Winger 630-2014 Greg Prato of Songfacts spoke with Winger frontman Kip Winger about songwriting, the music business, and the stories behind some of his band’s biggest hits. Excerpts appear below.

Songfacts: Let’s start by discussing Winger’s new album, Better Days Comin’.

Kip Winger: I’m terrible with coming out with some kind of thing that I’m going to say for the album. I just write – we write the exact same way we’ve always written since the ’80s: Set up a drum machine, write some riffs, and once we get the stuff the kind of quality we want riff-wise, then we start to shape the arrangements.

This album has a mixture of a little bit of everything that people know us for on it, so for me it’s one of the quintessential records that we’ve done – there’s something for everybody that is into us on this album. But it’s not diverse to a fault. It’s got a lot of the different types of things that we do on it. And I think it’s sonically one of our best albums. We’re all pretty happy with it. Not just because it’s our new record – when I came out with my second record, there’s tons of stuff I would have changed, so it doesn’t always go well.

Songfacts: Is it primarily still you and Reb doing the majority of the songwriting and collaboration?

Kip Winger: Yeah. That’s the sound of the band for Winger records. I have three different things I do: solo records, classical music, and the band. And the sound of Winger is when Reb plays guitar and I play bass and we write from that perspective. We wrote 80 percent of the material, and then John Roth had a couple of tracks on there. If I’m doing a Winger album, that’s pretty much the way I have to do it or else it really won’t even sound like us.

Songfacts: How was it collaborating with Alice Cooper on songs like Roses on White Lace and also Prince of Darkness?

Kip Winger: We never collaborated in a room together. I did those with Kane. We just wrote some ideas and Alice probably wrote over them, which is the way a lot of stuff goes on nowadays. So I really wouldn’t know, honestly speaking. But he’s a great lyricist. He’s got a lot of great ideas, and he’s incredible. I can’t say that I’ve sat in a room with him and written a tune, but I have seen it back in the day. You know, he’s the same as everyone else: You sit around and wrack your brain until you come up with something that you dig.

I think you could ask any songwriter in the world, “What’s your songwriting process like?” and they would all say the same thing: You sit around and wrack your brain until you come up with an idea that you like. Whether you’re playing a piano, guitar, just singing in your head, writing lyrics, it’s all just the creative process. We’re all the same, right? So the creative process tends to be the same in general for a lot of people. I think the variable is that people have different voodoo and superstitions about how they’re going to conjure up the spirit, so to speak. But in the end, man, you’re just kind of pounding out to find a good idea.

Songfacts: What do you remember about the writing and recording of the song Madalaine?

Kip Winger: Have you ever heard the Winger Demo Anthology?

Songfacts: No, I haven’t.

Kip Winger: The Demo Anthology is the demos of all those songs, which shows you the original songs, which, when you hear the album there’s really not much different about it. But Madalaine was one where it was much slower. It was a lot slower, actually.

So, we wrote that song and it was kind of slow, and then when we went in the studio, one of the suggestions that Beau Hill made was to speed up that song. So when we sped it up, it came to life.

That was the first song that Reb and I wrote where people around us were, like, “Wow, this is a single.” And I was thinking, “This is a single? What’s a single?” I totally didn’t get it. So I have to say I’ve been very naïve in my career. I’m kind of a late bloomer when it comes to understanding the function of marketing and all that kind of stuff. I just did the music and then all the other shit kind of came alongside of it, which wasn’t always to my benefit.

But that song was real slow, we sped it up, it came to life. I think it’s one of our cooler songs. It’s still a chick song, but it’s got a cool riff that Reb wrote and still rocks. But it’s very cocky.

Read more at Songfacts.



Metallica2010pic2400pix As previously reported, Metallica has filmed a spot for ESPN’s This Is Sports Center . Now a blooper reel has been released and can be viewed below.

Metallica recently a new song called Lords of Summer through iTunes.


Gene-Simmons400 KISS star Gene Simmons says he’s proud to be among the One Percent of the world’s richest people – and insists everyone else owes him a debt of gratitude.

The bassist believes the world would descend into “chaos” if it wasn’t for him and fellow millionaires.

Simmons tells, “The one percent pays 80 percent of all taxes. 50 percent of the population of the US pays no taxes. The one percent provides all the jobs for everybody else. If the one percent didn’t exist there would be chaos and the economy would drop dead.”

He adds, “Try being nice to rich people. I don’t remember the last poor person who gave me a job.”

Describing his 30 years of extreme financial security as “fantastic” he continues: “You know how I spell ‘shameless?’ P-r-o-u-d.”

He explains, “People often confuse my pride and self-confidence with arrogance. I’m like an animal in the jungle that pisses on the ground and doesn’t ask permission. That’s full disclosure before the facts – others hold their opinions to themselves and never say who they are. You will always know who I am. You don’t have to like it.”

KISS recently announced, KISS Rocks Vegas residency, starting November 5th at the Hard Rock Hotel & Casino Las Vegas. The band is currently on tour with Def Leppard.

additional source:


overkill640 Overkill have debuted another all new music video for their newest single Bitter Pill exclusively via Decibel Magazine today. Directed by long time collaborator Kevin J. Custer, the video is the fourth time the veteran director has directed an Overkill video including Armorist, which can be viewed here.

