RATT DRUMMER BOBBY BLOZTER TALKS TO EDDIE ABOUT ALL THE DRAMA SURROUNDING THE BAND

Ratt drummer Bobby Blozter was a recent guest on Eddie’s Sirius/XM’s shows, Eddie Trunk Live where he discussed touring without any of the original members of the band and the legal battles over ownership the band name. Excerpts from interview appear below as transcribed by blabbermouth.net.

On continuing to tour as Ratt without any other members of the band’s classic lineup:

Blozter: “I’m very proud of the band and the success of the band and the whole thing, ’cause, trust me, in doing this out of absolute frustration and anger, because I was the only person, and have been so many times in Ratt, trying to rally the band. You can’t take five years off, especially when you’re Stephen Pearcy’s [formersinger] age, and my age. He’s the older one… He’s only a year and a half older than me, but I’m just saying. Next month I’ll be 58, and I’m conveying this to these guys: ‘What do we got here?’ Seriously. Fifteen years? You see a lot of guys touring into their later years this day and age, but not with the aggressive style of music that Ratt plays.

“I’m ready to keep going. I’m playing really good. I think I’m playing the best I’ve ever played, frankly. We work hard at this, and everybody’s real dedicated. So, I’m just so happy to be out there playing the catalog, and bringing Ratt N’ Roll out there; [the fans] still want it. And they don’t really… I hate to say this… They wanna hear it done with great integrity, conviction, performance, show… everything. They just wanna hear the music and have it sound like the records. And I’ve seen other bands that have one, two, three [original members]… whatever, they go out and I look around and I’m, like, ‘Wow, [the fans are] f–king loving it,’ and they don’t really care if Joe Smith is on bass, or whatever.”

Talking about the criticism he has received for touring without any other original band members:

Blozter: “I don’t go on the Internet and I don’t read all these freaky… I’m not gonna read that junk, because you know what? Every night, when I walk on a stage, and there’s five thousand, six thousand… We’re playing big gigs, man. There’s some smaller ones in there, but they’re fifteen-hundred seaters, or whatever, but you’ve gotta keep working and keep spreading the good word. I walk out and see those faces and feel that love and give that love. It’s, like, it all fades… all the negativity. I don’t listen to it. I don’t care. F–k you, guys. You don’t like it? F–k off.

Not everybody is on MetalShit.com and BlabberFace.net. Who cares? There’s such a small amount of people, really, that do that. Because [we’re playing to] people [who] have no idea about [the drama that is reported on] those sites…”

Discussing the legal battle between him and [guitarist] Warren DeMartini over the rights to the Ratt name, with the guitarist filing a lawsuit last fall claiming that the drummer was falsely advertising his “tribute band” as the real thing:

Blozter: “He’s not moving forward, he’s moving backwards, and it’s gonna be a year and a half soon [since he filed his lawsuit], and this thing [the court case] ain’t gonna see the light of day — if it makes it to the light of day — ’till, I don’t know… ’18 or something stupid. I’m not a litigious kind of guy. I’m not looking for f–king lawsuits; I hate it. I hate it. Rate has been embroiled and tangled… Since Out Of The Cellar came out, we always were being sued, and we were always paying fortunes to fight things and settle things instead of paying the lawyers…

I was willing to give up my ownership of the name. I wanted to give them [Pearcy and Croucier] their portion of the name that they wanted, that Warren didn’t wanna give. He didn’t wanna give it, but he didn’t wanna play unless it was the original band. Basically, he was just putting us in f–king no man’s land. We’re not moving; him and I own a hundred percent of nothing; these guys are on strike, so the band will sit, sit, sit. And in that time, we age, age, age. And I just had to make a move, man. And it was a big one. And it’s doing great.

Warren has been breaching fiduciary duty for years. Him and I, as members of the band and just officers of the [corporation], we have to perpetuate business for that corporation; that is our duty. I have been doing that all along. I’ve always been pushing Ratt: ‘Let’s go. Let’s work. Let’s work.’ I mean, that’s what I wanna do. I’m a businessman and an artist/musician. I wanna play and earn for my family. It’s real simple.

