Overkill have released an official video for the song, Goddamn Trouble, from their forthcoming album, The Grinding Wheel, which will be released on February 10th. Watch the clip below.

Singer Bobby “Blitz” Ellsworth said, “We hooked up again with Kevin Custer, the director behind the videos Armorist, Bitter Pill, Rattlesnake and Bring Me The Night. It was an ‘all-day’ event in the great state of New Jersey and Kevin shot two vids for us on that cold January day, Goddamn Trouble and Shine On. A long day but well worth it as he captured the metal chaos and energy. So hit ‘Play’ and get some ‘Trouble’.”

To listen to other songs from, The Grinding Wheel, click on the highlighted song titles:

Mean, Green, Killing Machine (lyric video)
Our Finest Hour (lyric video)

The Grinding Wheel track listing:

1. Mean, Green, Killing Machine
2. Goddamn Trouble
3. Our Finest Hour
4. Shine On
5. The Long Road
6. Let’s All Go To Hades
7. Come Heavy
8. Red White And Blue
9. The Wheel
10. The Grinding Wheel

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On February 14thth, MVD Entertainment will release the feature film debut of Geoff Tate, former lead vocalist of the mega-platinum metal band Queensrÿche. Entitled The Burningmore Deaths, the horror film – written and directed by Jonathan Williams – is inspired by true events surrounding unsolved murders captured on security cameras during a production shoot of a Home Improvement TV show pilot.

Tate takes on the role of James Parrish, a man who allegedly killed his own wife and three children before disappearing without a trace. With the home now vacated and boarded up, a home improvement company gets permission to film the renovation process for a test pilot for a TV network, not knowing that Parrish had returned to take up residence once again in the derelict building. Bloody chaos ensues – and it’s all captured on camera. Watch a trailer below.

The Burningmore Deaths features an original score by Andrew Kadin with additional music by Dawn of Solace and Geoff Tate.

“I think I’ve always done it… In our own shows and with the way I present music,” said Tate. “It all has a bit of a stage acting bend to it. So this wasn’t really a stretch for me. It was just playing to a different audience, to a camera rather than a room full of people, but it’s the same thing. You play-act and you make stuff up and you present that like you would in a stage show. ”

The Burningmore Deaths will be available on all digital stores for download and also available on DVD in retail stores, the MVD Shop and on Amazon.

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Steve Baltin of Forbes spoke with Aerosmith guitarist Joe Perry at the NAMM (National Association Of Music Merchants) show in Anaheim, California. Highlights from the Q&A appear below.

Steve Baltin: What does it mean to you to be getting an award named after Les Paul?

Joe Perry: It’s like anything that has to do with Les Paul. He’s arguably one of the most influential inventors of this last century, right up there with Leo Fender. He’s just an amazing guy, to be a musician, performer and technician, just brilliant. So anyway, the fact that’s got his name attached to this award, believe me, I never thought that would be possible. Cause you think about these things, especially when I wrote the book and I’m thinking back to when I first saw a Les Paul, first heard a Les Paul, and, to me, that was tantamount to an electric guitar, that was it. It was like the gold standard and finally, when I was able to have one in my hands, the same vehicle that I saw Jeff Beck and Jimmy Page using, first thing you do is realize, “I’m playing the same guitar, how come I don’t sound like that?” There’s a lot more that goes into it. Again, Les gave us a tool that gives us a voice so to get an award with his name on it it’s a real honor. Steven [Tyler] and I have a joke, we talk about it all the time, being the last band standing. I think it has to do with being the last man standing.

Baltin: Do you…get a new appreciation for Aerosmith [when] taking a break from it?

Perry: Aerosmith is like a ship, to steer it, to make it move, it’s a big deal. There’s five of us and it’s always been a democracy, so very often it’s not as fast on its feet as an outfit like the [Hollywood] Vampires. At the drop of a hat, somebody says there’s a gig tomorrow night, we can be there and that’s one of the great things about that band. Not only is everybody road dogs and we’ve all done it we do what matters and that’s the music. And the rest of it will work itself out. And it’s totally a different thing than in Aerosmith, where there are so many things, there are riders and all this other crap. But hey, there’s a certain amount of comfort you want if you’re gonna be able to be consistent in your performance.

Baltin: What are the Aerosmith songs you go back to again and again? For me, with all the hits it’s still Kings And Queens.

