases Charlie Watts’ drumming, is my favorite song Paint It Black. On the same album, one also gets jazz beats in Under My Thumb. On Some Girls, Charlie also brings it. An icon lost today, and yes also joked about the Stones, and Lemmy outliving the roaches.
Wasn’t a huge fan as well but had Tattoo You on 8 track. Like most of us they were huge influences on my/our heroes. Always comes down to Stones & Beatles.
Indeed it does…
before i became a hard rock/metal fan, i was into the beatles, stones, etc.. i’d say charlie did pretty well, and then some, for a jazz drummer! farewell to one my drumming idols whose fills are tattooed on my brain. thank you charlie! r.i.p.
Here comes my head for the the chopping block… One of my favorites of the Stones is Undercover Of The Night. I dig their funky stuff, along with the old classics. Imo, the absolute greatest riff in rock is Brown Sugar. It’s sexy, sways a bit, and obviously influenced particular Paul Stanley songs, right down to the drum ending on It’s Alright from his Kiss solo album.
No, you’re fine. I would actually take that song over quite a few others.
Mr. R&R, you know me, I’m all over the map! I love “Undercover Of The Night!” As good as it is on “Undercover,” it’s even better live! As are most Stones songs. I just watched “Steel Wheels Live In Atlantic City” DVD a few days ago, if you haven’t already, I implore you to buy this DVD! You have to experience this performance, and you’ll really love “Undercover Of The Night!” 😉 “She Was Hot,” and “Too Much Blood” (more funky stuff) are also excellent songs from Undercover.