[Warren] is suing me. But the funny thing is that, while he’s doing that, he’s calling our business manager, going, ‘Am I getting a check?’ It’s, like, ‘No. Drop the frivolous lawsuit and then yes.’ But maybe not then, because I haven’t had my chance at him yet. I won’t get into that portion of it. But this thing has gone on and on. It’s not gonna see the court now until next spring, and then from there on, probably ’till ’18, if it doesn’t get thrown out [before then]. It has no merit. It’s a frivolous bulls–t lawsuit and I don’t know why he’s perpetuating it, other than maybe the head of the household, his wife, is pulling the strings. I don’t know. I wish he’d cool it. ‘Come out and play some shows, Warren. [Laughs]”

On his legal battle with former bassist Juan Croucier:

Bobby: “The problem with the others that got involved, like with Juan using the Ratt logo [for his new band Ratt’s Juan Croucier]. Well, it turns out that Warren gave him the right to do that. He can’t do that. I mean, that’s a big thing for this case for him. I’m surprised that he actually did that, ’cause that’s just unbelievable. ‘Cause Juan Croucier, I said, ‘Please take that down. Take the logo down. Don’t get into this mess.

He’s escalated now on his third attorney. He’s trying to suggest now, as a last-ditch effort, that he didn’t know WBS, since 1987, was the corporation in which Ratt did their business, because he didn’t wanna go out on tour, so he was expelled from the [corporation]. We closed the old [corporation], and opened WBS. We did it to the letter of the law, with a legal team advising us. So at this point now, he’s trying to allege — and it’s just absolute lies — to the court, and they see this, that he never knew that WBS was an actuality of the company, even though he accepted certified letters years and years ago — back to ’97, ’98. He said he never knew about it ’till about a year ago. Well, he admitted under oath that he did know about it in 2001. I mean, this kind of craziness is going on, and I’m just sitting there watching it, going, ‘Oh my God! This is unbelievable.’

I went after [Juan] to stop [him from] using the RATT logo. He doesn’t own it; Warren and I own it. He [has since] augmented it. He had the Ratt logo. It said Ratt with the logo and then a little ‘S’ at the end: Ratt’s Juan Croucier. For him to be doing this, I can’t understand the recklessness in it, because he stands to really… The judgment that could come down could be very, very serious to him and for us at WBS, Inc. So the fact that Warren gave him — and Juan, he said this under oath, under the penalty of perjury, and he’s got the e-mail — that Warren gave him the right to use the Ratt logo.”

What about his current relationship with [former Ratt singer] Stephen Pearcy?:

Bobby: “Well, Pearcy, I’ve been talking to him over the last year or so. I called him and we had minor texting or e-mailing or whatever going on, and I said, ‘Smart move, man, to keep your nose out of this mess.’ He knows all along who the culprit of this has been — it’s been Warren, who’s stopped everybody from working ’till he gets his way. Then all of a sudden, the dynamic changed and Juan’s not gonna play and he got Stephen to not play unless they get the name. I’m open to giving the name. Who gives a s–t about the name? As long as everybody gets what we get… I want everybody to get for life… Even if you can’t play, you broke your back… whatever. But you’ve gotta put your time in and not do two tours and then quit and think you’re gonna walk out owning the name. That’s the position I came from. Give seven years of solid touring with no f==kups and you get what you want, and we all get what we want, which is to play together.”

Speaking about the recent photo that surfaced of Pearcy, Croucier and DeMartini at a Los Angeles birthday party, fueling speculation that they could form their own version of Ratt to rival his version of the band:

Blozter: “Well, it’s absurd. It ain’t gonna happen. Warren can’t do that. If Warren was to join up in that thing, he would be in competition with his own band and corporation — Ratt, WBS… Ratt. He would be kicked out on his rear end so quick… They’d have to call it something else; they couldn’t call it anything but something else….”

additional source: blabbermouth.net

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ANTHRAX TO APPEAR ON “LATE NIGHT WITH SETH MEYERS,” ON AUGUST 24TH, BAND WILL ALSO BE ON FACEBOOK AT 2PM EST

Could there be any other time or situation when you would find legendary Oscar-winning-actor Robert DeNiro and thrash/metal pioneers Anthrax on the same bill? Likely not, so don’t miss this once-in-a-lifetime opportunity – tune into Late Night with Seth Meyers tomorrow, Wednesday, August 24th. Late Night with Seth Meyers airs on NBC at 12:35AM/11:35PMc.