Watch Bitter Pill below.

Ooverkill will release their seventeenth LP White Devil Armory on July 22nd trhough eOne Music in North America, and July 18th overseas via Nuclear Blast. The effort is the follow up to the critically acclaimed The Electric Age released in 2012.

The band has quite a bit of touring lined up with a highlighted performance scheduled at Heavy Montreal Festival on August 9th. After that the band will embark on a U.S. tour, view all dates here. Tickets are on sale now.

This year’s White Devil Armory is as vital, powerful, aggressive and melodic as any of the albums in Overkill’s ridiculously impressive back catalog, which stretches over 16 slabs of genre defining and redefining molten metal. The crunch is unmistakable. The voice is irreplaceable. Get less than a minute into White Devil Armory and it’s clear it’s Overkill. No pretense, no musical red herrings. This is tried and true, always trusted thrash metal. Pre-order on iTunes here.

White Devil Armory track listing:

1. XDM
2. Armorist
3. Down To The Bone
4. PIG
5. Bitter Pill
6. Where There’s Smoke
7. Freedom Rings
8. Another Day To Die
9. King Of The Rat Bastards
10. It’s All Yours
11. In The Name



aerosmith2-400 On the third date (July 16th) of this summer’s Let Rock Rule North American summer tour, Aerosmith fans saw a special collaboration between the band and good friend Johnny Depp. The performance–at the Xfinity Center in the band’s Boston hometown–featured a guest spot from Depp on the band’s Train Kept a-Rollin. Depp last performed the song with the band at their August 2012 sold-out Hollywood Bowl show in Los Angeles.

Let Rock Rule, this summer’s definitive rock experience, features rock’s most lethal army–Steven Tyler, Joe Perry, Joey Kramer, Tom Hamilton, and Brad Whitford–and special guest Slash featuring Myles Kennedy and the Conspirators. The began Thursday, July 10th at the Nikon at Jones Beach Theatre in Wantagh, NY and will make stops in Los Angeles, CA (The Forum), San Francisco, CA (Sleep Train Pavilion), Chicago (First Midwest Bank Amphitheatre), Denver, CO (Pepsi Center), Dallas, TX (American Airlines Center) and Atlanta, GA (Phillips Arena) before wrapping Friday, September 12th in Sydney, NS, Canada (Open Hearth Park).



philruddsoloband400 AC/DC drummer Phil Rudd will release a solo album called Head Job which will be released on August 29th through Universal Music Australia.

Rudd had released a lyric video for the song Repo Man. Watch it below.

Over the past 20 years or so amidst spending time drumming for Australia’s favorite rock export AC/DC, running a studio and a restaurant, racing cars, flying helicopters and a bit of farming in the land of the long white cloud; Melbourne-born drummer Phil Rudd has been quietly writing an album worth of songs which will see the light of day next month.

From the rollicking first single Repo Man, a gentle reminder about karma; to the rocking title track Head Job, which does not have intimate connotations but is a play on words about going to the pub to commiserate with your mates about someone doing your head in… from the upbeat dirgy groove of Bad Move to the relationship-driven Crazy; Rudd has delivered a very personal album “about the shit that goes on,” as the great man himself said.

Perhaps with the exception of 40 Days & 40 Nights, these songs were more inspired by everyday personal experiences in life rather than being about touring the globe with the world’s biggest rock band.

Citing influences ranging from Ringo Starr and Free/Bad Company’s Simon Kirke, to Moutain’s Leslie West and AC/DC bandmates Malcolm and Angus Young, these songs and lyrics are all very special to Rudd and when talking about the release of this album which has had such a long gestation, he said, “I’m very happy for it to finally make its way out there and for people to hear it!”

The songs were penned primarily by Rudd with the assistance of Allan Badger and Geoffrey Martin — musicians Phil met on the local scene, which he says “turned out to be a great musical partnership.” “Badge” and Martin also perform vocals, guitars and bass on the album, with Rudd sitting in the producer’s seat. The tracks came together over a period of time recorded at several locations including the studio that Rudd built himself not far from his restaurant Phil’s Place in Tauranga, New Zealand.

“I hope everyone thinks this is a great album from start to finish because that’s the idea,” Rudd told Triple M (hear audio below). “We didn’t put anything on there that we didn’t like. There’s no filler. There’s plenty of Phil, but no filler.”

Rudd also commented on the new AC/DC album which the band recently finished recording at Bryan Adams’ studio in Vancouver, British Columbia, Canada.

“We’re happy to have it done and it’s all very good, by the way,” he said. “There’s no comparisons between the two [the new AC/DC album and Head Job], but they’re both very good.”

Rudd joined AC/DC in 1974. He had previously played with Angry Anderson in Buster Brown and left that band to join the Coloured Balls with Lobby Loyde.

When AC/DC bassist Mark Evans left the band in 1977, Rudd became the only Australian-born member of AC/DC.

Rudd exited AC/DC in 1983 and was replaced by Simon Wright, then Chris Slade. When Slade left in 1993, Rudd rejoined the band.


