EXODUS POST LYRIC VIDEO FOR “SALT IN THE WOUND” FEATURING METALLICA’S KIRK HAMMETT

exodus2014lineup638 Exodus who are scheduled to release their new album, Blood In, Blood Out on October 14th, are streaming a lyric video for the song, Salt The Wound, featuring former Exodus and Metallica guitarist Kirk Hammett. Listen to it below.

Exodus recently announced the return of singer Steve Souza to the band after parting ways with their previous vocalist, Rob Dukes. Souza appeared on the following Exodus albums: Pleasures of the Flesh (1987), Fabulous Disaster (1989), Impact Is Imminent (1990), Good Friendly Violent Fun (1991), Force of Habit (1992) and
Tempo of the Damned (2004).

The band also announced U.S. tour dates with Slayer and Suicidal Tendencies starting November 12th in Oakland, California. Click here for the full tour itinerary.

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JUDAS PRIEST’S METAL GOD ROB HALFORD DISCUSSES HIS VOICE AND HIS FAVORITE SCREAM

robhalford400 Blabbermouth.net reports:

On September 3rd, Judas Priest singer Rob Halford called in to Chaz & AJ, the morning radio talk show program on 99.1 WPLR, a rock radio station broadcasting from Milford, Connecticut.

When asked what his favorite scream is in all the songs that he record, Halford replied, “Actually, there’s a new scream for everybody on the new Redeemer Of Souls album, we have a track called Halls Of Valhalla, and there’s a little moment in that song where it kind of breaks down and I do this ungodly, unearthly scream and I don’t know where it came from. In fact, we kept it from one of the demo rehearsals that we were doing, because it was one of those once-in-a-lifetime things that you do once and you can’t exactly get it right again. So check that out, because that’s my current favorite heavy metal scream.”

When questioned if he is still able to pull off the scream every night in concert, Halford replied, “Yeah, I am, I am. And it’s one of those things where I love it so much and I am just so stoked by standing on stage still, 40 years later, still screaming my head off and having the time of my life, along with Glenn [Tipton] and Richie [Faulkner] and Scott [Travis] and Ian [Hill].”

In a July 2014 interview with the Birmingham Mail, Halford stated about how his vocal performance has evolved over the years: “The voice changes obviously. The trick is just to look after it — don’t drink, don’t smoke, don’t do drugs. I look after my voice these days, and still belt it out. When I was a raging drunk and drug addict, I really abused my voice. Thank God I realized I was doing some stupid things. You can damage your voice, and find that you can’t do softer things in your music.”

additional source: blabbermouth.net

MANOWAR ANNOUNCE NEW ALBUM PLANS AND UPDATED TOURING SCHEDULE

manowar400 Manowar have announced their return into the studio to begin working on their next studio album.

In order to concentrate on the yet unnamed new studio album, the band will postpone their U.S. tour dates in November due to scheduling conflicts. Tickets will remain valid and updates regarding new dates will be announced as soon as possible. Those who cannot attend the re-scheduled concerts will be able to get a full refund.

Manowar will headline Loud Park Festival in Tokyo on October 18th and will then resume the Kings Of Metal MMXIV World Tour with first dates in Germany in January. More 2015 dates will be announced soon.

Meanwhile, Hell On Earth V is now available on iTunes in many countries; more will follow shortly.

Shot from over 150 camera angles, including spectacular helicopter footage, this video with more than 2 hours running time includes the
Viking Encore set from the 2007 Demons, Dragons and Warriors tour, full-length versions of Sons Of Odin, Glory, Majesty, Unity, Gods Of War and many others, with highlights from Turkey, Spain, Czech Republic, USA, Canada, Germany and other countries.

More Manowar feature length videos will be available on iTunes stores worldwide shortly.

For constant updates, please visit manowar.com or facebook.com/manowar.

Kings Of Metal MMXIV World Tour – Confirmed Tour Dates:

October 18, 2014 – Loud Park Festival – Tokyo, Japan
January 14, 2015 – Grugahalle – Essen, Germany
January 16, 2015 – Zenith – Munich, Germany
January 17, 2015 – Jahrhunderthalle – Frankfurt, Germany (SOLD OUT)

KISS’ GENE SIMMONS DELCARES “ROCK IS FINALLY DEAD”

Gene-Simmons400 Gene Simmons’ son, Nick Simmons interviewed his father for Esquire Magazine. Portions of the interview appears below.

Nick Simmons: You once said the music business isn’t dying — it’s dead. What would you say to young musicians and songwriters today trying to navigate this new terrain?