Perry: That’s one, I think albums are a mirror of what’s going on in the band at any given time. I look at it like it’s a river and the water is always changing, but it’s the bucket that you take out and look to see, it’s like a little statement to where the band is at. So those albums were when we were learning how to be recording artists and not just a live band. Those couple of records, Toys In The Attic and Rocks, were the records where we moved to that next level. We learned how to use a studio, how to write songs in the studio, cause by the time the second record was done we pretty much used up all of our repertoire of music that we had written and played and played and played and did these albums that were already done. So that was the first record, Toys In The Attic, and then every record after that it was like, “Gotta make another record.” We didn’t have any material and we had to write it. And then learning how to use the studio and figuring out, “Okay, we really don’t want the drums to sound like Led Zeppelin, we really don’t want the guitars to sound like Jimmy Page,” cause we managed to have our own sound and let’s do more of that. Those were the records we were trying to figure out what it was, it was really what Aerosmith was.

Baltin: What is one song you haven’t done yet for Vampires you’d love to do?

Perry: The list is enormous cause we’re basically a cover band, so there are so many. I don’t know what the theme will be on the next one, I don’t know if we’re gonna go to that same well, just cover songs from dead people, there are so many bands that are not the original band, so they’re not the same band, it widens the scope. I would like to play a couple of AC/DC songs, they’re alive and well. But in honor of Bon [Scott] not being here I guess we can get away with that. That’s one band and maybe a couple more Hendrix songs and some Zeppelin. There’s no Zeppelin anymore.

Read more at Forbes.

source: forbes.com

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Zakk Sabbath the Black Sabbath cover band/super group featuring Zakk Wylde (Black Label Society, Ozzy Osbourne), bassist Blasko (Ozzy Osbourne, Rob Zombie) and drummer Joey Castillo (Danzig, Queens of the Stoneage) will embark on their first ever US headline tour May 19th-June 10th.

Tickets will go on sale Saturday February 4th at ZakkSabbath.live and VIP upgrade packages will be available on Monday February 6th at ZakkSabbath.VIP.

Watch a tour commercial below.

Support will come from Beastmaker (Rise Above Records) whose new album Inside The Skull will be released on May 26th.

Tour Dates:

5/19: New York, NY @ The Gramercy Theatre
5/20: Camden, NJ @ MMR*B*Q*
5/21: Columbus, OH @ Rock on the Range*
5/23: Asheville, NC @ The Orange Peel
5/25: Houston, TX @ Warehouse Live Studio
5/26: Dallas, TX @ Gas Monkey Bar N’ Grill
5/27: Pryor, OK @ Rocklahoma*
5/28: St. Louis, MO @ Fubar
5/30: Nashville, TN @ Exit/In
5/31: Atlanta, GA @ The Masquerade

6/2: Chicago, IL @ Bottom Lounge
6/4: Denver, CO @ Marquis Theater
6/6: Spokane, WA @ The Pin
6/7: Seattle, WA @ The Crocodile
6/08: Portland, OR @ Hawthorne Theatre
6/10: San Francisco, CA @ Slim’s

*No Beastmaker

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Available exclusively in North America and released in conjunction with the band’s upcoming Spring co-headline tour with Killswitch Engage – “KillThrax” – thrash metal icon Anthrax – Frank Bello/bass, Scott Ian/guitar, Joey Belladonna/vocals, Charlie Benante/drums, Jonathan Donais/guitar – announces the release of the limited edition For All Kings 7-Inch Box Set (Megaforce Records). The set goes on sale March 24th, will retail for $79.99, and is an absolutely stunning collector’s item for any Anthrax fan as this unboxing video will illustrate.

The For All Kings 7-Inch Box Setincludes a removable lenticular cover and contains 10 7-inch vinyl discs featuring 20 songs – the 11 finished album tracks, two brand new covers (The White Stripes’ Black Math and the classic Kansas song Carry On), six demos from the FAK track listing, and Vice of the People, a bonus track previously released only in Japan and now making its North American vinyl debut. The original album cover art sketch by Alex Ross is also part of this package, as well as a download card enabling the holder to access the Box Set’s tracklisting for free.

Each 7-inch disc features gorgeous, double-sided four-color artwork designed by Douglas Heusser with additional art by Stephen Thompson, as well as band photos by Jimmy Hubbard. The tracks are pressed onto different-colored vinyl discs – red, green, blue, maroon, orange, most with a two-color swirl design.

