STONE TEMPLE PILOTS REVEAL NEW SINGER, POST NEW SONG ONLINE

After nearly two years since Stone Temple Pilots launched the search for a new singer, the pieces have fallen into place.

The group made their debut with former The X Factor contestant Jeff Gutt. Jeff Gutt, last night (November 14th) in Los Angeles. There band have also posted their a song Meadow, online. Listen to it, below.

Those in attendance at last night’s show at the Troubadour got a 13 song introduction to the new singer. STP opened their set with Down, running through a number of other all-time hits, as well as debuting Meadow and squeezing in a cover, MC5’s Kick Out the Jams.

Rumors suggested Gutt had been selected in November last year, two months after he auditioned, but the band insisted “no decision” had been taken. They’ve now said that he was formally hired in May this year, and that he’s spent several months writing and recording with colleagues Dean DeLeo, Robert DeLeo and Eric Kretz.

Bassist Robert DeLeo revealed he’d encountered Gutt while he was touring with the Hollywood Vampires in Detroit, MI. “After the show there was a musician who said, ‘Hey, man, you should check this guy out.’ And that’s where I kind of heard of him first; it was through that guy. And it just happened that it came together like that.”

Gutt compared the role to joining Led Zeppelin, “To me, they’re my Led Zeppelin.” He explained: “I had heard about [the auditions] but I was on tour in the Middle East with my band at the time… And then when I got back, I was driving and I heard, I can’t remember what song it was, but a Stone Temple Pilots song came on the radio. So I called my buddy in New York who knows everybody in the music industry, and I was like, ‘Hey, did they ever find a singer?’ And he was like, ‘You know what? I’ll send ‘em your stuff right now.’ And three days later, I got a call.”

He added that he felt that he’d secured the position “before I even got in the room, to tell you the truth, just because if you don’t feel that way, you’re probably not going to get it. You have to be confident. I mean, not cocky confidence – but I know my s–t. I know what I’m doing. I’ve studied my craft, I’ve studied Scott and the people Scott studied, and other singers of the era. I’ve really put a lot of time into that, and if you’re not willing to do all of that, you’re not going to be on the level to even be around these guys.”

Gutt was a runner up in the third season of The X Factor after performing songs including Queen’s Bohemian Rhapsody, Radiohead’s Creep and Aerosmith’s Dream On.

source: Ultimate Classic Rock

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BLACK COUNTRY COMMUNION PREMIERE VIDEO FOR “OVER MY HEAD”

Black Country Communion have released a video for their latest single, Over My Head, from their new album, BCCIV. It can be viewed below.

The band previously released videos for the songs, The Last Song For My Resting Place, and Collide, which can be viewed here and here.

To read more about BCCIV, please visit this link.

BCCIV track listing:

1. Collide
2. Over My Head
3. The Last Song For My Resting Place
4. Sway
5. The Cove
6. The Crow
7. Wanderlust
8. Love Remains
9. Awake
10. When The Morning Comes
11. With You I Go (bonus track on vinyl edition only)

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THE KULICK BROTHERS TEAR UP “KISS KRUISE VII”

History was made last week in the world of KISS, arguably the biggest rock band in the world, when brothers Bob and Bruce Kulick joined the KISS Kruise for the first time in the seven years the getaway has taken place.

“Our appearance on KISS Kruise 7 the first night on the Main Deck (“Sail Away “ Stage) was one of our most exciting and memorable gigs in my life,” says Bob. “And I know my brother feels the same way about it.”

Just hours after the performance, the internet lit up when Kruise passengers began posting and sharing live video of the Kulick Brothers’ show, which overwhelmingly was regarded as the strongest of the week (see some video posted, below).

The band (also comprised of vocalist / bassist Todd Kerns and drummer Brent Fitz) had one rehearsal and one chance to put a set list together for the show. “It was a very personal walk down memory lane,” Bob states. “Especially with these songs, since we played on the original recorded versions of every one of them.”

“It was, of course, also a treat to play with Brent Fitz, who was our anchor for the show as well as bassist and vocalist Todd Kerns, who happens to be the singer on my single, Rich Man, which just went to radio this week.”

Bob and Bruce Kulick set list from KISS Kruise VII

1 All American Man
2 Hide YouHeart
3 Wouldn’t You Like to Know Me
4 Domino
5 Larger Than Life
6 Tears are Falling
7 Nowhere to Run
8 Tough Love
9 Tonight You Belong to Me
10 Who Wants to be Lonely
11 Crazy Nights
12 Turn on the Night
13 Goodbye

Bob Kulick’s Skeletons in the Closet is available here and on iTunes now.