But before you do that, Anthrax will be on Facebook Live tomorrow at 2:00PM ET from backstage at the “Late Night” studios. Got a question you’ve always wanted to ask the band? Then get it ready and log on to facebook.com/anthrax.

In other Anthrax news, the band will be playing Brooklyn’s Saint Vitus Bar on Friday, September 16th to benefit Gilda’s Club NYC. The event is sold is out.

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DEE SNIDER’S “WE ARE THE ONES” OUT OCTOBER 28TH; EXCLUSIVE PRE-ORDER ITEMS AVAILABLE ON PLEDGEMUSIC NOW

As announced on Billboard.com earlier today, legendary Twisted Sister frontman Dee Snider will officially release his vibrant new solo album, We Are The Ones, October 28th on Red River Records (Distributed by BFD/RED).

Not wanting to waste any time in getting his legions of fans excited about We Are The Ones, Dee has launched a PledgeMusic campaign that offers a wide selection of exclusive items, as well as a discounted digital download of the full album upon the release date, including signed drumheads, lyric sheets, guitars, guitar pedals, a signed microphone, and even signed and numbered Dee Snider Legos. Also, a very special dinner with Snider and producer Damon Ranger that includes an early listen of the new album, and having Snider record a fan’s choice of an outgoing voicemail message, “Happy Birthday” or other personalized message as a MP4 digital file. The grand incentive is a full band private performance anywhere in the U.S. All pre-orders come with the AccessPass, which will give fans exclusive artist updates and a behind-the scenes look at the making of the record. To pre-order the record, please visit pledgemusic.com/projects/deesnider.

Produced by Grammy®, Emmy® and Oscar® winning songwriter, Damon Ranger, We Are The Ones crackles with modern energy, from the call-to-arms manifesto of Rule the World, to the anthemic bonding of So What (complete with, yes, a string section) to the intensely synth driven Close to You, to the thematically soaring Superhero (a song tailor-made for running over the end credits of the next Marvel or DC movie blockbuster if ever there was one). Another significant highlight of the album is a newly re-recorded acoustic version of We’re Not Gonna Take It which has also been tapped the official anthem for The Recording Academy’s advocacy efforts, including the Fair Play Fair Pay Act. Recently performed in Washington D.C. at the annual GRAMMYs On The Hill event, a video of the song can be viewed at here.

Also featured on We Are The Ones is an explosive cover of Nine Inch Nails’ Head Like A Hole.

“I always thought it was a great song, a powerful song,” Snider explains, “I can’t wait to do that one live. Like We’re Not Gonna Take It is iconic, Head Like a Hole is iconic for that era.”

Dee Snider is currently working on a fall tour, which will be announced in the coming weeks.

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METALLICA RELEASE LIVE PERFORMANCE OF “HARDWIRED,” RECORDED IN MINNEAPOLIS, MN

Metallica have released a video featuring their live debut of latest song, Hardwired, which was shot in Minneapolis over the weekend. Watch it below.

Drummer Lars Ulrich revealed that, since, Hardwired… To Self-Destruct, had been recorded on an instrument-by-instrument basis, Metallica hadn’t played Hardwired together as a band until five days before the show.

He told Rolling Stone, “I’ve been getting lots of cool texts from buddies, talking about how much they’re digging the new song. It’s a good time to be alive.”

He added, “That’s actually the last song we wrote for the record. We started this album by throwing different ideas around. The shape of it, as a collection of songs, didn’t come into focus until we were deep into it. At that point, the songs were getting tighter, shorter and leaner.