“Doing a box set edition of For All Kings was something that we’ve always wanted to do,” said Benante, who worked closely with Heusser and Thompson on the box set’s artwork. “We wanted to do something special, something that was so much more than the original release, and have it be fun for our audience when they open it up, just be floored by the different colored vinyl, the artwork, everything that’s inside. And we think we’ve done that.”

The complete For All Kings 7-Inch Box Set track listing is below along with dates for “KillThrax” tour.

For All Kings 7-Inch Box Set track listing:

Breathing Lightning (album version)
Breathing Lightning (demo)

Monster At The End (album version)
Monster At The End (demo)

Suzerain (album version)
Suzerain (demo)

Black Math (White Stripes cover)
Carry On (Kansas cover)

You Gotta Believe (album version)
For All Kings (album version)

Evil Twin (album version)
This Battle Chose Us (album version)

All Them Thieves (album version)
Vice of the People (previously unreleased in North America)

Zero Tolerance (album version)
Zero Tolerance (demo)

Blood Eagle Wings (album version)
Blood Eagle Wings (demo)

Defend Avenge (album version)
Defend Avenge (demo)

“KillThrax” Dates:


29 The Wellmont Theatre, Montclair, NJ *
30 LC Pavilion, Columbus, OH **
31 Arcada Theatre, St. Charles, IL (Anthrax only)
31 The International, Knoxville, TN (KsE only)


1 Little River Casino, Manistee, MI (Anthrax only)
1 Norva, Norfolk, VA (KsE only)
3 The Fillmore, Silver Springs, MD *
4 The Dome, Wallingford, CT *
5 Electric Factory, Philadelphia, PA **
7 20 Monroe Live, Grand Rapids, MI *
8 The Fillmore, Detroit, MI **
9 Stage AE, Pittsburgh, PA *
11 The Ritz, Raleigh, NC **
12 Tabernacle, Atlanta, GA **
13 House of Blues, Orlando, FL *
15 Texas Independence Festival, Austin, TX **
16 Boggus Ford Events Center, Pharr, TX **
17 House of Blues, Houston, TX *
18 House of Blues, Dallas, TX **
20 The Marquee, Phoenix, AZ *
21 Las Rageous, Las Vegas, NV *
22T The Wiltern, Los Angeles, CA **
23T The Fillmore, San Francisco, CA **
25 Showbox SoDo, Seattle, WA *
26 Roseland Theatre, Portland, OR **
28 Fillmore Auditorium, Denver, CO *
29 Sokol Auditorium, Omaha, NE **
30 Midland Theatre, Kansas City, MO *


1 The Pageant, St. Louis, MO **
3 Danforth Music Hall, Toronto, ON CANADA **
5 Paramount Theatre, Huntington, NY **
6 Upstate Concert Hall, Clifton Park, NY *
7 House of Blues, Boston, MA*

* – KsE closes
** Anthrax closes

For more information, visit anthrax.com.

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Legendary Aerosmith guitarist Joe Perry is pictured above after being presented with the Les Paul Award at 32nd Annual NAMM TEC Awards, Saturday, January 23rd.

Perry was presented with the prestigious honor by his Hollywood Vampires bandmate Johnny Depp, who said Perry was “his hero” and “the reason I picked up the guitar in the first place.”

The two were joined by Aerosmith guitarist Brad Whitford, Robert DeLeo (Hollywood Vampires, Stone Temple Pilots) and Glen Sobel (Alice Cooper) for a three-song set–Boogie Man, Combination, Walk This Way–before Perry’s Hollywood Vampires partner Alice Cooper joined in on Train Kept A Rollin’ and Sweet Emotion.

The annual Les Paul Award is given on behalf of the Les Paul Foundation and honors individuals that have set the highest standards of excellence in the creative application of recording technology in the spirit of the famed audio pioneer, inventor and musician, Les Paul. Perry was honored alongside famed Aerosmith engineer and producer Jack Douglas, who was inducted into the NAMM TEC Hall of Fame (which was created nearly thirty years ago to honor pioneers of audio technology, as well as the music industry’s most accomplished producers and audio technicians) earlier in the evening.

In related news, Perry recently spoke with Loudwire about Aerosmith’s forthcoming Aero-Vederci Baby tour, read what the guitarist had to say, here.

Photo credit above: Zack Whitford

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