Check out Bob Kulick online at facebook.com/BobKulickMusic.

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IN HIS NEW BOOK, GENE SIMMONS CLAIMS WOMEN USE “SEX” TO GET WHAT THEY WANT AND THEY CANNOT HAVE A CAREER WHILE HAVING CHILDREN

Hardeep Phull of the New York Post reports:

Hey, women! Forget your grandiose notions of working toward equality based on your intellectual merits. That’s all nonsense, and KISS’ Gene Simmons — a 68-year-old man — is here to tell you why.

In his new book, On Power: My Journey Through the Corridors of Power and How You Can Get More Power (Harper Collins, out Tuesday), the bass player, and vocalist, uses his decades of business experience to preach about how to get ahead in the modern world.

For women, Simmons argues that using sexuality is still the quickest route to power.

“Women have a choice,” he told The Post. “They can dress in potato sacks, [but] as soon as they pretty themselves up with lipstick, lift and separate them and point them in our general direction, they’re gonna get a response. Guys are jackasses — we will buy them mansions and houses . . . all because of sex.”

And, ladies, if you’re thinking of being a working mom, think again. “Get over your biological urges,” Simmons said. “It’s natural to want to have kids, but, sorry, you can’t have it both ways. You have to commit to either career or family. It’s very difficult to have both.”

Simmons knows his (freakishly long) tongue will get him in trouble. But as he so eloquently put it, he doesn’t “give a f–k what anyone thinks.” The rocker — whose band’s earnings and business interests, such as the restaurant chain Rock & Brews, have earned him an estimated net worth of $300 million…

…“If it wasn’t for the rich, there wouldn’t be jobs for people. There’d be no philanthropy. There’d be nothing,” he said. “A poor person never gave me a job. The American dream is not only alive, but it’s better and stronger than ever.”

Read more at the New York Post.

source: nypost.com

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WHAT MUSIC DO PSYCHOPATHS LIKE? MORE BIEBER, LESS BACH

[Dana’s note: While I know this subject is not related to hard rock/heavy metal, I thought it interesting, nonetheless]

Amy Ellis Nutt of the The Washington Post reports:

Despite the film industry’s depiction of psychopaths, classical music is not their go-to soundtrack in the real world.

“In the movies, if you want to establish in one shot that a monster has a human side,” said Pascal Wallisch, a psychology professor at New York University, filmmakers play a certain kind of music. There’s Beethoven in “A Clockwork Orange” or Mozart in “The Silence of the Lambs.” Wallisch and Nicole Leal, a recent graduate of NYU, wanted to find out if a preference for certain musical genres is correlated with psychopathy, a personality disorder characterized by manipulativeness and a lack of empathy.

The researchers gave a questionnaire to more than 190 NYU psychology students that rated their level of psychopathy. It includes questions such as, “For me what’s right is whatever I can get away with” and “Love is overrated.”

“The cliche is they [psychopaths] are all in prison, but they’re all over,” Wallisch said.

The students listened to a songs from a wide range of musical selections, from classical to recent Billboard 100 songs, and rated them on a seven-point scale. Most of the songs were unfamiliar to the students. Wallisch and Leal looked for correlations between preferences for certain songs and the students’ scores on the psychopathy scale. They identified about 20 songs that seemed to be particularly popular or unpopular depending on the listener’s level of psychopathy…

…Among the songs with the highest correlation were Eminem’s “=Lose Yourself, the Academy and Grammy award-winning rap song popularized in the 2002 movie 8 Mile, and Blackstreet’s No Diggity, which ousted Macarena”for Billboard’s top spot in 1996. Justin Bieber’s What Do You Mean was also popular with those students who scored high on the psychopathy scale. On the low end were Dire Straits’ Money for Nothing, the much-covered country tune Wayward Wind and The Knack’s 1979 pop-rock hit, My Sharona.

Read more at The Washington Post.

source: washingtonpost.com

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SKID ROW GUITARIST DAVE SABO EXPLAINS WHY THE BAND’S REUNION, WITH SEBASTIAN BACH, NEVER TRANSPIRED

Skid Row guitarist Dave “The Snake” Sabo was a recent guest on Eddie’s Sirius XM Trunk Nation. Sabo explained why a planned reunion, with former singer, Sebastian Bach, never materialized. Highlights from the interview appear below (courtesy of blabbermouth.net).