A couple of months ago, we were taking stock of the record and thought maybe we should write one more fast, little crazy song, and that became Hardwired. It just kind of happened. I think James and I and I wrote and recorded it in less than a week – which, for us, is basically a nanosecond.”

To read more about Hardwired… To Self-Destruct and to view the official video for, Hardwired, please click here.

Hardwired… To Self-Destruct is set to be released, on November 18th.

additional source: Metal Hammer via teamrock.com

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AXS CATCHES UP WITH LITA FORD AND EDDIE TRUNK AT SIRIUS/XM’S HAIR NATION’S BATTLE OF THE BANDS IN HOLLYWOOD

Sari Cohen of AXS reports:

With the upcoming SiriusXM’s Hair Nation Festival happening at Irvine Meadows Amphitheatre on Saturday, Sep. 17, the world of rock was front and center on Wednesday night to celebrate the occasion. The gathering was all about the official SiriusXM’s Hair Nation Festival Battle of the Bands which took place at the legendary Whisky A Go-Go. The event featured performances from several unsigned bands competing in hopes of winning an opening slot for one of the stages at the festival next month.

Judges for the evening included Eddie Trunk, Lita Ford, Tracii Guns (LA Guns), Brent Woods (guitarist for Sebastian Bach), and Jay Ruston (producer/engineer for artists such as Anthrax, Steel Panther, Stone Sour, The Winery Dogs, and more). AXS.com was there to speak with some of the judges and to hear all of the new music firsthand as the bands took the stage.

…Lita Ford told AXS, ““[Rock music] it’s really changed. Mainly, it’s not just for men anymore. In The Runaways days we would play a show and we would look out into the audience and it would just be all dudes…But now, you go out and half the front row is women. They’re cheering you on and singing every word. It’s really cool to see”. When it comes to today’s women in rock, Lita sang the praises of Lzzy Hale, and even mentioned that they have some upcoming shows with the band this October.

[AXS spoke with our very own] Eddie Trunk about the evolution of music through the years and explained, “Strictly speaking in rock, the ‘80s became like two different worlds. You had the hard rock stuff, which is really what this festival is about and then you had the harder metal side, which was [groups like] Metallica, Anthrax, Megadeth, and Slayer. Both of those genres did really well and coexisted side by side for a while”. Eddie expressed, “One of the things that I really like about what’s happening now is that there’s a real movement it seems, to go retro”. For him, groups such as Rival Sons and Monster Truck have the ability to capture that kind of Rock N’ Roll essence today.

The TV and radio host then left some valuable words of wisdom to musicians out there, “Write great songs. It’s the thing that really separates people from the pack. Production and playing, all of that can be worked on, that can all be built on, but can you write great songs?”

Read more by clicking, here.

source: axs.com

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DISNEY CENORS STEVEN TYLER’S OBJECTIONAL HAND GESTURE

A video of Aerosmith playing before the Rock N’ Roller coaster ride in Disney World’s Hollywood Studio’s was recently edited to remove Steven Tyler giving the “shocker” hand gesture — 17 years after the clip first started airing.

Tyler — who is no stranger to acting lewd — addressed Disney’s late attempt at censorship on Facebook, joking, “Well now I am in ‘shock.’”

“YOU KNOW I WOULD OWN UP TO THIS DOOZIE…WAY TO GIVE ME THE FINGER NOW Walt Disney World…17 YEARS LATER…SEE YOU NEXT WEEK,” he wrote. “HERE’S TO THE GREATEST RIDE AT DISNEY.”

The ride is an indoor roller coaster that takes thrill-seekers on a limo ride while Aerosmith songs play in the background. The intro video featuring Aerosmith is played before riders enter the cars.

The singer visited the attraction back in March and rode the coaster for his 68th birthday.

The now-edited version of the video shows Tyler holding up four fingers, rather than the inappropriate gesture.

He also tweeted at Walt Disney World, questioning “what exactly do you think this means?” along with a photo of him wearing a hat that reads “f–k” (see below).

It’s unclear why Disney decided to edit the footage years later.

Steventylerfdisney500

additional source: nydailynews.com/entertainment/music

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