Gene Simmons: Don’t quit your day job is a good piece of advice. When I was coming up, it was not an insurmountable mountain. Once you had a record company on your side, they would fund you, and that also meant when you toured they would give you tour support. There was an entire industry to help the next Beatles, Stones, Prince, Hendrix, to prop them up and support them every step of the way. There are still record companies, and it does apply to pop, rap, and country to an extent. But for performers who are also songwriters — the creators — for rock music, for soul, for the blues — it’s finally dead.

Rock is finally dead.

I am so sad that the next 15-year-old kid in a garage someplace in Saint Paul, that plugs into his Marshall and wants to turn it up to ten, will not have anywhere near the same opportunity that I did. He will most likely, no matter what he does, fail miserably. There is no industry for that anymore. And who is the culprit? There’s always the changing tide of interests — music taste changes with each generation. To blame that is silly. That was always the exciting part, after all: “What’s next?” But there’s something else. The death of rock was not a natural death. Rock did not die of old age. It was murdered. And the real culprit is that kid’s 15-year-old next-door neighbor, probably a friend of his. Maybe even one of the bandmates he’s jamming with. The tragedy is that they seem to have no idea that they just killed their own opportunity — they killed the artists they would have loved. Some brilliance, somewhere, was going to be expressed, and now it won’t, because it’s that much harder to earn a living playing and writing songs. No one will pay you to do it.

The masses do not recognize file-sharing and downloading as stealing because there’s a copy left behind for you — it’s not that copy that’s the problem, it’s the other one that someone received but didn’t pay for. The problem is that nobody will pay you for the 10,000 hours you put in to create what you created. I can only imagine the frustration of all that work, and having no one value it enough to pay you for it.

It’s very sad for new bands. My heart goes out to them. They just don’t have a chance. If you play guitar, it’s almost impossible. You’re better off not even learning how to play guitar or write songs, and just singing in the shower and auditioning for The X Factor. And I’m not slamming The X Factor, or pop singers. But where’s the next Bob Dylan? Where’s the next Beatles? Where are the songwriters? Where are the creators? Many of them now have to work behind the scenes, to prop up pop acts and write their stuff for them.

Here’s a frightening thought: from 1958 to 1983, name 100 musical anythings that are iconic, that seem to last beyond their time.

NS: [How] does this bode for the industry of the future?

GS: There is no record industry, unfortunately. Not like there was. There are some terrific bands out there — Tame Impala, which you turned me on to, and so on. And during the ’60s and ’70s they would’ve become big, I’m convinced.

But, strangely, today, everything pales before Psy’s Gangnam Style. Look up the numbers on that song. He blows everyone else out of the water.

Read more at Esquire.

source: esquire.com

MOTLEY CRUE’S VINCE NEIL STATES THAT ONLY BANDS WHOSE CAREERS WERE ON THE WAY OUT CLAIMED GRUNGE KILLED ROCK MUSIC

vinceneil400pix Blabbermouth.net reports:

Motley Crue singer Vince Neil claims that his band “supported” the rise of grunge in the early ’90s and says that Seattle music scene “didn’t seem to kill” Motley Crue the way it affected many of the other so-called “hair-metal” bands who were mega successful in the ’80s.

“We went on [MTV's] Headbanger’s Ball and we’d had an early pressing of [Nirvana's] Nevermind,” Neil told Q magazine. “We were talking about a bunch of upcoming bands and told people to check that album out. We supported that whole thing.

I don’t know why people say grunge killed rock. Only people whose careers were on the way out said that. It didn’t seem to kill us.

I was talking to Courtney Love [wife of late Nirvana frontman Kurt Cobain] one time and she told me that one of Kurt’s favorite records was [Motley Crue's 1981 album] Too Fast For Love.”

Rob Zombie recently told England’s TeamRock Radio that the American rock scene never recovered from the the ’90s grunge explosion. Zombie explained, “When the grunge rock thing hit, with Nirvana and all that, everybody thought it was cool to be anti-rock star. But in a way they sort of anti-rock starred themselves right out the door, because the rap guys came in and they said, ‘Fuck it. We’ll be the rock stars then, if you guys are going to wear flannel shirts and stare at your feet.’ And in the U.S., truthfully, rock music has never recovered from that.”