Gene-Simmons400 KISS’ singing bassist Gene Simmons says that although the band have reunited with former members Ace Frehley (guitar) and Peter Criss (drums) in the past, that fans should not expect that to happen in the future.

Speaking with The Tampa Tribute, Simmons was asked if the band would ever consider reuniting if their two estranged members “cleaned up their act.” The bassist stated, “Not a chance. We’ve already danced that dance three different times. No way will we reunite. It wouldn’t be fair to [current members] Tommy [Thayer] and Eric [Singer]. It wouldn’t be right.”

Simmons also addressed the Rock and Roll Hall of Fame induction with Criss and Frehley, adding, “We only did the induction with Ace and Peter because the fans wanted it. But it was a slap in the fact that they didn’t acknowledge Tommy Thayer and Eric. They’ve been in the band longer than Ace and Peter. If the Grateful Dead can have 10 members in and out of the band and a lyricist who was never in the band in the Hall, how can you explain that?”

KISS are currently on tour with Def Leppard.

additional source:



Having celebrated the 30th year anniversary of the first time she took the stage this past May with a two-night live concert party in her hometown of Düsseldorf, Germany in addition to shows throughout Europe, the U.K. and in Latin America, multi-decade recording artist and legendary metal maven Doro Pesch will be bringing her career-spanning anniversary show to North America this fall.

“The Anniversary Tour was incredibly well-received everywhere and we know there are many more places we need to get to,” shares vocalist and
songwriter Doro. “I’m always super excited to play in the USA and Canada. Looking forward to seeing all our great fans, friends, and metalheads again. See you soon… Raise Your Fist!”

Fans will soon be invited to participate in an online poll to select the set lists for the tour via Doro’s official Facebook page.

Confirmed 30 Years – Strong & Proud North American tour dates are:

10/10 Route 20 Outhouse – Sturtevant, WI
10/11 Pov’s 65 – Spring Lake Park, MN
10/12/ Mojoes – Joliet, IL
10/14 Agora Ballroom – Cleveland, OH
10/15 Altar Bar – Pittsburgh, PA
10/16 Hard Luck Bar – Toronto, ON – Canada
10/18/ Salle Multi – Quebec City, QC – Canada
10/19 Petit Campus – Montreal, QC – Canada
10/20 The Gramercy Theatre – New York City, NY

There are plans for an additional, second leg of the tour in the U.S. for Spring 2015.

Raise Your Fist – which features musical guests Lemmy Kilmister of Motorhead and Ozzy/Firewind guitarist Gus G. – debuted at #65 on the American Billboard Heatseekers chart in November 2012 and can be purchased here.

Doro on the web:


judaspriest640 Judas Priest frontman Rob Halford and guitarist Glenn Tipton discuss why they are still touring despite claiming in the past that they were going to stop.

According to, Tipton explained on last week’s Rockline: “We, uh, lied. [laughs] The statement we made was we’re gonna do no more world tours. As we said before, it takes a massive chunk out of your life. It’s pretty arduous out there — almost two years, the last one, playing two and a half hours every night, four or five shows a week. But we enjoyed every second of it. And we said that at the end of it, we weren’t gonna do any more world tours, but we didn’t’ rule out any dates. And we just got so enthused with the new album and everything that we put some dates in and we’ll see where it goes from there.”

When asked by Rockline host Bob Coburn if it’s fair to say retirement didn’t work out for the band at all, Tipton replied, “We lied. We lied. We didn’t mean to.” Halford added, “Actually, it’s Richie Faulkner’s fault; let’s blame Richie. We can’t overemphasize the importance of having Richie with us at this point in our career.”

He continued, “When Richie joined us for the Epitaph tour, extraordinary things were happening night after night after night. And that, accompanied with some of the things that Richie was doing backstage before the show, laying down licks with his little portable recording gear, it was just this energy that was just out of control. So, naturally, when you come off a tour like that and you digest everything, you’re just raring to go and we couldn’t wait to get into the writing mode and start making music for Redeemer Of Souls together.”

As previously reported, Redeemer Of Souls is number six on The Billboard 200 chart. The band has also added some additional tour dates to their North American tour, click here to see the itinerary.


buckcherryfyou640 Buckcherry are to release the radio unfriendly Fuck EP on Monday, August 18th – with each of the six tracks featuring the four-letter word in the title.

It includes a cover version of Icona Pop’s I Love It, which Buckcherry have renamed Say Fuck It.

The EP is the band’s first release since 2013′s album Confessions.

Singer Josh Todd says:”I’m a huge fan of EPs and I had a lot of them when I was a kid, so it’s going to be fun to put this one out. It’s nasty and it’s raw and it’s quintessential Buckcherry.

It was a lot of fun writing it and it was great to do this EP for me after doing Confessions, because Confessions was so heavy and deep and this EP is just reckless and fun. It’s probably one of my most fun little projects to do.”

Fuck tracklist:

1. Somebody Fucked With Me
2. Say Fuck It
3. Motherfucker
4. I Don’t Give A Fuck
5. It’s A Fucking Disaster
6. Fist Fuck