Discussing the potential reunion and why it never occurred:

“There was definitely dialog that was going back and forth and there was talk…I think everybody was entertaining the idea. And I think, really, what it ended up being was we realized that whatever it was that tore us apart years ago still existed…We got offered a lot of money. There was a lot of stuff that’s been said about what happened and tours being booked… That didn’t happen — tours were not booked. Any offers that came in came through to me and Rachel, ’cause it’s our band. So there was a good amount of money being offered. And then with the dialog that went back and forth, it got ugly again.”

Explaining that money was not an issue:

“[It] had nothing to do with money. I’ll tell you straight up — no one was making was more than anybody else. That was one of the things that we said… Rachel and I and Scotti, we were, like, ‘This is easy from that perspective.’ I’m not gonna sit there and do it any other way. It was more about control, I think. Other people having a desire to have more control over this thing than we were willing to give. And it was not about anything other than this is our band. This is not ego-driven, I promise you. It wasn’t about me making more money than you, or you making more… it wasn’t about that at all. I guess it was the personality conflicts that existed before, 20 years ago [that are still there].”

On Motley Crue managing to tour despite the band members differences:

“Yeah, but they were miserable — they were all miserable. And see, that’s the thing, man… I don’t know… I guess I look at it differently. I really like my life, man. I really like being happy. I have great joy playing Skid Row music now. Not to say that I didn’t before, but in this moment in time, I’m extremely happy. My life is awesome, my friends are awesome, the people I make music and jam with, they’re all awesome. And so, I’ve gotta say, yeah, the idea, the romantic notion of a reunion, and the monetary aspect of it, is all well and good, but at the end of the day, man, I really enjoy the space that I’m in…The way that we existed towards the end, after Subhuman Race and when everything fell apart, it was [a] misery for everybody — not just me; for everybody.”

On being proud of the band’s past:

“I’m so proud of everything that’s existed between 1986 and now. A lot of people, if they’re in a similar situation like we are — we have a new singer and new drummer we’ve had for a while — they tend to hide from their past and almost brush it aside. I embrace it. I’m so proud of what we created — the five original members. We had a period of nine, ten years that was… it was furious and crazy and awful and amazing and every adjective you can come up with, and it burned brightly. And then it died out. And sometimes that happens..And so for us, it was really… it wasn’t about money — never has been. Happiness has always been paramount to me…I love the fact that people care enough and have a history with the band that they would wanna see that exist again — I really do; I think it’s amazing, and I’m supremely flattered by that — I just can’t give it to ’em right now, and that’s just the way that it is.”

Explaining what happened with singer Tony Harnell (TNT):

“We had known each other — Rachel, Scotti and I had known Tony for a long time. Obviously, a great singer. Some things just aren’t meant to work… they just don’t work together. Knowing him before and then working with him..it really was two different things. A lot of conflict, a lot of butting heads, and it just… it never meshed, it was never right. We knew him for a long time, [but we] never worked with him — never worked in a band situation, in a band environment with him…And so if someone is gonna come in and work with us, we have a certain way that we do things, and that may not work for some people. It didn’t work for him. Look, [he’s] a talented guy; it just wasn’t right for us.”

Talking about new singer, ZP Theart:

“He’s from Dragonforce. I was always familiar with the band and their reputation. Their music was never in my wheelhouse, so to speak. Rachel had become really good friends with him, and when things fell apart with Tony… We had previously done shows in the U.K. where his band after Dragonforce [I Am I] had opened up for us. And I saw him, and he’s a great singer. But I never thought about him being with Skid Row. As soon as everything fell apart with Tony, Rachel was, like, ‘Let’s just give ZP a call.’ And I’m, like, ‘Okay. Cool.’ And so we did. And he flew in.”

Look, first of all, he’s an excellent person — a really good guy. Blue collar, hard worker, gets his hands dirty. If he sees the crew guys having a problem with one of the road cases, he’s over there helping ’em. He wants to get in the trenches, he wants to work. And he respects the history of the band. He doesn’t attempt to do something so different to shy away from what our catalog is. He came in knowing… he came in and auditioned and did, like, 15, 16 songs. He used to warm up to our stuff. He’s really, really well versed and familiar with it. So this has been a really, really easy fit, and it’s been a pleasure to be on stage with him.”

On Sebastian Bach singing many of Skid Row’s songs at his live shows:

“I’m cool with it…as far as going out there and doing Skid Row songs, he has every right to — he sang ’em. I’m honored, to be honest with you. Some people might look at it differently. It doesn’t bother me. It helps keep our history alive. I’m cool with that.”

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