Zombie added, “A whole generation of kids thought, ‘Fuck this! Rock music is boring. Let’s go listen to rap music.’ And it’s never recovered.”

additional source: blabbermouth.net

NIKKI SIXX UNDERGOES DOUBLE HERNIA SURGERY

NikkiSixx400 Motley Crue and Sixx:A.M. bassist Nikki Sixx has posted the following message on his Facebook page:

“I have been performing during the last few months with a pretty intense double hernia but you gotta give 100% even through the pain onstage.The good news is yesterday I got surgery on both sides and it went really really well. My lovely wife, kids and Leica have been really taking care of me.I should be up and kicking ass in a few weeks and back in the gym/tour in 6 weeks. Looking forward to seeing you all back out on the road..

PS..Holy Jesus, it feels like I got kicked in the stomach by a horse.They gave me some pain meds but I am trying to not take them and luckily Courtney Bingham-Sixx looks pretty hot in her nurse outfit…”

Motley Crue are currently on break from their Farewell Tour which is scheduled to resume on October 10th in Oklahoma City, Oklahoma.

RICHIE KOTZEN RELEASES VIDEO FOR “WAR PAINT” ONLINE, SEE IT HERE

Richie Kotzen - Photo byTravis Shinn400 Richie Kotzen has released a video for the song War Paint which appear on his The Essential Richie Kotzen which was released on September 2nd. Watch it below.

To see Kozten’s video for the song Walk With Me, also from this collection, please click here.

Here’s the complete track listing of The Essential Richie Kotzen:

CD1:

1. War Paint *
2. Walk With Me *
3. Love Is Blind
4. Go Faster
5. Fooled Again
6. OMG (What’s Your Name?)
7. Help Me
8. Bad Situation
9. Lie To Me *
10. Fear
11. You Can’t Save Me
12. Doing What The Devil Says To Do
13. Remember (Reprise)
* never before released *

CD2:

1. What Is (2014)
2. High (2014)
3. Change (2014)
4. Special (2014)
5. Paint It On (Acoustic Version)
6. Holding On (Acoustic Version)
7. Until You Suffer Some (Fire And Ice) – (Acoustic Version)
8. The Road (Acoustic Version)
9. Regret (Original Demo Version)
10. Damaged (Original Demo Version)

DVD:

1. Walk With Me (2014)
2. Paying Dues (2009)
3. 24 Hours (2011)
4. Larger Than Life (2009)
5. Losing My Mind (2005)
6. Help Me (2012)
7. Chase It (2008)
8. Player (2011)
9. The Shadow (2011)
10. My Angel (2011)
11. I Would (2008)

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DEEP PURPLE TO RELEASE “LIVE IN VERONA” DVD/BLU-RAY ON OCTOBER 20TH

deeppurple2011 Deep Purple will release their Live In Verona DVD and Blu-ray on October 20th through Eagle Rock Entertainment.

Filmed in the spectacular surroundings of the Arena di Verona, a Roman amphitheatre originally built in 30 AD, this concert from the summer of 2011 sees Deep Purple joined on stage by the German Neue Philarmonic Orchestra for performances of all the band’s classic tracks.

Deep Purple remains one of the finest hard rock bands on the planet and is undoubtedly at its best when performing live. Here the orchestral arrangements give an added depth and range to the familiar songs and the band respond to both playing with the orchestra and performing in such a historical location to deliver a brilliant show in front of a huge and enthusiastic crowd.

Live In Verona track listing:

1. Deep Purple Overture
2. Highway Star
3. Hard Lovin’ Man
4. Maybe I’m A Leo
5. Strange Kind Of Woman
6. Rapture Of The Deep
7. Woman From Tokyo
8. Contact Lost
9. Guitar Solo
10. When A Blind Man Cries
11. The Well-Dressed Guitar
12. Knocking At Your Back Door
13. Lazy
14. No One Came
15. Keyboard Solo
16. Perfect Strangers
17. Space Truckin’
18. Smoke On The Water

Watch a performance clip of the song Space Truckin’ from Live In Verona below:

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SIXX: AM STREAM TWO MORE SONGS FROM THE FORTHCOMING, “MODERN VINTAGE” ONLINE

sixxam400 Sixx: A.M. are streaming a couple of more songs (Stars and Let’s Go) from their forthcoming album, Modern Vintage. Listen to them below.

 

Stars:

Let’s Go:

To listen to Sixx: A.M.’s Gotta Get It Right and to learn more about Modern Vintage, please, click here.

SINGER RON KEEL DISCUSSES HIS AUTOBIOGRAPHY, TOURING, GENE SIMMONS AND YNGWIE MALMSTEEN

RonKeel400 Greg Prato of Brave Words spoke with frontman Ron Keel. Excerpts from the interview appear below.

BraveWords: What made you choose to write an autobiography, Even Keel, at this point?

Ron Keel: I think the only reason anyone should write a non-fiction book is if they’ve got a good story to tell, or important or interesting information to convey. And I’m always telling stories…whether in interviews, sitting at a bar or around a campfire, whatever. Songwriters and entertainers are usually storytellers by nature anyway. About ten years ago, I started writing my stories down, usually on long flights or road trips to pass the time, and found I really enjoyed the process. If I hadn’t put a hard deadline on publishing this year, I would have kept on writing for at least another ten years – but I really wanted to release the book simultaneously with my new album which is pretty much my autobiography set to music.

BraveWords: How would you describe Gene Simmons as a producer? (Simmons produced Keel’s The Right to Rock and The Final Frontier)

Ron Keel: You know, I think the marketing, make-up and money masks the fact that Gene is really a genuinely great human being with an intense passion for music, and also a deep knowledge and respect for rock & roll history. Not only what Gene did for my career, but what he taught me about making great albums – those lessons are still with me in every recording session I do.

BraveWords: I was surprised Keel never opened for KISS in the ’80s. Was this ever discussed?

Ron Keel: Believe me, I begged. I’m not sure why it never happened either, but never say never – maybe that’s one more dream that will come true. I can tell you, Gene was very active in trying to help us get gigs – I remember him on the phone with Ozzy, telling Ozzy he should give us the opening slot. Ozzy ended up going with some band called Metallica, but Gene gave it his best shot!

BraveWords: Something else I was surprised about – since Gene Simmons and Paul Stanley used to collaborate quite a bit with outside songwriters during the ’80s, that you didn’t collaborate with either on a KISS tune, while such others as Tommy Thayer and Kane Roberts did. Was this ever discussed or attempted?

Ron Keel: It should have I guess, because Gene gave me a lot of input on his songs which we recorded, and he of course had a lot of input on our tunes, and we worked really well together, but it was probably a matter of time. When we were in the studio recording those albums, we were focused on the task at hand and there wasn’t much opportunity to just sit around with instruments and notebooks and create, we were pretty busy making albums. And when it was time to get away from the sessions, we’d go out to eat, or go to a club or a concert, or go to Gene’s place and watch KISS video clips.

BraveWords: A few years ago, I wrote the book The Eric Carr Story. Did you ever cross paths with Eric?

Ron Keel: Eric hung out a few times during the recording sessions, but we never got to know each other well. My impression of him was that of a really nice guy, quiet and humble when he was not behind the kit.

BraveWords: Who were some bands that Keel toured with back in the ’80s, and what are some standout memories of those tours?

Ron Keel: Of course the final leg of the Bon Jovi Slippery When Wet tour stands out – they were at their peak, these were huge arenas sold out for two or three nights (we did three nights back to back at Madison Square Garden on that tour). Another high point for us was our sold out headline tour of Japan in 1986, opening for Van Halen at the Texxas Jam that same year. Coming back to my old hometown of Phoenix opening up for Mötley Crüe in the same arena where I used to fight my way to the front row and dream of being up there centerstage. The 80’s were great, but I’m very fortunate to still be experiencing peaks that are just as gratifying – like last year’s Monsters Of Rock Cruise, when we did two badass Keel gigs, I did my solo gig, I got to sing with the guys in Cinderella, did the all-star jam with Frank Hannon, and capped it off when Lita Ford asked me to join her onstage to do the Ozzy part on Close My Eyes Forever. This year we celebrated Keel’s 30th anniversary by killing it on the main stage at the M3 Festival in Baltimore, and you can’t put a price tag on kicking that much ass.

BraveWords: What are your thoughts on Steeler, and working with Yngwie Malmsteen at the time?

Ron Keel: Steeler has a special place in metal history and certainly a special place in the hearts of the fans. Of course I tell the entire story of Steeler in my book, focusing on the positives and skipping over some of the speed bumps, but Steeler was part of a magical time in rock history during the heyday of the Hollywood metal scene, and nothing can change that. And the album we released (1983’s Steeler) has become a cornerstone of that era, so I’m very proud of that fact. Yngwie and I were both too stubborn to compromise, and it wouldn’t have mattered anyway – he would still have quit the band to join Alcatrazz when he got the call from Graham Bonnet, no matter what the situation with Steeler might have been.

Read more at Bravewords.

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source: bravewords.com